14 books for « belkin kristin lohse »Edit

‎Copies and adaptations from Renaissance and later artists. 1: German and Netherlandish artists [2 volumes, in: Corpus Rubenianum Ludwig Burchard, part XXVI-1]‎

‎London/ Turnhout, Harvey Miller (Brepols) 2009 Complete in 2 volumes: together 600pp. with 378 bl/w illustrations and 21 colour illustrations, 27cm., hardcovers (publisher's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens" vol.26-1, ISBN 978-1-905375-38-7, S79987‎

‎EEN HUIS VOL KUNST. RUBENS ALS VERZAMELAAR.‎

‎Antwerpen , Rubenshuis/ Rubenianum, 2004 Softcover, geillustreerde kartonomslag met flappen, 235 x 300mm., 342pp., zeer uitgebreid geillustreerd in kleur en z/w. . ISBN 9789076704715.‎

‎Uitgegeven naar aanleiding van de gelijknamige tentoonstelling in het Rubenshuis te Antwerpen van 6 maart tot 13 juni 2004. In goede staat. ‎

‎Drawings of Peter Paul Rubens, A Critical Catalogue, Volume Two (1609?1620) Part One: Text and Part Two: Images‎

‎, Brepols - Harvey Miller, 2023 2 vols; Part One: Text and Part Two: Images, 732 pages; Size:216 x 280 mm, Illustrations:291 col. Language(s):English. ISBN 9782503599533.‎

‎This is Volume II in the three-volume catalogue raisonn of the drawings by Rubens covering the years 1609?20. The project is a collaboration between Anne-Marie Logan, to whom belong all the Rubens attributions, and Kristin Lohse Belkin. It is the first publication that presents the artist?s entire drawn oeuvre in chronological order, previous such publications containing only selections of drawings. By leafing through the illustrations, this arrangement offers the user a quick visual impression of the variety of techniques, media, subject matter and functions of Rubens?s drawings at any one time. Accordingly, Volume II consists of the drawings from the time of Rubens?s return from Italy and the establishment of his workshop in Antwerp to the completion of his contribution to the furnishing and decoration of the city?s new Jesuit church, today?s St. Charles Borromeo. The decade is characterized by a broad range of genres and iconography: large altarpieces stand next to cabinet-size pictures, book illustrations next to designs for tapestry, sculpture and architectural reliefs; religious, mythological and historical subjects alternate with allegories, portraits, exotic hunts and scenes from country life. Copies after other artists? works that constitute such a large part of Rubens?s early years discussed in Volume I have given way to original inventions in pen and ink and, above all, by life studies in chalk of the human body, naked or dressed. The whole spectrum of Rubens?s extraordinary creativity, nowhere presented as directly and immediately as in his drawings, is there to be contemplated in all its astonishing diversity. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. All drawings by Rubens as well as a selection of comparative images are reproduced in color.‎

‎Rubens im Wettstreit mit Alten Meistern. Vorbild und Neuerfindung‎

‎Munchen, Alte Pinakothek, , 2009 Bound, Hardback,with dustjacket 265x210mm, 264p, fine condition, German edition . ISBN 9783775725132.‎

‎Rubens gilt als einer der produktivsten Maler des Barock ‎

‎EEN HUIS VOL KUNST. RUBENS ALS VERZAMELAAR.‎

‎Antwerpen , Rubenshuis/ Rubenianum, 2004 Gebonden, hardcover zwart, originele uitgeversomslag in kleur met flappen, geillustreerde kartonomslag met flappen, 24.5x30.7 cm., 342 pp., zeer uitgebreid geillustreerd in kleur en z/w. . ISBN 9789076704685.‎

‎Uitgegeven naar aanleiding van de gelijknamige tentoonstelling in het Rubenshuis te Antwerpen van 6 maart tot 13 juni 2004.‎

‎The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes‎

‎Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019.‎

‎First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubenss copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English‎

‎BEELDEN VAN DE DOOD. RUBENS KOPIEERT HOLBEIN,‎

‎Gent/ Antwerpen, Snoeck - Ducaju , 2000 originele uitgeversomslag geillustreerde kartonomslag, 175 x 260mm., 140pp., zeer uitgebreide illustratie. ISBN 9053493190.‎

