Kiøbenhavn, Soldin, 1796. Lille8vo. Originalt blåt blankt kardusomslag. Stempel på titelbladet ""Hvedholm Bibliotek"". På indersiden af foromslaget i egen hånd ""Bille Brahe"". 46,(2) pp.
Den sjældne originaludgave. ""Aristokraternes Catechismus"" er en efterligning af P.A. Heibergs købmandskatekismus.""Malthe Conrad Bruun var under indflydelse af ateisten Otto Horrebow (se bl.a. hans artikel i Jesus og Fornuften, 1799) og gav her sin samfundssatire og sine voldsomme angreb på adel og enevælde en gudsbespottelig form. Satiren fik biskop Nicolai Edinger Balle til under henvisning til Danske lov (6,4,14) at indberette skriftet til kancelliet. Af frygt for konsekvenserne flygtede Malthe Conrad Bruun.""(DBL).
Kiøbenhavn, Soldin, 1796. Lille8vo. Samtidig marmoreret omslag. 46,(2) pp. Svag skjold på de sidste blade. lidt spredte brunpletter.
Den sjældne originaludgave. ""Aristokraternes Catechismus"" er en efterligning af P.A. Heibergs købmandskatekismus.""Malthe Conrad Bruun var under indflydelse af ateisten Otto Horrebow (se bl.a. hans artikel i Jesus og Fornuften, 1799) og gav her sin samfundssatire og sine voldsomme angreb på adel og enevælde en gudsbespottelig form. Satiren fik biskop Nicolai Edinger Balle til under henvisning til Danske lov (6,4,14) at indberette skriftet til kancelliet. Af frygt for konsekvenserne flygtede Malthe Conrad Bruun.""(DBL).
Kiøbenhavn, Soldin, 1796. Lille8vo. Samtidig hldrbd., marmorerede permer. 46,(2) pp. Lidt spredte brunpletter.
Den sjældne originaludgave. ""Aristokraternes Catechismus"" er en efterligning af P.A. Heibergs købmandskatekismus.""Malthe Conrad Bruun var under indflydelse af ateisten Otto Horrebow (se bl.a. hans artikel i Jesus og Fornuften, 1799) og gav her sin samfundssatire og sine voldsomme angreb på adel og enevælde en gudsbespottelig form. Satiren fik biskop Nicolai Edinger Balle til under henvisning til Danske lov (6,4,14) at indberette skriftet til kancelliet. Af frygt for konsekvenserne flygtede Malthe Conrad Bruun.""(DBL).
FRANCE LOISIRS. 1985. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages - nombreuses illustrations couleurs dans et/ou hors texte - annotation à l'encre sur la page de garde. . . . Classification Dewey : 611-Anatomie humaine
Adaptation de Daniel Alibert-Kouraguine - Illustrations de Patricia J. Wynne Classification Dewey : 611-Anatomie humaine
France loisirs. 1985. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 95 pages augmentées de nombreuses illustrations en couleurs dans et hors texte.. . . . Classification Dewey : 611-Anatomie humaine
Classification Dewey : 611-Anatomie humaine
CASSAS, Louis François ; LEGRAND Jacques Guillaume ; Guillaumot, C.- A. ; Bruun-Neergaard ; Vaudoyer, L. ; Séguier, Jean-François ; David (Jacques-Louis ; le Citoyen) : Regnault, Jean-Baptiste ; le Citoyen)
Reference : 141539
(1806)
P., imp. Leblanc ; impr. de H.-L. Perronneau, an X ; Martinet, an X ; slnd ; imp. de Migneret, sd ; Nismes, chez Gaude, 1776 ; Didot L'ainé, an VIII ; Imp. Delange, an VIII 1806 In-8, demi-basane, XXIV- 196 pp. avec 9 planches dépliantes ; IV- 26 pp. ; 39 pp. ; 23 pp. ; 10 pp. & 4 planches ; 8 pp. & 1 planche ; 57 pp. Grande planche dépliante ; 16 pp. ; 11 pp. Reliure usée avec des manques, charnières fendillées fragiles. Lég. humidité en pied au début et en fin de volumes.
Kjöbenhavn (Copenhagen), Steens Forlag, 1834. 12mo (15 x 9,5 cm). Lovely contemporary brown half calf with gilt ornamentation to spine. General wear along hinges and edges of boards. But overall a very nice copy. Tight and fine. Book-plate of Kaj Christensen (1960'ies) to inside of front board and and ownership signatures to front free end-paper (""W. Unsgaard"" and ""N. Neiidendam / 1900"") along with blindstamped ovnership stanp of Johan G. Melbye. Later pencil-annotation to inside of front board (stating that only tow copies are said to be preserved on private hands). VI, (2) pp. + 48 engraved and finely handcoloured plates. All the blank leaves inbetween the plates preserved as well.
