, Paris, Leroux, Toulouse, Sistac, 1886; in-8 broché, couv. verte imprimée "428 pp., 1 f. blanc. EDITION ORIGINALE dédiée à Jules Simon. L'auteur était originaire de St- Martin-Valmeroux dans le Cantal. Ouvrage très complet: description de l'Algérie, son passé, son climat, les habitants, la religion, les mœurs, les animaux…Les Français en Algérie, guerres, prise d'Alger, avenir de l'Algérie, génie propre des indigènes algériens: les Kabyles ( population la plus intéressante selon l'auteur), les Arabes ( qui se divisent en maures ( lâches et efféminés) qui se soumettent à toute domination et n'estiment que le luxe, le gain et les plaisirs sensuels) et les Arabes proprement dits ( Arabes de la plaine et bédouins) fils d'une très grande civilisation. "" C'est parce que l'on n'avait pas suffisamment étudié les Arabes, que l'on confondait constamment avec les Turcs, que tant de sottises ont été commises par des chefs inintelligents, que tant d'horribles et inutiles cruautés ont attiré de terribles représailles, en semant dans les esprits la haine avec les germes trop féconds des insurrections"". Tailliart 1277. Dos brisé."
BARDON -Ge?rard Bardon, Christian de Froberville, Xavier Gasselin ; photo de couverture, Souvigny-en-Sologne, Jean-Pierre Schwartz ; photos inte?rieures, Jean-Pierre Schwartz
Reference : 47026
, 1996 by CPE e?diteur in [Romorantin, France] , Hardcover 317pp Illustrated. ISBN 9782909006277.
Written in French. Edition Notes Includes bibliographical references (p. [318]).
Leuven, Leuven University Press, 2024 Softcover, 280 pagina's, 23.5 x 15.5 cm. Illustrated. ENG text . ISBN 9789462704312.
Marcel Broodthaers, one of the key figures of the postwar avant-garde, has been recognized and extensively studied as a poet who became a visual artist in 1964. However, years before creating his first sculptural objects and installations, Broodthaers made his debut as a filmmaker in 1957 with La Clef de l?horloge, embarking on a prolific cinema practice that yielded more than fifty films shot on 35mm and 16mm. Cinema, both as a medium and principle, was crucial to his artistry. Broodthaers's writings and visual oeuvre are permeated with allusions to film, its history, and its technology. Covering both well-known titles such as Le Corbeau et le renard (1967), La Pluie (1969), and Une Seconde d?éternité (1970) as well as many lesser-known Broodthaers films, the essays in this book discuss his films as inseparable from his entire oeuvre while situating them in the larger history of experimental film. In addition, the book scrutinizes his experiments with cinepoetry and expanded cinema, as well as his interest in early cinema and his fascination with signs and inscriptions. Marcel Broodthaers and Film brings together essays by Andrew Chesher, Eric C. H. de Bruyn, Xavier García Bardón, Charlotte Friling, Steven Jacobs, Bruce Jenkins, Deborah Schultz, Christophe Wall-Romana, and Raf Wollaert. Steven Jacobs is an art historian specializing in the relations between art and film. He teaches at Ghent University and the University of Antwerp. Raf Wollaert completed a PhD on the subject of Marcel Broodthaers?s cinema at the University of Antwerp in 2024.
CPE - REFLETS DE TERROIR. 2003. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 159 pages - nombreuses illustrations en couleurs dans le texte.. . . . Classification Dewey : 799.2-Chasse
Classification Dewey : 799.2-Chasse