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‎"[JACOBI, FRIEDRICH HEINRICH]. & BRUNO, MENDELSSOHN, ETC.‎

Reference : 45724

(1789)

‎Ueber die Lehre des Spinoza in Briefen an den Herrn Moses Mendelssohn. Neue vermehrte Auflage. - [THE FIRST EVER TRANSLATION OF BRUNO'S ""DE UNO ET CAUSA""...]‎

‎Breslau, Gottl. Löwe, 1789, 8vo. Very beautiful contemporary red full calf binding with five raised bands and gilt green leather title-label to richly gilt spine. elaborate gilt borders to boards, inside which a ""frame"" made up of gilt dots, with giltcorner-ornamentations. Edges of boards gilt and inner gilt dentelles. All edges gilt. Minor light brownspotting. Marginal staining to the last leaves. Engraved frontispiece-portrait of Spinoza, engraved title-vignette (double-portrait, of Lessing and Mendelssohn), engraved end-vignette (portrait of Jacobi). Frontispiece, title-page, LI, (1, -errata), 440 pp. Magnificent copy.‎


‎First edition thus, being the seminal second edition, the ""neue vermehrte Auflage"" (new and expanded edition), which has the hugely important 180 pp. of ""Beylage"" for the first time, which include the first translation into any language of any part of Giordano Bruno's ""de Uno et Causa..."" (pp. 261-306) as well as several other pieces of great importance to the ""Pantheismusstreit"" and to the interpretation of the philosophy of Spinoza and Leibniz, here for the first time in print. The present translation of Bruno seems to be the earliest translation of any of Bruno's works into German, and one of the earliest translations of Bruno at all - as far as we can establish, the second, only preceded by an 18th century translation into English of ""Spaccio della bestia trionfante"". It is with the present edition of Jacobi's work that the interest in Bruno is founded and with which Bruno is properly introduced to the modern world. Jacobi not only provides what is supposedly the second earliest translation of any of Bruno's works ever to appear, he also establishes the great influence that Bruno had on two of our greatest thinkers, Spinoza and Leibnitz. It is now generally accepted that Spinoza founds his ethical thought upon Bruno and that Lebnitz has taken his concept of the ""Monads"" from him. It is Jacobi who, with the second edition of his ""Letters on Spinoza..."", for the first time ever puts Bruno where he belongs and establishes his position as one of the key figures of modern philosophy and thought. Bruno's works, the first editions of which are all of the utmost scarcity, were not reprinted in their time, and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. Thus, as important as his teachings were, thinkers of the ages to come were largely reliant on more or less reliable renderings and reproductions of his thoughts. As Jacobi states in the preface to the second edition of his ""Letters on Spinoza..."", ""There appears in this new edition, under the title of Appendices (""Beylage""), different essays, of which I will here first give an account. The first Appendix is an excerpt from the extremely rare book ""De la causa, principio, et Uno"", by Jordan Bruno. This strange man was born, one knows not in which year, in Nola, in the Kingdom of Naples"" and died on February 17th 1600 in Rome on the stake. With great diligence Brucker has been gathering information on him, but in spite of that has only been able to deliver fragments [not in translation]. For a long time his works were, partly neglected due to their obscurity, partly not respected due to the prejudice against the new opinions and thoughts expressed in them, and partly loathed and suppressed due to the dangerous teachings they could contain. On these grounds, the current scarcity of his works is easily understood. Brucker could only get to see the work ""De Minimo"", La Croce only had the book ""De Immenso et Innumerabilibus"" in front of him, or at least he only provides excerpts from this [also not in translation], as Heumann does only from the ""Physical Theorems"" [also small fragments, not in translation]"" also Bayle had, of Bruno's metaphysical works, himself also merely read this work, of which I here provide an excerpt."" (Vorrede, pp. (VII)-VIII - own translation from the German). Jacobi continues by stating that although everyone complains about the obscurity of Bruno's teachings and thoughts, some of the greatest thinkers, such as Gassendi, Descartes, ""and our own Leibnitz"" (p. IX) have taken important parts of their theorems and teachings from him. ""I will not discuss this further, and will merely state as to the great obscurity (""grossen Dunkelheit"") of which people accuse Bruno, that I have found this in neither his book ""de la Causa"" nor in ""De l'Infinito Universo et Mondi"", of which I will speak implicitly on another occasion. As to the first book, my readers will be able to judge for themselves from the sample (""Probe"") that I here present. My excerpt can have become a bit more comprehensible due to the fact that I have only presented the System of Bruno himself, the ""Philosophia Nolana"" which he himself calls it, in its continuity... My main purpose with this excerpt is, by uniting Bruno with Spinoza, at the same time to show and explain the ""Summa of Philosophy"" (""Summa der Philosophie"") of ""En kai Pan"" [in Greek characters - meaning ""One and All""]. ... It is very difficult to outline ""Pantheism"" in its broader sense more purely and more beautifully than Bruno has done."" (Vorrede pp. IX-XI - own translation from the German). So not only does Jacobi here provide this groundbreaking piece of Bruno's philosophy in the first translation ever, and not only does he provide one of the most important interpretations of Spinoza's philosophy and establishes the importance of Bruno to much of modern thought, he also presents Bruno as the primary exponent of ""pantheism"", thereby using Bruno to change the trajectory of modern thought and influencing all philosophy of the decades to come. After the second edition of Jacobi's ""Ueber die Lehre des Spinoza"", no self-respecting thinker could neglect the teachings of Bruno"" he could no longer be written off as having ""obscure"" and insignificant teachings, and one could no longer read Spinoza nor Leibnitz without thinking of Bruno. It is with this edition that the world rediscovers Bruno, never to forget him again.WITH THE FIRST EDITION OF ""UEBER DIE LEHRE DES SPINOZA"" (1785), JACOBI BEGINS THE FAMOUS ""PATHEISMUSSTREIT"", which focused attention on the apparent conflict between human freedom and any systematic, philosophical interpretation of reality. In 1780, Jacobi (1743-1819), famous for coining the term nihilism, advocating ""belief"" and ""revelation"" instead of speculative reason, thereby anticipating much of present-day literature, and for his critique of the Sturm-und-Drang-era, had a conversation with Lessing, in which Lessing stated that the only true philosophy was Spinozism. This led Jacobi to a protracted and serious study of Spinoza's works. After Lessing's death, in 1783 Jacobi began a lengthy letter-correspondende with Mendelssohn, a close friend of Lessing, on the philosophy of Spinoza. These letters, with commentaries by Jacobi, are what constitute the first edition of ""Ueber die lehre des Spinoza"", as well as the first part of the second edition. The second edition is of much greater importance, however, due to greatly influential Appendices. The work caused great furor and the enmity of the Enlightenment thinkers. Jacobi was ridiculed by his contemporaries for attempting to reintroduce into philosophy belief instead of reason, was seen as an enemy of reason and Enlightenment, as a pietist, and as a Jesuit. But the publication of the work not only caused great furor in wider philosophical circles, there was also a personal side to the scandal which has made it one of the most debated books of the period: ""Mendelssohn enjoyed, as noted at the outset, a lifelong friendship with G. E. Lessing... Along with Mendelssohn, Lessing embraced the idea of a purely rational religion and would endorse Mendelssohn's declaration: ""My religion recognizes no obligation to resolve doubt other than through rational means"" and it commands no mere faith in eternal truths"" (Gesammelte Schriften, Volume 3/2, p. 205). To pietists of the day, such declarations were scandalous subterfuges of an Enlightenment project of assimilating religion to natural reason... While Mendelssohn skillfully avoided that confrontation, he found himself reluctantly unable to remain silent when, after Lessing's death, F. H. Jacobi contended that Lessing embraced Spinoza's pantheism and thus exemplified the Enlightenment's supposedly inevitable descent into irreligion.Following private correspondence with Jacobi on the issue and an extended period when Jacobi (in personal straits at the time) did not respond to his objections, Mendelssohn attempted to set the record straight about Lessing's Spinozism in ""Morning Hours"". Learning of Mendelssohn's plans incensed Jacobi who expected to be consulted first and who accordingly responded by publishing, without Mendelssohn's consent, their correspondence - ""On the Teaching of Spinoza in Letters to Mr. Moses Mendelssohn"" - a month before the publication of ""Morning Hours"". Distressed on personal as well as intellectual levels by the controversy over his departed friend's pantheism, Mendelssohn countered with a hastily composed piece, ""To the Friends of Lessing: an Appendix to Mr. Jacobi's Correspondence on the Teaching of Spinoza"". According to legend, so anxious was Mendelssohn to get the manuscript to the publisher that, forgetting his overcoat on a bitterly cold New Year's eve, he delivered the manuscript on foot to the publisher. That night he came down with a cold from which he died four days later, prompting his friends to charge Jacobi with responsibility for Mendelssohn's death.The sensationalist character of the controversy should not obscure the substance and importance of Mendelssohn's debate with Jacobi. Jacobi had contended that Spinozism is the only consistent position for a metaphysics based upon reason alone and that the only solution to this metaphysics so detrimental to religion and morality is a leap of faith, that salto mortale that poor Lessing famously refused to make. Mendelssohn counters Jacobi's first contention by attempting to demonstrate the metaphysical inconsistency of Spinozism. He takes aim at Jacobi's second contention by demonstrating how the ""purified Spinozism"" or ""refined pantheism"" embraced by Lessing is, in the end, only nominally different from theism and thus a threat neither to religion nor to morality."" (SEP).The Beylagen, which are not included in the 1785 first edition and only appear with the 1789 second edition, include: I. Auszug aus Jordan Bruno von Nola. Von der Ursache, dem Princip und dem Einen (p. 261-306) II. Diokles an Diotime über den Atheismus (p. 307-327) translation of Lettre ... sur l'Athéisme by F. Hemsterhuis.‎

