Bryant, Julius: The Great Exhibition in Art. Picturing the First World's Fair, 1851. 2025. 160 pages, 150 colour and black & white illustrations. Hardback. 27 x 22.8cms. A study of The Great Exhibition of 1851. Drawing on the V&A's collections to document Prince Albert's vision for the Exhibition alongside the planned and actual routes as recorded in official engravings, maps and guidebooks; the opening and closing ceremonies as depicted in prints; the official visual record of the Exhibition; and souvenirs, popular press and ephemera. Bringing to life the 19th-century visitor's experience through reproductions of period images from definitive official publications, commercial guides, souvenirs, music scores, poems and satirical periodicals. Including the story of the founding of the Victoria and Albert Museum which shared the Exhibition's mission to educate the public about art, design and taste.
A study of The Great Exhibition of 1851. Drawing on the V&A's collections to document Prince Albertâs vision for the Exhibition alongside the planned and actual routes as recorded in official engravings, maps and guidebooks; the opening and closing ceremonies as depicted in prints; the official visual record of the Exhibition; and souvenirs, popular press and ephemera. Bringing to life the 19th-century visitorâs experience through reproductions of period images from definitive official publications, commercial guides, souvenirs, music scores, poems and satirical periodicals. Including the story of the founding of the Victoria and Albert Museum which shared the Exhibition's mission to educate the public about art, design and taste
Thames & Hudson (11/2022)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780500480694
"THE NATIONAL MUSEUM OF ART ""DESIGN"". Non daté. In-8. Broché. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 136 pages. Nombreuses illustrations et photos en noir et blanc et en couleurs, dans le texte et hors-texte.. . . . Classification Dewey : 708-Galeries, musées, collections d'art"
Accompagné d'un plan dépliant du Musée. Classification Dewey : 708-Galeries, musées, collections d'art
The National Museum of Art & Design. Non daté. In-8. Broché. Etat d'usage, Couv. convenable, Coiffe en tête abîmée, Intérieur bon état. 136 pages. Illustré de nombreuses photos en couleur. Couverture détachée.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
Texte en français. Classification Dewey : 708-Galeries, musées, collections d'art
THE NATIONALE MUSEUM OF ART & DESIGN. NON DATE. In-8. Broché. Bon état, Couv. convenable, Dos frotté, Intérieur frais. 136 pages - nombreuses photos et illustrations en noir et blanc et en couleurs dans et hors texte - texte en 3 colonnes.. . . . Classification Dewey : 708-Galeries, musées, collections d'art
Classification Dewey : 708-Galeries, musées, collections d'art
English Heritage - Savills. 1995. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 84 pages. Plan en couleur en frontispice. Illustré de nombreuses photos et de quelques plans en couleur et en noir et blanc, dans et hors texte.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
The interior. The building. The collections... Classification Dewey : 420-Langue anglaise. Anglo-saxon
, Thames and Hudson , 2022 Hardcover, 288 pages, ENG, 300 x 235 mm, NEW, dustjacket, illustrations in colour and b/w. ISBN 9780500480694.
The story of the illustrated book from the earliest printed books to the present day, told through the collections of the V&A's National Art Library. Throughout history, images have been used to reflect the meaning of words and to enhance our understanding of texts. With the invention of mechanized printing in Germany in the 15th century, illustrated books were no longer the preserve of the elite and became a source of knowledge, instruction and pleasure for a wider audience. Traditional accounts of the illustrated book survey its history in terms of technological advances, from illumination to hand-drawn illustrations and photography. This study offers a new approach, grouping books by subject - from natural history and travel to art, architecture and fashion. Gathered here are some of the most influential and compelling examples of the illustrated book, all chosen from the collections of the National Art Library at the Victoria and Albert Museum, London. Each chapter starts with a general introduction to the subject, followed by key examples accompanied by narrative captions. The commentaries range beyond the illustrations to consider the whole book, the design, typeface, binding, inks and papers. Many of the books are not on display to the public and have been specially photographed for this volume. Most examples have been chosen for their significance, being innovative and beautiful. But humble books, often overlooked in histories, have also been selected, when particularly effective in their field, or simply memorable. From beautiful printed Psalters and Books of Hours, to striking natural history books such as Audubon's Birds of America, La Fontaine's Fables illustrated by Marc Chagall, Serlio's treatise on architecture and Owen Jones's Grammar of Ornament, this book gives a fascinating overview of some of the finest illustrated books ever created. In the face of recent pronouncements about the death of the printed book, this volume demonstrates the enduring appeal of the illustrated book.