1964 (2nd ed.) 101 p., paperbound (original printed covers). Ex-library with stamp on verso front cover. Otherwise good.
1966 94 p, paperbound (original printed covers). Library stamps, else very good copy. Scarce.
(Beckmann, Beier, Bissier, Dix, Felixmüller, Finsler, Fritsch, Gessner, Grosz, etc.). MICHALSKI (Sergiusz).
Reference : 18275
Köln, Benedict Taschen Verlag GmbH, 1992, in-4, br., 220 p., nombreuses reproductions en couleurs, bibliographie, notes biographiques des artistes : Beckmann, Beier, Bissier, Dix, Felixmüller, Finsler, Fritsch, Gessner, Grosz, etc. En allemand.
Phone number : 33 01 48 04 82 15
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1954 479 p., 236 figures, half cloth, author/title on spine. Ex libris C. de Jong. Library stamps and some slight wear on edges, else very good copy.
1963 246 p., paperbound (original printed covers). Library stamps, else good copy.
1955 304 p., 14, 183 figures, paperbound (back cover missing). Library stamps, else a good copy.
, Taschen, 2009 Hardcover, 25 x 34 cm, 3.19 kg, 306 pages, dustjacket, in very good condition, Full Page illustrations in colour / b/w, English. **book is as new !, ISBN 9783836555814.
Caravaggio, or more accurately Michelangelo Merisi da Caravaggio (1571-1610), was a legend even in his own lifetime. Celebrated by some for his naturalism and his revolutionary pictorial inventions, he was considered by others to have destroyed painting. Few other artists have provoked such controversy and so many contradictory interpretations right up to modern times.On the heels of Caravaggio year 2010, this work offers a comprehensive reassessment of Caravaggio's entire oeuvre, with a catalogue raisonn of his works. Five introductory chapters analyze his artistic career from his training in Lombard Milan and his triumphal rise in papal Rome, up to his dramatic final years in Naples, Malta, and Sicily. The spotlight thereby falls upon the radical nature and innovative force of Caravaggio's art and its influence in all of Europe. Our understanding of Caravaggio's work has been substantially broadened in recent decades by major exhibitions, restoration campaigns, new attributions, and archival discoveries. The new catalogue raisonn offers a detailed overview of the artist's entire oeuvre based on the latest research. Every painting is reproduced in large-scale format, with spectacular details that offer dramatic close-ups and set new standards in print quality. A new photographic campaign has been undertaken, enabling the smallest details to be reproduced on a large scale for the first time. They reveal all the more clearly Caravaggio's virtuosity and his enormous ability to capture the viewer's attention and to build a communicative bridge between the worlds of picture and viewer. Sequences of spectacular details grouped by subject allow us to experience Caravaggio's ingenious rhetoric of looks and gestures and their theatrical staging in paint.
, Brepols, 2022 Hardback, iv + 244 pages, Size:216 x 280 mm, Illustrations:31 b/w, 140 col., Language(s):English, German, Italian. ISBN 9782503595870.
Summary How did historical images work and interact with their beholders and users? Drawing on the results of an international conference held in Vienna in 2018, this volume offers new perspectives on a central question for contemporary art history. The fourteen authors approach working imagery from the medieval and early modern periods in terms of its production, usage, and reception. They address wide-ranging media?architecture, sculpture, painting, metalwork, stained glass?in similarly wide-ranging contexts: from monumental installations in the most public zones of urban churches to exquisite devotional objects and illuminated books reserved for more exclusive settings. While including research from West European and American institutions, the project also engages with the distinctive scholarly traditions of Eastern Europe and Israel. In all these ways, it reflects the interests of the dedicatee Michael Viktor Schwarz, whose introductory interview lays out the parameters of the subject. TABLE OF CONTENTS How Do Images Work? An Interview with Michael Viktor Schwarz Editors' Introduction PART I: VISUAL ELOQUENCE Can We Grasp Wordless Images? ? Milena Bartlov Gothic Art, Realism and magniloquentia: Thoughts on Erich Auerbach ? Paul Binski The Scaling Turn: Experiencing Late Medieval Artifacts? Assaf Pinkus and Einat Klafter ?Where the Wild Things Are?. Die Wilden Leute des sp ten Mittelalters und der fr hen Neuzeit im Raum des Dekorativen ? Hans K rner Das Kultbild und sein Rahmen: Zur Funktion von Stildifferenzen (zwei schlesische Beispiele aus dem Anfang des 16. Jahrhunderts) ? Romuald Kaczmarek PART II: IMAGERY IN BOOKS In cerchio: Illuminating the Trojan Legend and the Commedia between the Veneto and Naples (with some conjectures on Madrid, BNE, MS 10057) ? Rosa M. Rodr guez Porto Wie die Bilder im Roman d'Alexandre en prose die dubiose Herkunft des Helden diskutieren ? Lieselotte E. Saurma-Jeltsch Bonaventure and Monastic Images of St Elizabeth ? Ivan Ger t PART III: IMAGERY IN SPACE In Praise of the Pigeon: Interpretive Adventures in Naumburg Cathedral ? Jacqueline E. Jung Bilder und Kult als Ausdruck bisch flicher Macht: Berthold von Buchegg und die Katharinenkapelle im Stra burger M nster? Marc Carel Schurr Eye of the Donkey: Visual Strategies on the Choir Threshold of St Laurence's in Nuremberg ? Tim Juckes Bildkonzepte im Widerstreit. Donatellos Judith als ?naturalisierte Allegorie?? Ulrich Pfisterer Inhaltliche Vielfalt durch motivische Zur ckhaltung. Zur Wandmalerei in der camera pape im Papstpalast von Avignon ? Tanja Hinterholz Storia, mito e allegoria: I portali del Santo Sepolcro a Brindisi ? Valentino Pace
1963 246 p., paperbound (original printed covers). Uncut. In mint condition. Scarce.
1962 5 volumes (complete). xliv, 803, 893, 348, 293, 191 p., num. figs, & pls, paperbound. Library stamps. Heavy set (almost 5 kg).
1926-1938 Three volumes. xii, [2], xii, xiv, 2756 p., 2785 figs, 4to, dark blue half cloth, spine gilt. Decorated end-papers. Library stamp on title-pages or half-title. Three large and heavy volumes, complete for the Myriapoda and Insecta.
1960-1962 Two volumes. xi, 468, ix, 396 p., 245, 241 figures, half cloth with marbled boards, title in gilt on spine (original printed covers bound in). Library stamps, else good set.
København, 1987. Orig. papbd. 357 pp.
Penguin books. 1966. In-12. Broché. Etat d'usage, Coins frottés, Dos frotté, Papier jauni. 192 pages. Texte en anglais. Tampons en tranches. Quelques rousseurs. Ex-libris à l'encre en page de titre.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
Classification Dewey : 420-Langue anglaise. Anglo-saxon
København, 1993. Orig. papbd. 533 pp.
Europäische Verlagsanstalt. 1971. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 208 pages. Illustré de nombreux dessins en noir et blanc dans le texte. Trait au stylo sur la tranche de pied.. . . . Classification Dewey : 430-Langues germaniques. Allemand
Theorie und Geschichte der Politischen Bildung. Classification Dewey : 430-Langues germaniques. Allemand
Halle a. S., Buchhandlung des Waisenhauses 1902, 230x160mm, XVI- 565 + 116Seiten, Basil-Halbledereinband.
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