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‎"LULL, RAYMUNDUS [+ GIORDANO BRUNO].‎

Reference : 51411

(1598)

‎Opera ea quae ad adinventam ab ipso ertem universalem, Scientiarum Artiumque omnium breui compendio, firmaque memoria apprehendendarum, locupletissimaque vel oratione ex tempore pertractandarum, pertinent. Ut et In eandem quorumdam interpretum scripti... - [SPARKING LEIBNIZ' DREAM OF A UNIVERSAL ALGEBRA]‎

‎Argentinae (i.e Strassburg], Lazarus Zetzner, 1598. 8vo. Very nice 19th century half calf with richly gilt spine. Some browning and spotting, but overall a nice copy. Many woodcut diagrams in the text. Woodcut printer's device to title-page. (24), 992, (32) pp.‎


‎Scarce first edition of this seminal publication, which is practically solely responsible for the spreading of both Lullism and Bruno's mnemonic theories in the 17th century. This publication constitutes the standard work on Lull for more than a century and it directly influenced the most significant thinkers of the following century, e.g. Leibnitz, whose dream of a universal algebra was stimulated by the reading of Lull (and Bruno) in the present publication.""In 1598, while the philosopher from Nola (i.e. Bruno) was in prison in Rome, Johann Heinrich Alsted together with the printer Lazarus Zetzner in Strasburg, published a great collection of the works by Raymond Lull and the most significant commentaries on Lullism, among them also some treatises by Bruno. Since then, Bruno's mnemonics was a basic component of all attempts made in the seventeenth century to set up a universal science on the basis of a theory of combinations interpreted in terms of Neo-Platonism... It was also Leibniz who was one of the first to assume similarities between Bruno's theory of the infinite and the Cartesian theory of vortices in an undetermined and infinite universe"" Leibniz had had the opportunity to read these treatises in his capacity as librarian of the Herzog August Library in Wolfenbüttel"". (Blum, p. 110). ""From another of Pierce's Lists we know that he possessed an important collection of Lullian and Lullist texts, namely the Renaissance edition by the famous Strasbourg editor Lazarus Zetzner: ""Raymundi Lulli Opera ea quae ad adinventam ab ipso Artem universalem... pertinent"" (printed first in 1598, then 1609, 1617 and, by his heirs, in 1651). This edition, which was very influential - the young Leibniz, for instance, acquainted himself with Llull through this anthology-, contains several works by Llull himself as well as those Renaissance commentaries on his works by Agrippa of Netteshein, Giordano Bruno..."" (Fidora, p. 181).This highly influential publication of Lull's ""Opera"" through which Leibniz and many of his contemporaries got acquainted with Lull and Bruno, contains seven genuine works by Lull (including the two most important works of the last period of the Art, the ""Ars brevis"" and the ""Ars magna""), four works falsely attributed to Lull, Agrippa's ""In Artem Brevem"" - and Bruno's four highly important commentaries on Lull, being the ""De Lulliano specierum scrutinio"" (pp. 685-97), ""De Lampade combinatoria Lulliana"" (pp. 698-755), ""De Progressu Logicae venationis"" (pp. 756-62) and ""De Lampade venatoria logicurum"" (pp. 763-806), which constitute Bruno's most important logical treatises and his seminal writings on mnemonics. The four treatises originally appeared separately in 1587 and 1588 respectively, and all appear here for the second time (apart from the ""De progressu"", which also appeared together with the first printing of the ""De Lampade venatoria logicorum"" the following year and here thus appears for the third time). The first printings of these works are of impossible scarcity and hardly obtainable. These four groundbreaking works appear together for the first time in the present publication and it is through this second printing of them that 17th century thinkers such as Leibniz got acquainted with them. Raymond Lull (ca. 1232-1315) was one of the most important and influential philosophers and logicians of his time. He is considered a pioneer of several fields of science, now most notably computation theory. His works sparked Leibniz' interest in the field and drove him to his seminal invention. Lull invented an ""art of finding truth"" (often in Lullism referred to as ""The Art""), which centuries later, when read in the present publication, stimulated Leibnitz' dream of a universal algebra. Lull applied this art to basically all subjects studied at the Medieval Universities. ""Lull's metaphysics worked a revolution in the history of philosophy"" (The Cambridge History of Renaissance Philosophy, p. 548). Giordano Bruno (1548-1600) is one of the most significant thinkers of modern times. He prepared the way for the rise of modern philosophy and became a forerunner of modern philosophy and science. His logical commentaries and mnemonic treatises were of special importance to the emerging logic of the 17th century and it is his version of Lullism that comes to dominate this significant strand of thought for more than a century. Having been arrested in 1592 due to alleged heresy, Bruno was subjected to a 6 year long trial that finally condemned him to hanging in 1600, two years after the publication of the four works that came to secure his influence over the following century. ""Bruno burned for philosophy"" he was killed for moral, physical, and metaphysical views that terrified and angered authorities."" (Copenhaver & Schmitt, p. 315).""By far the greatest figure of this generation was Giordano Bruno (1548-1600), whose interest in Llull dates almost exclusively from his sojurns in France and Germany. His activities in this field, which he combined with his other aspects of Reniassance philosophy, are too complex to be treated in any detail here. Suffice it to say with Frances Yates that ""the three strands of the Hermetism, the mnemonics, the Lullism are all interwoven in Bruno's complex personality, mind and mission""...""Perhaps the most important event of Lulliasm of this period was not the appearance of any new figure or work but the publication of an anthology by Lazarus Zetzner of Strasburg, entitled ""Raymundi Lullii, opera ea quae ad adinventam ab ipso Artem universalem"", which, for the next century or so, was to become the standard work on Llull. It is therefore instructive in understanding seventeenth-century Lullism... The first edition of this anthology appeared in Strasburg in 1598. It was reprinted in 1609... reprinted in 1617 and again in 1651... This mixture of Llull, pseudo-Llull, and Renaissance commentaries, emphasizing a general art of discourse, constituted the ""package"" in which Llull was presented to seventeenth-century readers, including Leibniz (note 33: it was apparently the first edition of 1598 that Leibniz read), and it must be kept in mind when discussing their version of Llull."" (Bonner, pp. 67-68). Bruno's works, the first editions of which are all of the utmost scarcity, were generally not reprinted in Bruno's lifetime and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. One very significant exception is the four treatises that we find in the present publication. They are among the only of Bruno's treatises to be published again before the 19th century, and as they don't appear again on their own, but here, in THE most important publication of Lull's writings for more than a century, it is through this second printing of these four works that Bruno comes to have his primary influence upon 17th century philosophy and science. His separate publications were simply not accessible to thinkers like Leibniz and could thus not be studied. Also therefore, Zetzners' 1598 publication of Lull and Bruno together proved to be of seminal importance, not only to the spreading of Lullism, but just as much to the spreading of Bruno's even more important theories. ""Raymond Lull (ab. 1232 - 1315), Majorcan writer, philosopher, memorycian (he was later to become a great source of inspiration for Giordano Bruno), logician, and a Franciscan tertiary. He wrote the first major work of Catalan literature. Recently-surfaced manuscripts show him to have anticipated by several centuries prominent work on elections theory. He is sometimes considered a pioneer of computation theory, especially given his influence on Gottfried Leibniz. He is also well known also as a glossator of Roman Law. Lull taught himself Arabic with the help from a slave. As a result, he wrote his ""Ars Magna"", which was intended to show the necessary reasons for the Christian faith. To promote his theory and test its effectiveness, he went to Algiers and Tunis. At the age of 82, in 1314, Lull traveled again to North Africa, where an angry crowd of Muslims stoned him in the city of Bougie. Genoese merchants took him back to Mallorca, where he died at home in Palma the following year."". (Thorndyke)Giordano Bruno was born in Nola in Southern Italy in 1548, and entered the Dominican order in Naples at the age of 18. While pursuing theological studies, he also thoroughly studied the ancient philosophers and began doubting some of the teachings of the Catholic Church. When he was in Rome in 1576, these doubts became known to the authorities of his order, and an indictment for heresy was prepared against him. Before he could be arrested, he escaped and began a long journey which took him to many European countries, among these England, where his most important works are published, until in 1592 he was denounced to the Inquisition and arrested. In 1593 he was taken to Rome, imprisoned, and subjected to a 6 year long trial. He firmly refused to recant his philosophical opinions, and in 1600 he was condemned for heresy, sentenced to death, and burned alive.SALVESTRINI NR. 1.See:Anthony Bonner: Doctor Illuminatus. A Ramon Llull Reader, 1993.Paul Richard Blum: Giordano Bruno. An Introduction, 2012.The Cambridge History of Renaissance Philosophy.Alexander Fidora: Peirce's Account of the Categories and Ramon Llull.‎