Exceedingly scarce - one of only a handful of copies knwon to exist - first, and only, edition of Bruun’s “Collection of Costumes From the Danish Scene” from 1834, which contains 48 wonderful, engraved and handcoloured plates of costumes from some of the most famous plays and operas performed at the height of the Danish stage, including nine costumes to four of Mozart’s operas: La Nozze di Figaro, Don Giovanni, The Magic Flute, and Seraglio. These 48 magnificent plates showcase the wonderful diversity of the Danish stage at the time, the strong Gothic influence, the great influences of both German and French romanticism, and the influence of the Orient upon costumes of the Danish stage as well (eg. Seraglio, Lulu). In addition to the costumes for the operas by Mozart and for some of the most cherished Scandinavian plays (primarily Holberg), we have costumes for a wonderful array of other plays and operas that showcase the great influx upon Danish performance from many parts of Europe – Austria, Germany, France, Italy, United Kingdom. We have for instance Cinderella (Cendrillon), Monteverdi’s The Combat of Tancredi and Clorinda, La Dame Blanche, Beckford’s Azemia, Weber’s Der Freischutz and his Preciosa (which is based upon a novella by Cervantes). The full list of costumes is as follows: 1: Saft - i Sovedrikken. 2 & 3: Salomon Goldkalb & Brant – i Kong Salomon og Jörgen Hattemager. 4-6: Anna, Casper & Samiel - i Jaegerbruden. 7: Pantsatte Bondedreng – i Stykket af samme Navn (i.e. in the play by the same name). 8. Joseph – i Joseph og hans Brödre. 9 & 10: Montefiascone & Cendrillon - i Cendrillon. 11: Wenceslaus - i Herman von Unna. 12: Roux – i Röverborgen. 13: Hans Mortensen - i Aprilsnarrene. 14: Amenaide - i Taneredo. 15: Geert Westphaler - i Stykket af samme Navn (in the play by the same name). 16: Geske - i Den politiske Kandestöber. 17: Barthel - i Viinhösten. 18: Azemia - i Stykket af samme Navn (in the play by the same name). 19: Don Juan - i Stykket af samme Navn (in the play by the same name). 20 & 21: Jane & v. Thyboe - i Jacob v. Tyboe. 22 & 23: Preciosa & Pedro - i Preciosa. 24: Ariel - i Alfen som Page. 25 & 26: Valborg & Erland - i Axel og Valborg. 27 & 28: Hvide Dame & Georg Brovn – i Den hvide Dame. 29 & 30: Syvald & Rödhætten - i Deodata. 31-33: Almaviva, Bazile & Figaro - i Figaros Giftermaal. 34. Trampel - i Fugleskydningen. 35 & 36: Constance & Blonde - i Bortförelsen af Serailet. 37-39: Dilfeng, Barka & Lulu - i Lulu. 40 & 41: Mad. Voltisubito & Ledermann - i Recensenten og Dyret. 42: Zoe - i Væringerne i Miklagard. 43-45: Papageno, Monostatos & Papagena - i Trylleflöjten. 46 – 47: Mad. la Fleche & Arv - i Jean de France. 48: Jeppe - i Jeppe paa Bjerget. Many of the costumes with depiction of the actors and actresses are important in themselves and not only in a broader perspective - setting the tone for how to depict the characters in some of the most famous plays and operas for decades to come. An example of an individually highly significant illustration in the present work is the drawing of Christine Zrza in Constanze’s costume in Seraglio, wearing a so-called “Turkish” costume as a woman of the harem of Selim Pasha’s palace. Zrza herself was a significant figure in the foundation of Mozart’s operas on the Danish scene, playing also the first Countess Almavira in Figaro’s Marriage, the first Sextus in Titus, and the first Queen of the Night in The Magic Flute. The work is of immense scarcity, with only very few copies known to exist. Apart from the copy in the Royal Library in Copenhagen, OCLC list merely one copy, at Harvard. This copy only collates as having merely 1f. in addition to the 48 plates, where as our copy has all the four leaves in front consisting in title-page, contents-leaves and half-title. We have been able to locate one copy sold at auction, that having merely 43 plates. It is said that merely two copies are knbown on private hands. The great book collector Oscar Davidsen had a copy in his collection (nr. 5 in his auction catalogue (1940), where it is said of it that ""this collection is of great scarcity). Krohn:1482.
, Brepols, 2020 Hardback, xxxix + 364 pages, Size:152 x 229 mm, Language: English. ISBN 9780888449535.
Summary Founded in 1946 by Paul Oskar Kristeller, the Catalogus Translationum et Commentariorum has become an indispensable research tool for scholars interested in the history of the classical tradition in the West during the Middle Ages and the Renaissance. Each article treats a separate classical author, beginning with a detailed essay on the author's reception from antiquity to A.D. 1600 and, in some cases, even up to the present day. This 'Fortuna' is followed by a comprehensive list both of manuscript and printed commentaries on each Latin author and, in the case of Greek authors, a list of Latin translations as well. Since the publication of the first volume in 1960, the Catalogus has published articles on nearly a hundred classical authors, with dozens more in active preparation. The project boasts an international team of contributors from fourteen countries in Europe and North America. Given the ever-growing interest in the history of classical reception across departments of English, European languages, and comparative literature, the foundational scholarship that is the hallmark of the CTC has become more vital than ever to research in the humanities. Volume 13 contains two articles, both major contributions of considerable length: the first on the ancient Greek sophists, the second on the Roman poet Publius Papinius Statius. TABLE OF CONTENTS Preface, by Greti Dinkova-Bruun ? vii Preface to Volume I, by Paul Oskar Kristeller ? xv General Bibliography ? xxiii Abbreviations ? xxxvii Greek Authors Ancient Greek Sophists, by Eric M. MacPhail (Indiana University) Latin Authors Publius Papinius Statius, by Harald Anderson (Reston, VA, USA) Index of Ancient and Medieval Authors and Works Index of Mythological Figures Index of Manuscripts Index of Translators and Commentators Index of Ancient Authors Treated in Volumes I-XI and XIII
Paris, Garnier Frères, 1847-1853. 6 volumes in-8. Demi-chagrin vert, dos à nerfs, caissons et ornements filets dorés. (Reliure de l'époque).
