408 books for « barker a j »Edit

‎The Elements of Logic.‎

‎New York, McGraw-Hill, (1965). 8vo. Orig. full cloth. VIII,336 pp.‎

‎First edition.‎

‎The Book of the Flower Fairies.‎

‎London and Glasgow, Blackie & Son Ltd. [1927]. Orig. pictorial cloth spine slightly sunned. 92 pp. With 71 fullpage colourplates, consisting of the Flower Fairies of the Spring, Summer and Autumn.‎

‎An Account of the Bramin's Observatory at Benares. In a Letter to John Pringle. Read May 29, 1777.‎

‎(London, W. Bowyer and J. Nichols, 1777). 4to. Extracted from ""Philosophical Transactions"", Year 1777. Vol. 67 - Part II. Pp. 598-607 and 3 large folded engraved plate. One of these the well known view of the Banaras Jantar Mantar by Archibald Campbell, measuring 23x43 cm. Wide-margined, clean and fine.‎

‎The paper describes one of the five famous observatories built by Maharaja Sawai Jai Singh II of Jaipur, consisting of stone instruments used for determining solar time precisely, based on Muslim design principles. ‎

‎Artemisia Gentileschi in a Changing Light.‎

‎, Brepols - Harvey Miller, 2017 Hardcover IV+247 pages , 22 b/w ill. + 195 colour ill., 220 x 280 mm, Languages: English, Italian. ISBN 9781909400894.‎

‎Raised to the status of an international luminary by her contemporaries and now revered as one of the defining talents of the seventeenth century, Artemisia Gentileschi poses urgent questions for today?s scholars. The recent outpouring of new attributions and archival discoveries has profoundly enriched our knowledge of the artist, but it has also complicated, and sometimes contradicted, the former storyline. If she was illiterate and unschooled, how did she befriend Galileo and court playwright Jacopo Cicognini? If she could not pay her bills, why did she continue to spend lavishly? How can we define her authorship if we admit workshop productions to her oeuvre? In these essays, an international cast of scholars and experts grapples with these problems, opening new paths of inquiry and laying bare their methodologies in fields as diverse as laboratory analysis, archival research, cultural history, literary analysis, and feminist art history. Among these approaches, connoisseurship takes center stage. By reconstructing the chronology and rationale of Artemisia?s artistic iter, connoisseurship reveals the richness of her visual dialogues, including those with prominent contemporaries such as Caravaggio, Annibale Carracci, Vouet, Cristofano Allori, and Stanzione; with past artistic giants like Donatello and Michelangelo; and with the various hands who passed through her workshop as collaborators and assistants. These essays infuse our understanding of Artemisia with complexity and nuance, yet they also trace her characteristic mix of intelligence and verve in her art, her correspondence, and her deft social maneuvering, running like a thread through all stages of her life. Sheila Barker, Ph.D. (Columbia University, 2002) is the founding director of the Jane Fortune Resarch Program on Women Artists, based at Medici Archive Project in Florence. Her previous publications include "Artiste nel chiostro" (Nerbini, 2016) and "Women Artists in Early Modern Italy: Careers, Fame, and Collectors" (Harvey Miller / Brepols, 2016). Table of Contents Acknowledgments Introduction Sheila Barker Identifying Artemisia: The Archive and the Eye Mary D. Garrard Mary Magdalene in Ecstasy and the Madonna of the Svezzamento: Two Masterpieces by Artemisia Gianni Papi Deciphering Artemisia: Three New Narratives and How They Expand our Understanding Judith W. Mann Unknown Paintings by Artemisia in Naples, and New Points Regarding Her Daily Life and Bottega* Riccardo Lattuada Artemisia Gentileschi?s Susanna and the Elders (1610) in the Context of Counter-Reformation Rome Patricia Simons Artemisia?s Money: A Woman Artist?s Financial Strategies in Seventeenth-Century Florence Sheila Barker Artemisia Gentileschi: The Literary Formation of an Unlearned Artist Jesse Locker Women Artists in Casa Barberini: Plautilla Bricci, Maddalena Corvini, Artemisia Gentileschi, Anna Maria Vaiani, and Virginia da Vezzo Consuelo Lollobrigida ?Il Pennello Virile?: Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters? Adelina Modesti Allegories of Inclination and Imitation at the Casa Buonarroti Laura Camille Agoston Mary Magdalene in Ecstasy by Artemisia Gentileschi. A Technical Study Christina Currie, Livia Depuydt, Valentine Henderiks, Steven Saverwyns, and Ina Vanden Berghe‎