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DKK75,000.00 (€10,059.15 )

‎"[BRUNO, GIORDANO].‎

Reference : 46820

(1750)

‎Le ciel réformé. Essai de traduction de partie du livre italien, Spaccio della Bestia Trionfante. - [INFLUENCING FRENCH ENLIGHTENMENT THOUGHT]‎

‎[Paris], 1750 [L'an 1000 700 50]. Small 8vo. Lovely contemporary full mottled calf with richly gilt spine and triple gilt line-borders to boards. All edges of boards gilt, and inner gilt dentelles. Some wear to extremities, especially capitals. Book plate removed from inside of front board. Half-title and title-page printed in red and black. Engraved title-vignette. A nice and clean copy, printed on good, heavy paper, and with wide margins. (4), 92 pp.‎


‎Scarce first translation into French of Giordano Bruno's seminal ""Expulsion of the Triumphant Beast"", being the first part of any of Bruno's works to be translated into French and presumably the second translation of any of Bruno's works into any language, only preceded by the equally scarce first translation into English of the same work (1713). ""The Expulsion of the Triumphant Beast"" constitutes one of Bruno's main works and that of his works which proved to be most influential throughout the 18th and 19th centuries, profoundly affecting both science, philosophy and religion, as it ""turns to social ethics and religious reform, but in a cosmic setting"". (Copenhaver & Schmitt, p. 301).Bruno's world-view as presented in the ""Spaccio"" cannot but have appealed directly to the French thinkers of the 18th century, when the first part of any of Bruno's works thus appears in French for the first time. The Enlightenment thinkers of 18th century France must have found much resonance with the extreme and provocative views held by the - until then - overlooked Renaissance thinker, who was burned on the stake due to his non-conformist views. ""Magic, pantheism, idolatory, demonolatory, apostasy - just these few outrages from the long list in the ""Spaccio"" would have been enough to anger the authorities, but there were more besides: Bruno doubted immortality, taught metempsychosis, recommended free-thinking, deserted positive for natural religion, criticized the Bible, defamed the Jews, slandered the Protestants, betrayed the Catholics, and condemned civil government besides."" (Copenhaver & Schmitt, p. 302). - Bruno's thoughts as expressed in the ""Spaccio"" doe not leave those of a Voltaire far behind.Bruno's works, the first editions of which are all of the utmost scarcity, were not reprinted in their time, and new editions of them did not begin appearing until the 19th century. For three centuries his works had been hidden away in libraries, where only few people had access to them. Thus, as important as his teachings were, thinkers of the ages to come were largely reliant on more or less reliable renderings and reproductions of his thoughts. The first translations of his works thus proved to be of seminal importance to the spreading of his ideas.As Jacobi states in the preface to the second edition of his ""Letters on Spinoza..."" (1785), ""This strange man was born, one knows not in which year, in Nola, in the Kingdom of Naples"" and died on February 17th 1600 in Rome on the stake. With great diligence Brucker has been gathering information on him, but in spite of that has only been able to deliver fragments [not in translation]. For a long time his works were, partly neglected due to their obscurity, partly not respected due to the prejudice against the new opinions and thoughts expressed in them, and partly loathed and suppressed due to the dangerous teachings they could contain. On these grounds, the current scarcity of his works is easily understood. Brucker could only get to see the work ""De Minimo"", La Croce only had the book ""De Immenso et Innumerabilibus"" in front of him, or at least he only provides excerpts from this [also not in translation], as Heumann does only from the ""Physical Theorems"" [also small fragments, not in translation]"" (pp. (VII)-VIII - own translation from the German). Bruno's most representative work, ""Spaccio de la bestia trionfante"" (The Expulsion of the Triumphant Beast), published in an atmosphere of secrecy in 1584 and never referred to as anything but blasphemous for more than a century, was singled out by the church tribunal at the summation of his final trial. That is hardly surprising because the book is a daring indictment of the corruption of the social and religious institutions of his day. The ""triumphant beast"" signifies the reign of multifarious vices. Cast in the form of allegorical dialogues, Bruno's work presents the deliberations of the Greek gods who have assembled to banish from the heavens the constellations that remind them of their evil deeds. The crisis facing Jove, the aging father of the gods, is symbolic of the crisis in a Renaissance world profoundly disturbed by new religious, philosophical, and scientific ideas."" (From Arthur D. Imerti's 1964 translation of the work into English).""Bruno, who had already used geometric diagrams and philosophical terms to present n infinite universe, now wrote a dialogue in which he transformed the cosmos by transforming its imagery. He called it ""The Triumphant Beast"", a phrase that brought to mind the book of Revelation [...] Unlike most of his contemporaries, who gave the universe about six thousand years of existence since creation, the Nolan philosopher had already proclaimed that it was infinitely old"" in ""The Expulsion of the Triumphant Beast"", he insists that the universe holds cultures and memories that have come and gone and will come and go again."" (Rowland, pp. 164-65).Giordano Bruno was born in Nola in Southern Italy in 1548, and entered the Dominical order in Naples at the age of 18. While pursuing theological studies, he also thoroughly studied the ancient philosophers and began doubting some of the teachings of the Catholic Church. When he was in Rome in 1576, these doubts became known to the authorities of his order, and an indictment for heresy was prepared against him. Before he could be arrested, he escaped and began a long journey which took him to many European countries, among these England, where his most important works are published, until in 1592 he was denounced to the Inquisition and arrested. In 1593 he was taken to Rome, imprisoned, and subjected to a 6 year long trial. He firmly refused to recant his philosophical opinions, and in 1600 he was condemned for heresy, sentenced to death, and burned alive. ""Bruno burned for philosophy"" he was killed for moral, physical, and metaphysical views that terrified and angered authorities."" (Copenhaver & Schmitt, p. 315).Salvestrini: 112Copenhaver & Schmitt: ""Renaissance Philosophy"", 1992.Ingrid D. Rowland: ""Girodano Bruno. Philosopher/Heretic"", 2008.See also: Cassirer: ""Das Erkenntnisproblem"", 1922 Bd. 1"" ""An Essay on Man"", 1944. Garin: ""Italian Humanism"", 1965. Paterson: ""The Infinite Worlds of Giordano Bruno"", 1970. Kristeller: ""Eight Philosophers of the Italian Renaissance"", 1964. Copenhaver & Schmitt: ""Renaissance Philosophy"", 1992. W. Boulting, ""Giordano Bruno"". ‎

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DKK20,000.00 (€2,682.44 )

‎de Geest, Joost Devos, Bruno [inl.]‎

Reference : 18574

‎Bruno Vekemans, Kinshasa - Congo ‎

‎, Antwerp, 2008., 300 x 235 mm, 112p, Eng./ Fr./ NL/ Germ. ed. Hardback (relie) ISBN 9789077207192.‎


