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[Sir Peter Paul Rubens] - Bulckens, Koen
Reference : 116014
(2017)
ISBN : 9781909400863
The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Corpus Rubenianum Ludwig Burchard. 5.2
Bulckens, Koen: The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Turnhout: 2017. Series: Corpus Rubenianum Ludwig Burchard. 5.2. 360 pages; 149 black & white and 46 colour illustrations. Hardback. 26.5 x 18cms. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
Krasse koppen, Rubens, Rembrandt en Vermeer.
, Hannibal Books, 2023 HB, 265 x 220 mm, 196 pages, NL edition. ISBN 9789464666649.
Unieke kijk op de 'tronies' in de kunst uit de Nederlanden Onze fascinatie voor gezichten is van alle tijden en culturen. Krasse koppen ? Rubens, Rembrandt en Vermeer belicht een merkwaardig genre in de schilderkunst dat nog maar weinig aandacht kreeg: de zogenaamde tronies, die vooral een gevoel of karaktertrek verbeeldden. Bij deze ?koppen? deed de identiteit van het model er niet toe, waardoor de schilder vrijuit zijn gang kon gaan. De grootste meesters tekenden en schilderden tronies: D rer, Massijs, Bruegel, Rubens, Rembrandt, Vermeer? Krasse koppen brengt nieuwe inzichten over een genre dat ouder en veelzijdiger is dan we denken. Met tientallen afbeeldingen en met reflecties van hedendaagse kunstenaars voor wie het gezicht tot het wezen van hun werk behoort. Catalogus bij de gelijknamige tentoonstelling in het KMSKA in Antwerpen (van 20 oktober 2023 tot 21 januari 2024) en de National Gallery of Ireland in Dublin (van 24 februari tot 26 mei 2024).
DR LES DE T TES, Rubens, Rembrandt et Vermeer
, Hannibal Books, 2023 HB, 265 x 220 mm, 196 pages, FR edition
Vue unique sur les trognes de l'art des Pays-Bas Notre fascination pour les visages traverse les poques et les cultures. Dr les de t tes ? Rubens, Rembrandt et Vermeer se concentre sur un genre remarquable de la peinture, jusqu?ici quelque peu d laiss : les trognes , qui repr sentent surtout un sentiment ou un trait de caract re. Dans ces t tes, l?identit du mod le importe peu, si bien que le peintre peut laisser libre cours son imagination. Les plus grands ma tres ? D rer, Massijs, Bruegel, Rubens, Rembrandt, Vermeer? ? ontdessin et peint des trognes. Dr les de t tes jette un nouvel clairage sur ce genre, plus ancien et plus divers qu?on ne le pense. Avec des dizaines d?illustrations et les r flexions d?artistes contemporains pour qui le visage est au centre de l??uvre. Catalogue de l'exposition du m me nom au KMSKA Anvers (du 20 octobre 2023 au 21 janvier 2024) et la National Gallery of Ireland Dublin (du 24 f vrier au 26 mai 2024). le mus e retrace l' volution d'un nouveau genre, celui de la tronie. Au XVIIe si cle, l'int r t pour la tronie, mot ancien signifiant visage, est son apog e. Des artistes tels que Pierre Paul Rubens, Rembrandt et Johannes Vermeer d ploient toute leur habilet pour peindre le visage. Les tronies sont souvent des ouvres de petite taille, prodigieusement peintes, dessin es ou grav es. C'est dans ces ouvres intimistes que nous rencontrons au plus pr s l'artiste. Le KMSKA consacre au genre la plus importante exposition jamais r alis e. Pour Grosses t tes, le mus e r unit pas moins de 76 chefs-d'oeuvre, nationaux et internationaux, les ouvres les plus pertinente
Turning Heads, Bruegel, Rubens and Rembrandt
, Hannibal Books, 2023 HB, 265 x 220 mm, 196 pages, ENGLISH edition ISBN 9789464666786.
Unique view on the 'tronies' in art from the Netherlands Our fascination for faces transcends eras and cultures. Turning Heads ? Rubens, Rembrandt and Vermeer highlights a remarkable genre in painting to which little attention has so far been paid: tronies or study heads, which were intended first and foremost to depict an emotion or a character trait. Since the model?s identity did not matter, painters could truly go to town with these heads. Tronies were drawn and painted by some of the greatest masters: D rer, Bruegel, Massys, Rubens, Rembrandt and Vermeer, to name just a few. Turning Heads offers a fresh insight into a genre that is older and more varied than you might think. This book includes dozens of illustrations plus the thoughts of contemporary artists for whom the face is essential to their own work. Catalogue for the exhibition of the same name at the KMSKA in Antwerp (from October 20, 2023 to January 21, 2024) and the National Gallery of Ireland in Dublin (from February 24 to May 26, 2024).
Early Rubens, Expo: 6/4/2019 - 2/9/2019, Legion of Honour, San Francisco
, DelMonico Books, 2019 HB, 280 x 240 mm, 280 p, 100 colour illustrations, English edition. ISBN 9783791358444.
This book charts the evolution of Peter Paul Rubens's style from 1608 until 1620 and his rise from relative anonymity to celebrity. In 1600, Peter Paul Rubens left his home in Antwerp to travel to Italy and study the Italian masters. Eight years later, he returned to Belgium and quickly established himself as one of the foremost painters in Western Europe. This book explores Rubens's work from 1608 until 1620 and how, acutely aware of the possibilities for commercial success, he rose to fame by establishing a "brand" and promoting himself. He created multiple versions of paintings with subjects that had proven to be successful, used similar subject matter of famous artists in the past, and sought collaborators to create more ambitious works than he could have done alone. He also created a studio and workshop with numerous students and assistants, the most famous being Anthony van Dyck who frequently collaborated with Rubens. Through paintings, drawings, and prints, this book shows how a desire for commercial success influenced and changed Rubens's artistic style. Essays delve into Italy's effect on Rubens, on the narrative aspect of his paintings, and how he managed commissions from famous patrons. Filled with new insights on the most fruitful phase of Rubens's career, this book offers a refreshing look at one of the most influential Baroque artists