4 planches gravées au trait, repliées, dans le tome 1°. 68 gravures sur acier dans les volumes suivants, montrant les grandes villes de France et du monde. Table des lieux in-fine. La première édition de cette célèbre géographie a paru de 1810 à 1829. Celle-ci reproduit le tirage de 1842. V.-A. Malte-Brun, le fils de l'auteur, la remaniera en 1859. L'éditeur vendait séparément un atlas de 72 cartes pour compléter l'ouvrage. - Le tome 1° appartient à la 6° édition (1853), les suivants à la 5° (1847). Bien relié. Rousseurs.
Paris, Furne, Jouvet, 1865-1869. 6 volumes grand in-8, 2ff.-722pp. - 2ff.-731pp. - 2ff.-692pp. - 2ff.-722p.-1f. "placement des gravures" - 2ff.-687pp. - 2ff.-739pp.- 63 (sur 64) planches. Demi-chagrin bronze, dos à nerfs ornés, tranches marbrées. (Reliures de l'époque).
4 planches au trait et 59 (sur 60) vues hors-texte, finement gravées sur acier par Rouargue. - La vue de Moscou (t. 4) manque. Quelques cahiers jaunis ainsi que quelques serpentes, quelques rousseurs éparses. Bonnes reliures.
Arne Bruun Rasmussen Kunstauktionezr Broché Kobenhavn 1972 183 pages en format -8 - nombreuses photographies
Bon État
Arne Bruun Rasmussen Kunstauktionezr Broché Kobenhavn 1972 120 pages en format -8 - nombreuses photographies
Très Bon État
Arne Bruun Rasmussen Kunstauktionezr Broché Kobenhavn 1972 158 pages en format -8 - nombreuses photographies
Très Bon État
Arne Bruun Rasmussen Kunstauktionezr Broché Kobenhavn 1973 192 pages en format -8 - nombreuses photographies
Bon État
Arne Bruun Rasmussen Kunstauktionezr broché Couverture Illustrée Kobenhavn 1972 74 pages en format -8 - nombreuses photographies
Très Bon État
London, 1986, in-4, 138pp, Reliure éditeur, jaquette illustrée, Très bel exemplaire abondamment illustré! 138pp
(Kbhvn., G.L. Lahde, 1805). Tv-folio. Smukt senere hldrbd. (Anker Kyster) med rig rygforgyldning og rhombeformet forgyldt skindtitel på forperm. Beskrivende tekst på dansk og tysk. Med 24 kobberstukne prospekter af danske Slotte fra Bruun's ikke fuldendte værk ""Novus Atlas Danicus"", som af Lahde i 1805 blev genoptrykt med de originale plader og for slottenes vedkommende samlet under denne titel. De sidste 4 med lidt brunpletter.
Broché.
Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.
1973 160 p., nombreuses illustrations couleurs, in-12, broché, réédition, couverture illustrée. Très bon état.
1974 London, Hamlyn, 1974 : in-12, broché réédition, 319 pp., très nombreuses planches en couleurs, cartes de répartition, couverture illustrée. Très bon état, dos bruni, sous un très joli coffret en bois monté sur queues d'aronde !
Leif Rydeng Editions Des Deux Coqs D' or Reliure Rigide Illustrée Paris 1965 "45 pages en format 16 - 10 cm - nombreuses illustrations en couleurs - collection "" librairie de l'amateur """
Très Bon État
Kunstauktion NR 286 Broché Kobenhavn 1972 95 pages en format -8 - nombreuses photographies
Très Bon État
Kunstauktion NR 275 broché Couverture Illustrée Kobenhavn 1972 84 pages en format -8 - nombreuses photographies
Très Bon État
Leif Rydeng Editions Des Deux Coqs D' or Reliure Rigide Illustrée Paris 1965 "45 pages en format 16 - 10 cm - nombreuses illustrations en couleurs - collection "" librairie de l'amateur """
Très Bon État
Chandler (S) ; Robbins ; Bertel (Bruun) ; Zim ; Herbert (S) ; Arthur (singer) (Illustrations)
Reference : 134732
(1980)
Delachaux Niestlé 1980 In-8 reliure éditeur orange avec titre doré 20 cm sur 12,4. 351 pages. Jaquette en état moyen avec de petits déchirures. Bon état d’occasion.
Bon état d’occasion