‎In December 2005, Bruno Vekemans decided for the first time in his oeuvre to create an extensive series of artworks on a particular theme. In May of 2006 Bruno Vekemans stayed in Kinshasa, Congo - 2 months prior to the first round of the first democratic elections in 40 years - to prepare for a series of gouaches, oils on canvas and verres eglomises. His physical presence and the emotional experience of this study trip to Kinshasa made an overwhelming impression on Bruno Vekemans, both as a person and as an artist. He allowed this project to occupy two years of his life. At the centre of it all lies authenticity.Bruno Vekemans is a personality, and, beyond that, a man with a great deal of respect for other people, both in his daily life and as subjects.He retains everything of the authentic artist, and has been painting since the age of seven. Throughout his career, Vekemans has always maintained that he does not like to theorise or even philosophise about his work. His life and his mission are simply to paint. That reflexive response reveals how his art is a highly intuitive and everyday activity to him.The black people portrayed in Kinshasa have an individuality and naturalness no longer apparent in West Europeans. They are not affected; neither are they influenced by the media: qualities that enable Bruno Vekemans to portray them in their full glory. He gives the Congolese a starring role.The image material - photos and film - collected as a sort of sketchbook for this series, is "genuine" and experienced by the artist.This art book recreates that Kinshasa Congo experience for the reader, not only through its text, but also and above all through its images.Dvd included (4,5 minuten Vekemans in Kinshasa-Congo) ‎

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EUR40.00 (€40.00 )

‎de Geest, Joost Devos, Bruno [inl.]‎

Reference : 18573

‎Bruno Vekemans Kinshasa - Congo. ‎

‎, Antwerp, 2008., Hardback, 300 x 235 mm, 112p, Eng./ Fr./ NL/ Germ. ed. ISBN 9789077207192.‎


‎In December 2005, Bruno Vekemans decided for the first time in his oeuvre to create an extensive series of artworks on a particular theme. In May of 2006 Bruno Vekemans stayed in Kinshasa, Congo - 2 months prior to the first round of the first democratic elections in 40 years - to prepare for a series of gouaches, oils on canvas and verres eglomises. His physical presence and the emotional experience of this study trip to Kinshasa made an overwhelming impression on Bruno Vekemans, both as a person and as an artist. He allowed this project to occupy two years of his life. At the centre of it all lies authenticity.Bruno Vekemans is a personality, and, beyond that, a man with a great deal of respect for other people, both in his daily life and as subjects.He retains everything of the authentic artist, and has been painting since the age of seven. Throughout his career, Vekemans has always maintained that he does not like to theorise or even philosophise about his work. His life and his mission are simply to paint. That reflexive response reveals how his art is a highly intuitive and everyday activity to him.The black people portrayed in Kinshasa have an individuality and naturalness no longer apparent in West Europeans. They are not affected; neither are they influenced by the media: qualities that enable Bruno Vekemans to portray them in their full glory. He gives the Congolese a starring role.The image material - photos and film - collected as a sort of sketchbook for this series, is "genuine" and experienced by the artist.This art book recreates that Kinshasa Congo experience for the reader, not only through its text, but also and above all through its images.Dvd included (4,5 minuten Vekemans in Kinshasa-Congo) ‎

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EUR40.00 (€40.00 )

‎Bettelheim Bruno‎

Reference : 400001527

(1995)

‎Nina Sutton Biografía Bruno bettelheim Una Vida‎

‎Editions Sutton 1995 1995. Nina Sutton Biografía Bruno Bettelheim: Una Vida (1995 Tbe ) La descripción de este producto se ha traducido automáticamente. Si tiene alguna pregunta al respecto por favor póngase en contacto con nosotros. gran volumen de bolsillo 758 páginas de las ediciones de Stock 1995 con galería de fotos en muy buen estado ; completo y sólido sin rasgaduras ni anotaciones interior limpio y fresco muy pocos pliegues en la cubierta Cómo pudo el nazismo salvar a los niños locos? Este enigma está en el corazón de la vida de Bruno Bettelheim. De ahí las pasiones y disputas que siempre han despertado al hombre y su trabajo. Del psicoanalista más famoso después de apenas no sabíamos casi nada. En cinco años de investigación apasionada Nina Sutton ha explorado los archivos ha interrogado a los testigos y actores de esta vida extraordinaria para volver sobre todas las etapas de un destino en el que se refleja el siglo XX. Infancia en la Viena de Freud; antisemitismo; la muerte prematura del padre obligando al joven a abandonar sus estudios de filosofía; un primer matrimonio doloroso; un análisis comenzó con Richard Sterba. El Anschluss pone fin a todo eso. El 2 de junio de 1938 Bruno Bettelheim fue enviado a Dachau luego a Buchewald. Es en este universo de muerte que paradójicamente Bettelheim-le- psicoanalista el que entendió el valor de la vida psíquica. El sobreviviente se dará a sí mismo la misión de distribuir esta riqueza. Bettelheim liberado es exiliado en América en la década de 1940. Todo parece nuevo en su segunda vida: idioma trabajo familia. Pero viejas heridas formaron bien el famoso Doctor B. The Orthogenic School su trabajo sobre el autismo sobre las relaciones entre padres e hijos sobre el totalitarismo su interpretación de los cuentos de hadas: todo su trabajo se asemeja a una larga lucha contra la muerte y la locura. Con emoción rigor y una notable intuición de los trucos que puede jugar el inconsciente Nina Sutton decodificó pacientemente las hermosas historias de Bruno Bettelheim y escuchó a sus amigos y a sus adversarios para encontrar el hilo de una pelea en la que nada de eso. Es humano no es extraño. El 12 de mars de 1990 la depresión finalmente se impuso al deseo de vivir de Bruno Bettelheim. Pero incluso su suicidio no puede ocultar esta evidencia: su trabajo es el de un hombre que nunca ha dejado de luchar por la vida. vea muchos otros libros en mi tienda. para Francia y Bélgica los costos de envío aumentan muy poco o nada en caso de compras múltiples. Perlenbook empresa Siret n ° 49982801100010. RCS Lure Tgi 499828911 N ° GESTION 2007 A 111. Creado por‎


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‎Bettelheim Bruno‎

Reference : 400064842

(1995)

‎Nina Sutton Biography Of Bruno bettelheim One Life‎

‎Editions Sutton 1995 1995. Nina Sutton Biography Of Bruno Bettelheim: One Life (1995 Tbe ) The description of this item has been automatically translated. If you have any questions please feel free to contact us. large paperback volume 758 pages from Stock 1995 editions with photo gallery In very good shape ; complete and solid no tears or annotations clean interior and still fresh very few creases on the cover How was Nazism able to save the mad children? This enigma is at the heart of Bruno Bettelheim's life. Hence the passions and disputes that have always aroused man and his work. Of the most famous psychoanalyst after hardly we knew almost nothing. In five years of passionate investigation Nina Sutton has explored the archives questioned the witnesses and actors of this extraordinary life to retrace all the stages of a destiny in which the twentieth century is reflected. Childhood in Freud's Vienna; anti-Semitism; the premature death of the father forcing the young man to abandon his philosophy studies; a painful first marriage; an analysis started with Richard Sterba. The Anschluss puts an end to all that. On June 2 1938 Bruno Bettelheim was sent to Dachau then to Buchewald. It is in this universe of death that paradoxically Bettelheim-le- psychoanalyst the one who understood the value of the psychic life. The survivor will give himself the mission of distributing this wealth. Bettelheim freed it is exile in America in the 1940s. Everything seems new in its second life: language job family. But old wounds formed the famous Doctor B well. The Orthogenic School his work on autism on parent-child relationships on totalitarianism his interpretation of fairy tales - all his work resembles a long fight against death and madness. With emotion rigor and a remarkable intuition of the tricks that the unconscious can play Nina Sutton patiently decoded Bruno Bettelheim's beautiful stories and listened to her friends as well as her adversaries to find the thread of a fight in which nothing of the sort. is human is no stranger. On 12 Mars 1990 the depression eventually outweigh the desire to live by Bruno Bettelheim. But even his suicide cannot obscure this evidence: his work is that of a man who has never ceased to fight for life. see many other works in my shop . for France and Belgium the shipping costs increase very little or not at all in case of multiple purchases. Perlenbook company Siret n ° 49982801100010. RCS Lure Tgi 499 828 911 N ° GESTION 2007 A 111. Created by eBay‎


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‎BRUNO (C., maître tatoueur).‎

Reference : 38521

(1974)

‎Tatoués, qui êtes vous...?‎

‎ Bruxelles, Editions de Feynerolles, 1974, in-4° à l'italienne, 241 pp, nombreuses illustrations en noir et en couleurs, documents, biblio, reliure toile écrue de l'éditeur, jaquette illustrée, bon état. Edition originale, envoi a.s.‎