‎Lettres des mahatmas M. et K. H. à A. P. Sinnett.‎

‎Paris, Adyar, 1990, 1 volume, in-8, cartonnage souple éditeur, XLVII-613 p.. Table analytique des matières en début de volumes, notes en bas de pages, index en fin de volume. Un coin émoussé au premier plat.‎

‎ Très bel exemplaire. ************* Remise 20 % pour toute commande supérieure à 100 €, envoi gratuit en courrier suivi et assurance à partir de 30 € d'achat (France seulement).‎

‎ROGUES' GALLERY.‎

‎With drawings in black and white by K. F. Barker. William Heinemann, London, Toronto, 1939. In-4 p., tela editoriale (con aloni), pp. XIII,135,(3), con le affascinanti illustrazioni di Kathleen Francis Baker, molto nota per i suoi ritratti di animali, particolarmente cavalli e cani. In questo libro l'artista e scrittrice inglese (1901-1969) si concentra sui cani terriers e, come prende avvio nell'introduzione: The Terriers, God bless them!. This is how I feel towards the whole crowd of quarrelsome, aggressive, die-hard little scallywags - the back bone of the dog tribe, the pals of the butcher, the baker, the candlestick maker, and a host of others.. My book deals with common dogs who live common lives, who more often than not enjoy themselves in a common way... Il suo amore per i cani risplende sia nei suoi scritti che nei suoi disegni che sono di notevole qualit e questo libro affasciner certamente i padroni di cani terriers. "Prima edizione".Esemplare ben conservato. .‎

‎Travis Barker : l'autobiographie: Can I say‎

‎TALENT EDITIONS 2021 432 pages 15x23 8x2 7cm. 2021. Broché. 432 pages.‎

‎Comme neuf‎

‎Essai sur la conformité de la médecine ancienne et moderne dans le traitement des maladies aiguës ‎

‎ Paris, chez P. Guil. Cavelier, 1768. In-12, LXVI-426 pp., basane marbrée fauve, dos à nerfs orné de caissons dorés, pièce de titre brune, tranches rouges (reliure défraîchie, quelques rousseurs, froissures). ‎

4 Images

‎Édition en partie originale de la traduction française du traité de Barker par Schomberg, corrigée et annotée par Lorry. Voir photographie(s) / See picture(s) * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve. ‎

‎Summer Songs with Music from ‘Flowers Fairies of the Summer’. Words and Pictures by Cicely Mary Barker. Music by Olive Linnell. ‎

‎London and Glasgow, Blackie & Son Limited, 1920, gr. in-8vo, 54 p. + 12 plates, illustrated hardbound, spine cloth.‎

‎ Image disp.‎

‎Affiche grand format du film Candyman 2.‎

‎ Affiche du film Candyman 2. Format 160 x120 cm. Affiche pliée, avec frottis et petites traces aux pliures. Candyman 2 est un film américain sorti en 1995, réalisé par Bill Condon sur scénario de Rand Ravich et Mark Kruger, d'après les personnages créés par Clive Barker avec une musique de Philip Glass. On trouve dans les rôles principaux : Tony Todd, Kelly Rowan, Veronica Cartwright, Bill Nunn, William O'Leary, Timothy Carhart, David Gianopoulos, Fay Hauser. Premier tirage en état correct.‎

‎ Site Internet : Http://librairie-victor-sevilla.fr.Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 7 €, sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs MoruesLivres‎

‎Avec de la laine Fleurus Idées n101‎

‎ 1981 1981. Edith Barker: Avec de la laine/ Fleurus Idées N°101 1981‎

‎Etat correct‎

‎La guerre de secession Vent d'ouest‎

‎ 1964 1964. Alan Barker: La guerre de secession/ Vent d'ouest 1964‎

‎Bon état‎

‎Le Rêve Impossible Du Dr taylor Kate hardyle Chirurgien grec‎

‎ 2009 2009. Le Rêve Impossible Du Dr Taylor- Kate Hardy/Le Chirurgien Grec- Margaret Barker . Florence Weber/ Manuel de l'ethnographe/ Puf 2009‎