‎Rubens kopieert Holbeins Dodendans in 44 tekeningen - Peter Paul Rubens : chronologie - Tekenen naar prentkunst in de opleiding van de schilder tussen 1470 en 1600 - Rubens' kopieen naar Duitse en Nederlandse prenten - Holbein, Rubens en het naleven van de Dodendans in de 17de eeuw. Nieuwstaat.‎

‎AERT VAN DER NEER (1604-1677)‎

‎, Davaco Publishers, 2002 Hardcover, 520 pages, ENG. edition, 310 x 240 x 65 mm, NEW, illustrated dustjacket, 416 illustrations on 309 plates of which 63 in colour . ISBN 9789070288570.‎

‎This comprehensive study confirms Aert van der Neer (1604-1677) as one of the leading figures in seventeenth-century Dutch art. Along with Hendrik Avercamp, Aert van der Neer painted some of the finest European winter landscapes, demonstrating his incomparable feeling for light, space and atmosphere. His masterpieces from around 1660 may be considered the apogee of Netherlandish art in this genre. Van der Neer's early-morning scenes show the dedication with which he chose his homeland as the setting for his paintings. His evening and nocturnal moonlit landscapes are miracles of colour as regards their beauty and expressiveness. The rigorous examination and critical analysis of Van der Neer's oeuvre, carried out over the course of a decade, has enabled the author to produce a well-considered survey yielding valid conclusions.‎

‎Een huis vol kunst: Rubens als verzamelaar ‎

‎ 2004 Rubenshuis en Rubenianum Soft cover ‎

‎Een huis vol kunst: Rubens als verzamelaar catalogus van de tentoonstelling broché, 30 x 24 cm, 342 pp, etat superieur‎

‎Een huis vol kunst: Rubens als verzamelaar ‎

‎ 2004 Rubenshuis en Rubenianum Soft cover ‎

‎Een huis vol kunst: Rubens als verzamelaar catalogus van de tentoonstelling Softcover, 300 x 240 mm, 342 blz, zeer goede staat‎

‎Een huis vol kunst: Rubens als verzamelaar ‎

‎ 2004 Rubenshuis en Rubenianum Soft cover ‎

‎Een huis vol kunst: Rubens als verzamelaar catalogus van de tentoonstelling Softcover, 300 x 240 mm, 342 blz, zeer goede staat‎

‎Beelden van de dood - Rubens kopieert Holbein‎

‎Antwerpen, Rubenshuis 2000 140pp., met ills., 26cm., gebroch., goede staat, S108259‎

‎Jan Lievens : Friend and rival of the young Rembrandt with a catalogue raisonn e of his early Leiden work 1623-1632‎

‎, Michael Imhof Verlag, 2016 Hardcover; 320 x 250 x 40 mm, 488 pages, NEW ! , 477 colour / 52 b/w illustrations, ISBN 9783731903338.‎

‎Jan Lievens (1607-1674), Rembrandt's boyhood friend, who embarked on an artistic career even earlier than his companion, once again is as highly regarded as during his lifetime, thanks to numerous recent publications and several exhibitions. The present monograph and catalogue raisonn discuss and analyze for the first time the extensive output of his early Leiden years: his paintings, drawings, and etchings from 1623 to 1632. Besides the book?s comprehensiveness and consideration of the artist's work in the context of his Netherlandish contemporaries from Haarlem, Utrecht, and Antwerp, special emphasis is placed on establishing the chronology of his ?uvre. Only a solid foundation such as this would make it possible to determine more precisely than before Lievens?s much discussed relationship to Rembrandt. What transpired was a most lively give and take between two young artists intensely searching for new ways of artistic expression whose later development after their respective move from Leiden took very different paths. Consequently, the careful examination of Lievens's early oeuvre sheds new light on Rembrandt's Leiden work‎

‎A House of Art - Rubens as a collector‎

‎ 2004 Rubenshuis Soft cover As New ‎

‎A House of Art - Rubens as a collector softcover, 295 x 245 mm, 342 pp, illustrated, fine condition‎