‎Compagnon de Doisneau, pionnier de l’art corporel, Bruno est aussi le tout premier tatoueur de Paris. C’est en 1960 que Bruno ouvre les portes du tout premier studio de tatouage de Paris. À l’époque, la discipline est encore marginale. (...) Les outils du tatoueur sont à l’époque rudimentaires, les conditions d’hygiène pas toujours idéales. Mais Bruno se démarque des tatoueurs clandestins et autres artistes de comptoir en proposant une vraie vision artistique et un travail professionnel. (...) Le succès aidant, Bruno se fait un nom sur la scène internationale. Peu à peu, son trait devient plus sûr, plus créatif, plus habile et sa notoriété dépasse le simple cadre des tatoués et des voyous pour intéresser les artistes. Bruno est un personnage ; il tatoue aussi des célébrités. Doisneau lui rend visite et prend en photo ses pièces. Elles font le tour du monde, créent des vocations. Bruno publiera même un ouvrage : « Tatoués, qui êtes-vous ? » qui servira de référence pour une génération à venir. À partir des années 1970, les studios de tatouage commencent en effet tout doucement à fleurir à Paris... ‎

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EUR60.00 (€60.00 )

‎Chroniques de l'Art Vivant - Aimé Maeght et Jean Clair - Bruno Munari - Qu'est-ce qu'un fricomacer, entretien avec Irmeline Lebeer, 5 pages avec de nombreuses illustrations sur Bruno Munari - Entretien entre Mario Merz et Harald Szeemann, 3 pages illustrées - Henry Martin : Giulio Paolini, l'absolu est inexplicable - Hubert Damisch : Valerio Adami, un portrait, 3 pages - Marc Le Bot : Cremonini, les plans du visible - Marie-Claude Volfin : Le massacre d'Astérix ou l'archéologie française à la dérive - Demetrio Enrique : A Nova cultura em Portugal (La nouvelle culture au Portugal), 3 pages - Cinéma, Notes sur la cinéphilie, l'esthétique et la politique - Super 8 et capitalisme - Cinéma Italia - Théâtre : Baal de Berthold Brecht - Le théâtre off en Lombardie - Lise Brunel : Tristan de Glen Tetley - René Micha : Schönberg et le cavalier bleu - Marc Dachy : Poesia visiva - Actualités et publicités‎

Reference : CAV-53

(1974)

‎Chroniques de l'Art Vivant n° 53 - Novembre 1974 - Spécial Italie - Bruno Munari - Qu'est-ce qu'un fricomacer, entretien avec Irmeline Lebeer, 5 pages avec de nombreuses illustrations sur Bruno Munari - Entretien entre Mario Merz et Harald Szeemann, 3 pages illustrées - Henry Martin : Giulio Paolini, l'absolu est inexplicable - Hubert Damisch : Valerio Adami, un portrait, 3 pages - Marc Le Bot : Cremonini, les plans du visible - Marie-Claude Volfin : Le massacre d'Astérix ou l'archéologie française à la dérive - Demetrio Enrique : A Nova cultura em Portugal (La nouvelle culture au Portugal), 3 pages - Cinéma, Notes sur la cinéphilie, l'esthétique et la politique - Super 8 et capitalisme - Cinéma Italia - Théâtre : Baal de Berthold Brecht - Le théâtre off en Lombardie - Lise Brunel : Tristan de Glen Tetley - René Micha : Schönberg et le cavalier bleu - Marc Dachy : Poesia visiva - Actualités et publicités‎

‎Maeght Editeur - Chroniques de l'Art Vivant Ferce sur Sarthe, France 1974 Book Condition, Etat : Bon broché, sous couverture imprimée éditeur, illustrée d'une composition de Valerio Adami sur fond rouge In-4 carré 1 vol. - 52 pages‎


‎très nombreuses illustrations en noir et blanc 1ere édition Contents, Chapitres : Bruno Munari - Qu'est-ce qu'un fricomacer, entretien avec Irmeline Lebeer, 5 pages avec de nombreuses illustrations sur Bruno Munari - Entretien entre Mario Merz et Harald Szeemann, 3 pages illustrées - Henry Martin : Giulio Paolini, l'absolu est inexplicable - Hubert Damisch : Valerio Adami, un portrait, 3 pages - Marc Le Bot : Cremonini, les plans du visible - Marie-Claude Volfin : Le massacre d'Astérix ou l'archéologie française à la dérive - Demetrio Enrique : A Nova cultura em Portugal (La nouvelle culture au Portugal), 3 pages - Cinéma, Notes sur la cinéphilie, l'esthétique et la politique - Super 8 et capitalisme - Cinéma Italia - Théâtre : Baal de Berthold Brecht - Le théâtre off en Lombardie - Lise Brunel : Tristan de Glen Tetley - René Micha : Schönberg et le cavalier bleu - Marc Dachy : Poesia visiva - Actualités et publicités ‎

Librairie Internet Philoscience - Malicorne-sur-Sarthe
EUR12.00 (€12.00 )

‎[Bruno Carranza] - ‎ ‎CARRANZA, Bruno‎

Reference : 44283

(1868)

‎[ Courrier de Bruno Carranza au librairie français Edouard Dentu, datée de San José de Costa-Rica, Agosto 25 de 1868 ] Courrier imprimé avec adresse ("Impreso H. J. E. Dentu, Galerie d'Orléans, Palais Royale") et intitulé manuscrit à la plume, marque postale et surcharge GB 2FPK : "San José de Costa-Rica, Agosto 25 de 1868. Senor M. J. E. Dentu, Paris, Mui Senor mio, Habiendo fundado en esta ciudad, desde ha muchos anos, un establiciemento de ciencias i artes &c. i deseandi estar continuamente al corriente de las nuevas producciones en cada uno de estos ramos, invito a U. para que con la direccion de "Libreria del Album" San Jose de Costa Rica me remita todos los catalogis que sucesivamente vaya publicando. Estae establicimiento bien conocido en el pais i colocado en un punto central mui ventajoso, es el unico i mas a propositio para asegurar buen exito a los periodicos, tantos politicos como literarios, que se le recomendaran i para dar a conocer en esta Republica las obras nuevas en todo jenero. Me suscribo de U. atento i Servidor. Bruno Carranza". ‎

‎1 document imprimé grand in-8 de 2 pp., 1868, titre et adresse remplis à la plume. Rappel du titre complet : [ Courrier de Bruno Carranza au librairie français Edouard Dentu, datée de San José de Costa-Rica, Agosto 25 de 1868 ] Courrier imprimé avec adresse ("Impreso H. J. E. Dentu, Galerie d'Orléans, Palais Royale") et intitulé manuscrit à la plume, marque postale et surcharge GB 2FPK : "San José de Costa-Rica, Agosto 25 de 1868. Senor M. J. E. Dentu, Paris, Mui Senor mio, Habiendo fundado en esta ciudad, desde ha muchos anos, un establiciemento de ciencias i artes &c. i deseandi estar continuamente al corriente de las nuevas producciones en cada uno de estos ramos, invito a U. para que con la direccion de "Libreria del Album" San Jose de Costa Rica me remita todos los catalogis que sucesivamente vaya publicando. Estae establicimiento bien conocido en el pais i colocado en un punto central mui ventajoso, es el unico i mas a propositio para asegurar buen exito a los periodicos, tantos politicos como literarios, que se le recomendaran i para dar a conocer en esta Republica las obras nuevas en todo jenero. Me suscribo de U. atento i Servidor. Bruno Carranza". ‎


‎Bruno Carranza Ramírez (San José, 5 de octubre de 1822 - ibídem, 25 de enero de 1891) fue presidente de Costa Rica, con el título de Jefe Provisorio de la República, del 27 de abril al 9 de agosto de 1870. Participó también en diversas actividades empresariales y comerciales. Fue propietario de fincas cafetaleras, una librería y una botica, entre otros negocios. Henri-Justin Edward Dentu, nacido y muerto en París (21 octubre 1830 hasta 13 abril 1884) es un famoso editor francés y librero. Bon état‎

Phone number : 09 82 20 86 11

EUR390.00 (€390.00 )

‎[Giordano Bruno] Bruno Duval, ‎

Reference : 004505

‎Bruno et son bûcher - 17 février 2000 - Vannaire (21).‎

‎ S.l., s.n., 2000. In-8, [16]p sur papier jaune et sous couverture rouge. Plaquette tirée vraisemblablement à très peu d'exemplaires, le jour des 400 ans de la mort de Giordano Bruno. Bruno Duval, propriétaire du château de Vannaire, a voulu commémorer ce jour dans le parc détrempé de Vannaire. La plaquette est indiquée comme étant un « numéro exceptionnel du 17 du moi ». La couverture porte une étiquette « Catalogue ». Le texte est une interview de Duval par lui-même, des petites réflexions sur le sujet et un texte sur Bruno à travers les siècles qui se termine par « Je brûle donc je suie ». Curiosité. ‎


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EUR25.00 (€25.00 )
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‎KARBERG, Bruno.‎