‎Très bon état‎

‎Roundabout Relics. English Fairground Carvers and Antique Collectables‎

‎JUMPER BOOKS, John Barker 2006 In-4 cartonné. Livre en Anglais. Jaquette en très bon état. Très bon état d’occasion. Poids sans emballage : 1500 grammes.‎

‎ Très bon état d’occasion ‎

‎Lettres des Mahatmas M. et K. H. à A. P. Sinnett transcrites et commentées par A. T. Barker. Traduit de l’anglais‎

‎Paris, Adyar 1970 In-8 24,5 x 15,5 cm. Cartonnage éditeur beige, dos et premier plat imprimés de lettres rouges et orné d’une figure noire. Micro-taches sur les plats, sinon exemplaire en bon état.‎

‎ Bon état d’occasion ‎

‎Hémisphères - Revue franco-américaine de poésie. French American quarterly of Poetry. Collection complète du N°1 au N°6‎

‎Editions Hémisphères, New York Eté 1943-1945, 15,5x24cm, 6 numéros brochés en 5 volumes.‎

‎Edition originale de cette revue dirigée par Ivan Goll et réunissant les écrivains et surréalistes français alors en exil aux Etats-Unis et leurs amis américains. Nombreuses contributions dont celle de Saint-John Perse, Roger Caillois, William Carlos Williams, Alain Bosquet, Ivan Goll, André Breton, Aimé Césaire, André Masson, Henry Miller, Kurt Seligmann, Denis de Rougemont, Julien Gracq, Eugène Guillevic, Robert Lebel... Illustrations de George Barker, André Masson, Wifredo Lam, Yves Tanguy. Agréable et rare ensemble malgré un petit manque en pied du dos du double numéro 2 & 3. Collection complète en 6 numéros et 5 livraisons (le N°2&3 étant double) de cette importante revue qui offre un paranoma du mouvement Surréaliste en exil et qui fournit un aperçu de l'influence des contributeurs sur le développement de la scène artistique new-yorkaise. - Photos sur www.Edition-originale.com - ‎

‎Women Artists in Early Modern Italy Careers, Fame, and Collectors‎

‎, Brepols - Harvey Miller 2016, 2016 Hardcover, . iv + 181 pages., 22 b/w ills, 51 col. ills, 220 x 280 mm, English, FINE ISBN 9781909400351.‎

‎Enhancing our understanding of early Italian female painters including Sofonisba Anguissola and introducing new ones such as Costanza Francini and Lucrezia Quistelli, this volume studies women artists, their patrons, and their collectors, in order to trace the rise of the social phenomenon of the woman artist. In ten chapters spanning two centuries, this collection of essays examines the relationships between women artists and their publics, both in early modern Italy as well as across Europe. Drawing upon archival evidence, these essays afford abundant documentary evidence about the diverse strategies that women utilized in order to carry out artistic careers, from Sofonisba Anguissola's role as a lady-in-waiting at the court of Philip II of Spain, to Lucrezia Quistelli's avoidance of the Florentine market in favor of upholding the prestige of her family, to Costanza Francini's preference for the steady but humble work of candle painting for a Florentine confraternity. Their unusual life stories along with their outstanding talents brought fame to a number of women artists even in their own lifetimes ? so much fame, in fact, that Giorgio Vasari included several women artists in his 1568 edition of artists' biographies. Notably, this visibility also subjected women artists to moral scrutiny, with consequences for their patronage opportunities. Because of their fame and their extraordinary (and often exemplary) lives, works made by women artists held a special allure for early generations of Italian collectors, including Grand Duke Cosimo III de' Medici, who made a point of collecting women?s self-portraits. In the eighteenth century, British collectors wishing to model themselves after the Italian virtuosi exhibited an undeniable penchant for the Italian women artists of a bygone era, even though they largely ignored the contemporary women artists in their midst. Sheila Barker (Ph.D., Columbia University, 2002), directs the Jane Fortune Research Program on Women Artists at the Medici Archive Project, the first archival program of its kind. Her publications of documentation on women artists have shed light on Lucrezia Quistelli, Artemisia Gentileschi, Irene Parenti Duclos, and the phenomenon of female copyists.‎

‎Paris Studio - Contemporary Writers in Paris - before the studio, the keesing studio, la rue who's who, beneath le marais, the goldre dress, our position on the map, paris does not exist, the bush to boulogne, ...‎

