Write to the booksellers4 books for « barringer tim »Edit
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Men at Work. Art and Labour in Victorian Britain
Barringer, Tim: Men at Work. Art and Labour in Victorian Britain. London and New Haven: 2005. 380pp with 33 colour and 111 monochrome illustrations. Hardback. 26x21cms. Study of the image as a means of exploring the relationship between labour and art in Victorian Britain: includes works by Ford Madox Brown and John Ruskin.
Study of the image as a means of exploring the relationship between labour and art in Victorian Britain: includes works by Ford Madox Brown and John Ruskin. Text in English
[Isaac Mendes Belisario] - Barringer, Tim
Reference : 089163
(2007)
ISBN : 9780300116618
Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds
Barringer, Tim: Art and Emancipation in Jamaica: Isaac Mendes Belisario and His Worlds. Exhibition: New Haven, Yale Center for British Art, 2007. 592 pages. Cloth.
Text in English
Barringer Tim de Chair Desiree Droth Martina Hatt Michael Edwards Jason
Reference : 100112437
(2014)
ISBN : 0300208030
Sculpture Victorious: Art in an Age of Invention 1837-1901 (Yale Center for British Art)
Yale University Press 2014 25 5x29 9x3 8cm. 2014. Relié. 448 pages. Très bon état
David Hockney. 82 Portraits and 1 Still-Life.
, [UK] Royal Academy , 2016 Hardback with dust jacket, 280x240mm, 176p, 150 colour illustrations, English edition . ISBN 9781910350287.
Expo : 2/7/2016 - 2/10/2016, Royal Academy of Art, London. This summer 2016 publication brings together the recent body of work by David Hockney, perhaps the most popular and versatile British artist of the last century. Following his sweeping exploration of landscape in the Royal Academy?s galleries in 2012, this focused display will look exclusively at the portraits he has been painting in the last few years ? the subjects of which are friends, family and art-world luminaries. After the sad events that touched his life in 2012, Hockney had stopped painting altogether. His move from Yorkshire to California coincided with his decision to revisit acrylic paints and bold colours. Vibrant, observant and full of life, these portraits mark a return to vivid, Technicolor form. Incisive text from Tim Barringer places these works within Hockney?s development as a portrait painter, while curator Edith Devaney interviews the artist about the series, which he describes as ?twenty-hour exposures?, in reference to the time each portrait takes to paint. The book will show the stages of each painting, from first to last mark, to give the reader a unique insight into Hockney?s working method.