Reference : 4284

(1928)

‎Gedenkblatt des Zentralverband der Zimmerer und verwandter Berufsgenossen Deutschland ‎

‎Hamburg Bruno Karberg 1928 Certificat commémoratif de 25 ans délivré au camarade Friedrich Steinig par l'association des charpentiers et des professions associées. Lithographie estampée à l'aveugle d'après un dessin de Bruno Karberg. Un beau dessin art-déco, avec des détails dorés et en couleur. Un peu de frottement au nom et à la date (imprimés après la feuille originale) et un léger assombrissement / marquage à la feuille, mais dans l'ensemble en excellent état. Bruno Karberg était un artiste graphique allemand basé à Hambourg. Il a été l'élève d'O. Czeschka à l'école des arts et métiers. Détails de l'éditeur imprimés au bas du certificat. 455 x 375 mm‎


‎A 25 year commemorative certificate issued to comrade Friedrich Steinig by the association of Carpenters and associated professions. Blind-embossed lithograph based on a design by Bruno Karberg. An attractive, art-deco design, with gilt and colour detail. A little rubbing to the name and date (printed after the original sheet) and slight darkening / marking to the sheet, but overall in excellent condition. Bruno Karberg was a German graphic artist based in Hamburg. Was a student of O. Czeschka at the arts and crafts school. Printed publisher details to the bottom of the certificate. 455 by 375mm (18 by 14Ÿ inches). .‎

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EUR92.00 (€92.00 )

‎BRUNO (Giordano)‎

Reference : 38808

‎Le Ciel Réformé. Essai de traduction de partie du libre italien, Spaccio della Bestia Trionfante [La déroute ou l'expulsion de la Beste triomphante].‎

‎ Petit in-8 (150 x 96 mm), veau havane marbré de l'époque, dos lisse orné de compartiments fleuronnés et cloisonnés, pièce de titre de maroquin fauve, triples filets d'encadrement sur les plats, tranches rouges, (2) f. (faux titre et titre), 92 p., (2) f. blancs, 2 vignettes gravées, bandeaux, titre noir et rouge. S.l., L'an 1000 700 50 [i.e. 1750].‎


‎Première édition et première traduction française, par l'abbé Louis-Valentin de Vougny, du dialogue publié à Londres en 1584, dont une seconde page de titre donne l'intitulé complet: 'Spaccio della bestia trionfante: la déroute ou l'expulsion de la Beste triomphante'."Véritable subversion des fondements de la théologie chrétienne, sous la forme d'une fable mythologique, Giordano Bruno y développe les conséquences morales de sa conception d'un univers infini, dépourvu de centre et composé d'une infinité de mondes, et s'en prend aux dogmes de l'Éden ou du péché originel, réhabilitant ainsi la nature un siècle avant Spinoza" (Bertrand Levergeois)."Le 17 février 1600, l'Inquisition catholique menait Giordano Bruno au supplice. Lorsqu'une main lui tendit la croix, au milieu des flammes, il détourna la tête vers le firmament infini. Avant Galilée et Descartes, il tire le plus radicalement les conséquences cosmologiques et philosophiques des découvertes coperniciennes. Il dynamite ainsi tout le dispositif physique, métaphysique et politique de l'ordre scolastique et conçoit un univers inédit, illimité, plein d'une puissance dynamique, opératrice et protéenne" (cf. Ph. Forget [dir.], 'Giordano Bruno et la puissance de l'Infini', éd. Vrin, 2003)."One of Bruno's main works and that of his works which proved to be most influential throughout the 18th and 19th c., profoundly affecting both science, philosophy and religion" (B. Copenhaver & Ch. Schmitt, 'Renaissance Philosophy', p.301-302).(Brunet I, 1298. Caillet, 11295. Peignot, 'Livres condamnés au feu', I, 48, II, 213. Salvestrini, 'Bibliografia di G. Bruno', 112).Petites taches d'encre sur le bord supérieur du premier plat. Mors très légèrement frottés. Courte note bibliographique ancienne à la plume sur la garde blanche.Bel exemplaire, frais, grand de marges, bien relié à l'époque. ‎

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EUR2,500.00 (€2,500.00 )

‎Bettelheim Bruno‎

Reference : 400092008

(1995)

‎nina Sutton biographie de BRUNO BETTELHEIM une vie‎

‎ 1995 1995. gros volume broché 758 pages aux éditions Stock 1995 avec galerie de photos en TRES BON ETAT ; complet et solide sans déchirures ni annotations intérieur propre et encore frais très peu de pliures sur la couverture Comment du nazisme a-t-il pu tirer le salut des enfants fous? Cette énigme est au coeur de la vie de Bruno Bettelheim. D'où les passions et les contestations qu'ont toujours suscitées l'homme et son oeuvre. Du plus célèbre des psychanalystes d'après guere nous ne savions presque rien. En cinq ans d'enquête passionnée Nina Sutton a exploré les archives interrogé les témoins et acteurs de cette vie hors du commun pour retracer toutes les étapes d'une destinée où se reflète le XXe siècle. L'enfance dans la Vienne de Freud; l'anti-sémitisme; la mort prématurée du père obligeant le jeune homme à abandonner ses études de philosophie; un premier mariage douloureux; une analyse commencée avec Richard Sterba. L'Anschluss met fin à tout cela. Le 2 juin 1938 Bruno Bettelheim est envoyé à Dachau puis à Buchewald. C'est dans cet univers de mort que paradoxalement naît Bettelheim-le- psychanalyste celui qui a compris la valeur de la vie psychique. Le survivant va se donner mission de distribuer cette richesse. Bettelheim libéré c'est l'exil dans l'Amérique des années 1940. Tout semble nouveau dans sa deuxième vie: langue métier famille. Mais les blessures anciennes ont bien formé le célèbre Docteur B. L'École orthogénique ses travaux sur l'autisme sur les relations parents-enfants sur le totalitarisme son interprétation des contes de fées -toute son oeuvre ressemble à un long combat contre la mort et la folie. Avec émotion rigueur et une remarquable intuition des tours que peut jouer l'inconscient Nina Sutton a patiemment décodé les belles histoiresde Bruno Bettelheim et écouté ses amis comme ses adversaires pour retrouver le fil d'un combat auquel rien de ce qui est humain n'est étranger. Le 12 mars 1990 la dépression a fini par l'emporter sur le désir de vivre de Bruno Bettelheim. Mais même son suicide ne saurait occulter cette évidence: son oeuvre est celle d'un homme qui n'a cessé de lutter pour la vie voir nombreux autres ouvrages dans ma boutique‎


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‎Bruno Bisang ‎

Reference : 61256

‎Bruno Bisang, Exposure **SIGNED! ‎

‎, teNeues , 2011 Hardback, 355x280mm, 192 PAGES, throughout bw and col. illustrations, English/ French/ German/ SP/ IT edition. ** SIGNED AND INSCRIPTION BY BRUNO BISANG!! (for model Valerie) ISBN 9783823845980.‎


‎** SIGNED AND INSCRIPTION BY BRUNO BISANG!! Mottled surfaces and frayed corners anchor us firmly in the rough and tumble of the creative process. Designed to be disposable, every annotation and mis-step is a part of cultural and artistic history. We sense a depth so lacking in today's digital manipulation. Page by page, readers witness the unfolding of Bisang's vision. Swiss photographer Bruno Bisang has been on a life-long artistic quest to document the unending, multi-faceted varieties of the feminine mystique. His photographs are more than mere idealisations of the female form. They are expressions of Bisang's desire to record the independent spirit of his subjects - international models and celebrities such as Claudia Schiffer, Tyra Banks and Monica Belluci. This collection of exquisitely observed photographs is a luminous distillation of essence and form, "a record of woman's radiance" that expresses Bisang's belief that "every woman possesses a fount of femininity and unique sensuality". Bruno Bisang is a much sought-after Swiss fashion photographer who lives and works in Zurich, Milan, Paris and New York. He photographs advertising campaigns for many of the major fashion houses and his work appears regularly in magazines such as Vogue, Max and GQ. His book Photographs was published by teNeues in 2000‎

ERIK TONEN BOOKS - Antwerpen

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EUR195.00 (€195.00 )

‎Bruno Lédion, Laurence Grosmangin, Bruno Lédion‎

Reference : R110387343

(2008)

‎Le nouveau détective n° 1343 - Sandra tes parents sont des gens bien par Bruno Lédion, Quand je sortirai de prison, je vous retrouverai par Laurence Grosmangin, Une vie dans un placard, Suivez la piste de l'amoureux, 7 nouvelles étoiles sont montées‎