‎VICTOR BARKER. non daté.. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Papier jauni. 176 pages en anglais, quelques planches noir et blanc.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Jen kent, robyn ferrell, tony maniaty, robert carter, justin fleming, amirah inglis, darrelyn gunzburg, gary catalano, marion halligan. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Studies in History and Philosophy of Science - volume 11, number 3 - September 1980‎

‎Pergamon Press , Studies in History and Philosophy of Science Malicorne sur Sarthe, 72, Pays de la Loire, France 1980 Book condition, Etat : Bon paperback grand In-8 1 vol. - 81 pages‎

‎ Contents, Chapitres : John Earman and Clark Glymour : The gravitational red shift as a test of general relativity : history and analysis - William K. Goosens : Galileo 's response to the Tower argument - Donald W. Mertz : On Galileo 's method of causal proportionality - Peter Barker : Hertz and Wittgenstein working copy from Pierre Thuillier, few annotations on the article from Mertz - few words handwritten on the cover‎

‎Lettres de Lady Barker nouvelle série - Une femme du monde au pays des zoulous - 2e édition - Collection Bibliothèque des mères de famille.‎

‎Firmin-Didot et cie. 1886. In-12. Relié demi-cuir. Etat d'usage, Tâchée, Dos à nerfs, Papier jauni. X + 308 pages - contre plats et tranches jaspés - étiquette de distribution de prix du Lycée Charlemagne de 1894 collée sur le 1er contre plat -dos à 5 nerfs - auteur, titre, filets et caissons dorés sur le dos - coins et légèrement frottés.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎Traduction de Mme E.B.- Collection Bibliothèque des mères de famille. Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎Au Temps des Automobilistes‎

‎1965, Edita / Lazarus. Gd in-3 sky rouge de 208 pages, titres dorés sur dos et illustrations 'automobiles' dorées sur premier plat. Textes de Ronald Barker et Douglas B. Tubbs. Illustré de 189 reproductions en couleurs et 140 illustrations nb. Dessins de Pierre Dumont. Avant-propos de Jean Fondin. | Etat : Bon état général, haut et bas du dos un peu enfoncés, accroc haut de la charnière du premier plat. Pages de garde un peu sales. Jaquette frottée et un peu jaunie. Occasion. (Ref.: G1123)‎

‎Edita, Lazarus‎

‎Mythological Passions: Tiziano, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez‎

‎Falomir, Miguel, Sheila Barker, Javier Moscoso and Alejandro Vergara: Mythological Passions: Tiziano, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez. Exhibition: Madrid, Prado, 2021. 192 pages, fully illustrated in colour. Hardback. 27 x 22cms. Drawing from the Prado's exceptional collection of old master paintings, not least those by Rubens and Titian, as well as numerous important loans, including the reuniting of Titian's 'Poesie', this exhibition showcases 16th and 17th century artists' responses to classical themes of love and desire. Artistic tour de forces intended for sophisticated collectors and unconstrained by themes imposed by religious commissions.‎

‎Drawing from the Prado's exceptional collection of old master paintings, not least those by Rubens and Titian, as well as numerous important loans, including the reuniting of Titian's 'Poesie', this exhibition showcases 16th and 17th century artists' responses to classical themes of love and desire. Artistic tour de forces intended for sophisticated collectors and unconstrained by themes imposed by religious commissions. Text in English‎

‎LIVRE DE SANG - CLIVE BARKER'S BOOK OF BLOOD, VOLUME 1‎

‎EDITIONS J'AI LU N°2452. 1988. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 248 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎Traduit de l'anglais par J-D. Brèque. Classification Dewey : 820-Littératures anglaise et anglo-saxonne‎

‎THE NAME OF THE TREE‎

‎Groundwood Book. 1989. In-4. Relié. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. Environ 30 pages. Couverture illustrée en couleur. Illustré de dessins en couleur. Jaquette légèrement passée.. Avec Jaquette. . A l'italienne. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Childen. A Bantu Tale retold by Celia Barker Lottridge. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎A FLOWER FAIRY ALPHABET‎

‎Blackie. Non daté. In-12. Relié. Etat passable, Coins frottés, Dos satisfaisant, Intérieur acceptable. 50 pages. Illustré de nombreux dessins en couleur hors texte. Ruban adhésif noir sur le dos, le consolidant. Nombreuses annotations enfantines au feutre dans l'ouvrage. (In poor condition). . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Poems and pictures by C.M. Barker. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