‎Editions nuit et jour. 11 juin 2008. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 35 pages. Nombreuses photographies en couleurs dans et hors texte.. . . . Classification Dewey : 70-Journalisme, édition. Journaux‎


‎Sommaire : Sandra tes parents sont des gens bien par Bruno Lédion, Quand je sortirai de prison, je vous retrouverai par Laurence Grosmangin, Une vie dans un placard, Suivez la piste de l'amoureux, 7 nouvelles étoiles sont montées au ciel par Bruno Lédion Classification Dewey : 70-Journalisme, édition. Journaux‎

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EUR19.80 (€19.80 )

‎AUSSILLOUS (Bruno)‎

Reference : 316

‎Notes Politiques‎

‎Sans lieu [Billancourt] 1898-1901 Cahier in-8° oblong (162 x 236 mm), [33] ff? - [7] ff. bl. - [22] ff. - [1] f. bl. - [7] ff. + 1 cahier volant de [4] pp. + 1 cahier volant de [5] pp., toile beige, lien, porte-crayon vide‎


‎Notes politiques d'un conseiller municipal de Boulogne-Billancourt, membre du parti Républicain Carnet de notes politiques, en partie manuscrit et inédit, de Bruno Marie Théreze Aussillous, (1864-1904), avocat à la cour d'appel de Paris et conseiller municipal Républicain pour Billancourt. Aussillous y consigne environ 70 coupures de presse contrecollées (souvent agrémentées de notes), ainsi que des citations et réflexions personnelles, manuscrites, sur la décentralisation du pouvoir, le socialisme, le système Parlementaire anglais, les programmes d'enseignement, la dette de la France, les syndicats... une table thématique, également manuscrite, rend compte des sujets abordés. D'inclinaison résolument Républicaine, Aussillous ouvre son carnet de notes par ce manifeste : « Tous les efforts d'un véritable représentant du peuple et d'un Républicain sincère doivent tendre constamment à l'amélioration sociale du sort des travailleurs des villes et des campagnes ! » En plus de noter, parfois pêle-mêle, quelques formules et opinions, Aussillous consigne des réflexions plus abouties. Il reproduit notamment le texte d'un discours prononcé par lui le 12 janvier 1899 à Mazamet (Tarn) : « Notre programme tient en deux lignes : Une ligne pour le but qu'il vise. Une ligne pour le moyen de l'atteindre. Il est, ce programme, court, simple, dense comme un projectile. Il ne heurte les principes d'aucune des fractions du parti Républicain. Il ne saurait non plus laisser indifférent aucun des citoyens de ce parti [...] » Bruno Aussillous, issu d'une famille du Tarn, épouse en 1893 Marie Petitjean et entre en politique comme conseiller municipal pour Billancourt. Lorsque Paul-Pierre Lagneau est élu maire de Boulogne-Billancourt en 1900, Bruno Aussillous est élu maire adjoint. Il refuse cependant la fonction. Il fonde deux ans plus tard la Mutualité scolaire, ou « Prévoyance mutuelle et de Retraite de Boulogne-sur-Seine » formée pour faciliter aux élèves et parents des élèves de Boulogne l'admission dans les sociétés de prévoyance et de secours mutuel. Ausslious administre également l'hospice des vieillards de la rue des Abondances. Bibliographie : PENEL-BEAUFIN, Arthur Louis. Histoire complète et inédite, religieuse, politique, sociale et descriptive de Boulogne-Billancourt. Vol. 2. A: Doizelet :1905. Composé de fragments et articles de presse rédigés entre 1878 et 1901, ce cahier constitue également un témoignage de la désintégration du Grand Cercle Républicain. L'ouvrage est truffé de : - 4 pp. de notes manuscrites sur un feuillet plié en deux à l'entête « Conseil Municipal de Boulogne (Seine) » - 5 pp. de notes manuscrites pour un discours sur la défaite Républicaine du 11 mai, avec des corrections sur un article paru dans la presse : « On sait que les démocraties ne sont pas des tentes dressées pour le sommeil ». PROVENANCE : 1. Bruno Aussillous, tampon humide "AUSSILLOUS" sur les premiers feuillets, 2. Valéry Aubertot, médecin à Lardeille (lettre à la date du 4 octobre 1968 dans le manuscrit). Piqûres sur la couverture, coins et coiffes frottés avec petits manques de toile. Les Notes Politiques ont été rédigées sur un carnet de croquis, et certaines pages portent la trace d'un dessin sous les coupures de presse. ‎

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Phone number : +336 72 05 01 03

EUR600.00 (€600.00 )

‎Yates (Frances A.) sur Giordano Bruno - Marc Rolland et Antoine Faivre, eds.‎

Reference : 87488

(2013)

‎Giordano Bruno et la tradition hermétique , Traduit par Marc Rolland, avant-propos par Antoine Faivre‎

‎Editions Dervy , Bibliothèque de l'Hermétisme Malicorne sur Sarthe, 72, Pays de la Loire, France 2013 Book condition, Etat : Bon broché, sous couverture imprimée éditeur blanche, illustrée d'un portrait en couleurs du Nolain fort et grand In- 1 vol. - 558 pages‎


‎ nouvelle édition, 2013 Contents, Chapitres : Avant-propos et éléments bibliographiques - Préface - Hermès Trismégiste - Le Pimandre de Ficin et l'Asclépius - Hermès Trismégiste et la magie - La magie naturelle de Ficin - Pic de la Mirandole et la magie kabbalistique - Pseudo-Denys et la théologie du mage chrétien - Corneille Agrippa et son étude de la magie de la Renaissance - La magie de la Renaissance et la science - Contre la magie, les objections théologiques et la tradition humaniste - L'hermétisme religieux au XVIe siècle - Giordano Bruno (Premier séjour à Paris - En Angleterre, la réforme hermétique - La philosophie hermétique - Giordano Bruno et la Kabbala - G. Bruno enthousiaste héroïque et élisabéthain - Le deuxième séjour à Paris - En Allemagne - Dernier ouvrage publié - Retour en Italie - Tommaso Campanella) - Après la datation d'Hermès Trismégiste - Hermès Trismégiste et les controverses autour de Fludd - index, bibliographie couverture propre, à peine jaunie avec d'infimes traces de pliures aux coins des plats, intérieur frais et propre, quelques coins de pages cornés, cela reste un bon exemplaire, presque très bon‎

Librairie Internet Philoscience - Malicorne-sur-Sarthe
EUR15.00 (€15.00 )

‎Etienne (Bruno)‎

Reference : 84548

(1987)

‎L'islamisme radical‎

‎Hachette Malicorne sur Sarthe, 72, Pays de la Loire, France 1987 Book condition, Etat : Bon broché, sous couverture imprimée éditeur jaune pale, illustrée d'une vignette en couleurs, miniature égyptienne du XVIIe siècle grand In-8 1 vol. - 366 pages‎


‎quelques schémas dans le texte en noir et blanc 1ere édition, 1987 Contents, Chapitres : Introduction - Le Coran comme praxis - De l'unicité de Dieu à l'unité de la communauté musulmane - La nationalisation du progrès - L'islamisation de la modernité - L'appel ou la Dawa comme discours politique - Du Jihad au tyrannicide - Les associations islamistes - La concurrence pour l'expansion de l'Islam - L'Islam minoritaire - Conclusion - Notes, glossaire des mots arabes, annexes, liste des tableaux et schémas - Bruno Étienne est un sociologue et politologue français né le 6 novembre 1937 à La Tronche (Isère) et mort à Aix-en-Provence le 4 mars 2009. Il était spécialiste de l'Algérie, de l'islam et de l'anthropologie du fait religieux. - De 1962 à 1965, il est chercheur au CNRS. De 1966 à 1974, il vit en Algérie comme coopérant technique. Bruno Étienne a été aussi chercheur au Caire, enseignant à l'ENA-Alger, à la faculté de droit de l'université d'Alger, à l'université Hassan II Casablanca et à Marmara. Durant ces années, il se décrit comme étant « de gauche, tiersmondiste ». Il a été directeur de recherches au CNRS, professeur à l'Institut d'études politiques d'Aix-en-Provence, fondateur, et directeur jusqu'en 2006, de l'Observatoire du religieux. Bruno Étienne était membre de l'Institut universitaire de France. Inventeur de l'expression « Islam de France », Bruno Étienne est l'inspirateur du Conseil français du culte musulman. Il est à l'origine d'une véritable école de chercheurs à Aix-en-Provence parmi lesquels il faut mentionner Raphaël Liogier, Jocelyne Cesari et Frank Fregosi. Gilles Kepel a également subi son influence. Très médiatisé, iconoclaste et volontiers provocateur afin d'éveiller les consciences, ses cours ont marqué des générations d'étudiants aixois. Il cultiva une laïcité ouverte sur la diversité religieuse et culturelle. (source : Wikipedia) infime pliure au coin inférieur du plat inférieur, la couverture est sinon propre et en bon état, intérieur frais et propre, papier à peine jauni, les 3 dernières pages de la table des matières ont été recollées proprement, texte complet, cela reste un bon exemplaire - nb : grand format de la 1ere édition de 1987, il ne s'agit pas d'une réédition en poche‎

Librairie Internet Philoscience - Malicorne-sur-Sarthe
EUR7.00 (€7.00 )

‎( Bandes Dessinées ) - Bruno Gazzotti - Luc Warnant - Philippe Tome.‎

Reference : 25056

(1995)

‎Soda, tome 3 : Tu ne Buteras Point. ( Complet du Poster, signé + dessin original dédicacé de Bruno Gazzotti ).‎

‎ Editions Dupuis / Collection " Repérages " 1991. In-4 cartonnage éditeur de 46 pages au format 21,5 x 30 cm. Couverture et dessins de Bruno Gazzotti sur scénarios de Tome. Les planches 1 à 11 sont dessinées par Luc Warnant. Coins avec infimes tassements. Intérieur frais. Superbe état général. Exemplaire bien complet du poster, avec au recto un texte de Philippe Tome expliquant le changement de dessinateur et au verso des illustrations de Bruno Gazzotti. De plus ce dernier à signé le poster au bas. Edition originale, enrichie d'un magnifique dessin original, signé par Bruno Gazzotti, représentant " Soda ". Rare avec le poster.‎


‎ Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs MoruesLivres‎

Phone number : 06 80 26 72 20

EUR200.00 (€200.00 )

‎MULLER Bruno:‎

Reference : 17370

(1974)

‎Bruno Müller. Tableaux, aquarelles, dessins, eaux-fortes.‎

‎Genève, Berne, 1974. Portfolio in-4 en feuilles encartées, couverture illustrée en couleurs. ‎


‎Illustré de 5 lithographies originales, 4 en couleurs et une en noir, par Bruno Müller. Ces lithographies originales ont été exécutées par Bruno Müller à l'occasion de ses expositions à la galerie Schindler à Berne et à la Galerie Anton Meier à Genève-Carouge en 1974. Le tirage en est de 450 exemplaires, imprimés par Pierre Badey à Paris (88/450). ‎

Phone number : +4122 310 20 50

CHF100.00 (€102.35 )

‎Michel Mary, Bruno Lédion, Laurence Gorsmangin‎

Reference : R110387325

(2008)

‎Le nouveau détective n° 1325 - Un cadavre dans le frigo du restaurant par Michel Mary, L'odieuse machination par Michel Mary et Bruno Lédion, Le monsieur, il attaque ma maman par Bruno Lédion, Meurtre a coups de téléphone par Laurence Gorsmangin, ISF‎

‎Editions nuit et jour. 6 février 2008. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 35 pages. Nombreuses photographies en couleurs dans et hors texte.. . . . Classification Dewey : 70-Journalisme, édition. Journaux‎


‎Sommaire : Un cadavre dans le frigo du restaurant par Michel Mary, L'odieuse machination par Michel Mary et Bruno Lédion, Le monsieur, il attaque ma maman par Bruno Lédion, Meurtre a coups de téléphone par Laurence Gorsmangin, ISF ou RMI pourquoi choisir ? Classification Dewey : 70-Journalisme, édition. Journaux‎

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Phone number : 05 57 411 411

EUR19.80 (€19.80 )

‎[Aux dépens des soixante-dix-sept bibliophiles] - ‎ ‎STENDHAL ; PARIZAT, Bruno‎

Reference : 53197

(1984)

‎Lettres d'Italie. Illustrations originales peintes à l'aquarelle par Bruno Parizat.‎

‎Un des 77 exemplaires, imprimés sur Vélin d'Arches pur Chiffon à la Cuve (n°39), les illustrations originales de Bruno Parizat ont été peintes et signées sur chaque volume par l'artiste, , 1 vol. in-4 en feuilles sous double emboîtage, chemise et étui sous papier imitation bois clair, couv. papier Madagascar beige, dos en bois, Aux dépens des soixante-dix-sept bibliophiles, s.l., s.d. [ circa 1984 ] 110 pp. avec 11 aquarelles hors texte (frontispice et 10 planches doubles)‎


‎Les 11 belles aquarelles de Bruno Parizat représentent, dans l'ordre : Notre-Dame de Loppia, Place du Dôme à Milan, Les Iles Borromées, Orta, le Lac de Côme, Varèse, Florence, La Cadenabbia, la Campagne italienne, La Tremezzina, Rome. Bon exemplaire (qq. rouss. notamment sur emboîtage, très bon état par ailleurs) de cette rare édition des Lettres d'Italie, illustrée de 11 aquarelles originales de l'artiste, peintre et sculpteur Bruno Parizat. En tant que peintre, il fut notamment l'élève du peintre provençal natif d'Avignon Alfred Bergier. Pour l'illustration de l'ouvrage, il fit, à partid de 1976, plusieurs séjours en Italie dans la région des lacs afin de bien s'imprégner de l'atmosphère des lieux dont il souhaitait capter l'essence.‎

Phone number : 09 82 20 86 11

EUR550.00 (€550.00 )

‎ROTHEVAL Georges & ROTIVAL Bruno‎

Reference : LYON121245780224

(1996)

ISBN : 9782841470242

‎Fourvière aux cent visages‎

‎Lyon, Editions Lyonnaises d'Art de d'Histoire, 1996, 23,5 x 29, 128 pages cousues sous couverture souple illustrée. Photographies noir & blanc de Bruno Rotival. Préface de Monseigneur Balland. "Bruno Rotival a su photographier avec une justesse sans égal la vie monacale à la Grande chartreuse et plus encore celle d'un jeune moine cistercien Théophane, son " frère en prière ", à l'abbaye de Sept-Fons. Si le noir et le blanc dans son austérité se prête à l'élévation de l'être, il invite aussi dans la profondeur des veloutés à découvrir et à partager les sensations relevées dans la contemplation. Ainsi, Bruno Rotival obtenait le " Prix du livre du conseil général du Rhône " pour son ouvrage " Le temps du silence " (1990). Ici, au pied de la basilique, il a dégagé le célèbre monument de sa rigueur légendaire, pour en faire un lieu de recueillement. Georges Rotheval est prêtre du diocèse de Lyon et aussi poète. Mais avant tout, il est un humaniste comme peu savent l'être ! Habitant sur le site de Fourvière, en qualité de vice-recteur de la basilique, le père Rotheval met au service du peuple de dieu son regard, sa disponibilité, sa foi ! S'il est attentif à l'aspect visuel des choses vécues ici au quotidien, il est avant tout à l'écoute des petites gens, et particulièrement des enfants qui offrent à Marie leurs soucis, leurs pleurs et leurs émotions. En fait, Georges Rotheval et Bruno Rotival devaient absolument se rencontrer afin d'inscrire à la postérité le témoignage commun de la vie intense d'un haut lieu spirituel et culturel de notre patrimoine." Bernard Gouttenoire. ‎


‎Une inscription (stylo) à la page de faux titre.‎

Phone number : 04 78 58 44 04

EUR15.00 (€15.00 )

‎BELLEPOMME Bruno‎

Reference : 26216

(1994)

‎PHOTOS SOUVENIRS DES BATIGNOLLES ‎

‎nantes Bruno Bellepomme 1994 in-8 broché un volume, broché blanc grand in-quarto editeur (paperback in-4 Editor)(30 x 21 cm), dos imprimé en bleu, 1ère de couverture souple imprimée en bleu et illustrée d'un dessin en noir de Mireille MONOT représentant L'usine des BATIGNOLLES vue de la cité, toutes tranches lisses, orné de 334 reproductions photographiques, documents et dessins in et hors-texte en noir, 176 pages, 1995 Nantes Bruno Bellepomme Editeur, ‎


‎Bruno Bellepomme est né le 28 janvier 1956, à la cité Halvêque. Décembre 1994 voit la parution d'un livre « Les Batignolles, 3 cités, un quartier », édité à compte d'auteur. Beaucoup de gens retrouvent, dans cet ouvrage, une multitude de souvenirs. Fin 1995, l'auteur récidive, en vous proposant un second volume rassemblant, essentiellement cette fois-ci, des photographies à la manière d'un album de famille ...... bel exemplaire ........ en parfait état (as new condition).. bon état ‎

Phone number : 06 81 28 61 70

EUR50.00 (€50.00 )
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