3600 books for « barbara »Edit

‎Mary Cassatt: The Color Prints‎

‎Mathews, Nancy Mowll and Barbara Stern Shapiro: Mary Cassatt: The Color Prints. Exhibition: Washington, National Gallery of Art, 1989. 208pp profusely illustrated, mainly in clolour. Soft covers. 28x22.5cms. Preceeded by a good introduction on Cassat life and work, the 23 prints of the exhibition are studied and illustrated with rich comparative material.‎

‎Preceeded by a good introduction on Cassat life and work, the 23 prints of the exhibition are studied and illustrated with rich comparative material. Text in English‎

‎Painted Steel: The Late Works of David Smith‎

‎Flynn, Barbara and William Rubin: Painted Steel: The Late Works of David Smith. Exhibition: New York, Gagosian Gallery, 1998. 60 pages, illustrated throughout in colour. Hardback. 25.1 x 30.5cms.‎

‎Gegen den Strom. Meisterwerke niederrheinischer Skulptur in Zeiten der Reformation 1500-1550.‎

‎RommÃ, Barbara et al: Gegen den Strom. Meisterwerke niederrheinischer Skulptur in Zeiten der Reformation 1500-1550. Exhibition: Aachen, Suermont-Ludwig-Museum, 1996. 386pp with 88 colour and 207 monochrome illustrations. Hardback. An in-depth analysis of early 16th century sculpture in the Lower Rhine region, offering eight essays on altarpieces and sculpture techniques, specific works & a study of piety and economy of the region. Text in German.‎

‎An in-depth analysis of early 16th century sculpture in the Lower Rhine region, offering eight essays on altarpieces and sculpture techniques, specific works & a study of piety and economy of the region. Text in German‎

‎Charles Poerson 1609-1667.‎

‎Brejon de LavergnÃe, Barbara et al: Charles Poerson 1609-1667. Exhibition: Metz, MusÃes de la Cour d'Or, 1997. Cloth. Text in French.‎

‎Text in French‎

‎Elisabet Ney: Herrin ihrer Kunst. Bildhauerin in Europa und Amerika‎

‎RommÃ, Barbara: Elisabet Ney: Herrin ihrer Kunst. Bildhauerin in Europa und Amerika. 2008. 301pp with 301 colour and monochrome illustrations. Boards. 30x21.5cms. Ney 1833-1907 was the first female artist to study sculpture at the Munich Academy, she is largely known for her portrait busts. Commissions by well-known figures such as Schopenhauer, Alexander von Humboldt, Justus von Liebig, Bismarck, Garibaldi, King George V and Ludwig II of Bavaria enabled her to have an independent life as an artist. Following her marriage to Edmund Montgomery she was based in the United States from 1871 with her studio in the remote natural setting of Hyde Park, Austin, Texas. Text in German.‎

‎Ney 1833-1907 was the first female artist to study sculpture at the Munich Academy, she is largely known for her portrait busts. Commissions by well-known figures such as Schopenhauer, Alexander von Humboldt, Justus von Liebig, Bismarck, Garibaldi, King George V and Ludwig II of Bavaria enabled her to have an independent life as an artist. Following her marriage to Edmund Montgomery she was based in the United States from 1871 with her studio in the remote natural setting of Hyde Park, Austin, Texas. Text in German‎

‎Fernando Gallego and his Workshop: The Altarpiece from Ciudad Rodrigo‎

‎Anderson, Barbara C., Amanda W. Dotseth and Mark A. RoglÃn (eds.): Fernando Gallego and his Workshop: The Altarpiece from Ciudad Rodrigo. Exhibition: Tucson, University of Arizona Museum of Art, 2008. 336pp with 103 colour and 67 monochrome illustrations. Cloth. 28x24.8cms. Fully-illustrated catalogue of the twenty-six panel altarpiece originally from the Ciudad Rodrigo in Castile, and now part of the Samuel Kress Collection in Arizona. As one of the most important late 15th century Spanish works of art it is a masterpiece by Gallego and the virtually unknown Master BartolomÃ. A collection of essays highlight Gallego and the Hispano-Flemish tradition in Spain; Bartolomà in 15th century Castile; and new infra-red techniques and pigment analysis of the panels employed as part of a major conservation project on this work.‎

‎Fully-illustrated catalogue of the twenty-six panel altarpiece originally from the Ciudad Rodrigo in Castile, and now part of the Samuel Kress Collection in Arizona. As one of the most important late 15th century Spanish works of art it is a masterpiece by Gallego and the virtually unknown Master BartolomÃ. A collection of essays highlight Gallego and the Hispano-Flemish tradition in Spain; Bartolomà in 15th century Castile; and new infra-red techniques and pigment analysis of the panels employed as part of a major conservation project on this work. Text in English‎

‎Color in Motion: Chromatic Explorations of Cinema‎

‎Flueckiger, Barbara. et al.: Color in Motion: Chromatic Explorations of Cinema. 2024. 272 pages, illustrated in colour throughout. Hardback. 28 x 24cms. This catalogue explores the history and the art of producing colour on screen. 12 essays look at the practice of tinting film, the materiality and technology of film colours, conversations about the science of colour with colour experts Laurens Orij, Charles Poynton, and Andrew Stockman, women's role in the development of colour technologies, the application of 'leader lady images' for calibration, the aesthetic and political use of colour by Black filmmakers, intermedial dialogues in 1960s Bombay cinema, colour in American animation, and colour experiments in films without a narrative. 7 essays specifically examine the advantage of restricted colour palettes to create particular effects; red and 'In the mood for love', orange and 'Blade runner 2049', yellow and 'Traffic', green and 'Vertigo', blue and 'Moonlight', purple and 'Cabaret', pink and 'But I'm a cheerleader'. Also includes a selected timeline of historical film colours..‎

‎This catalogue explores the history and the art of producing colour on screen. 12 essays look at the practice of tinting film, the materiality and technology of film colours, conversations about the science of colour with colour experts Laurens Orij, Charles Poynton, and Andrew Stockman, women's role in the development of colour technologies, the application of 'leader lady images' for calibration, the aesthetic and political use of colour by Black filmmakers, intermedial dialogues in 1960s Bombay cinema, colour in American animation, and colour experiments in films without a narrative. 7 essays specifically examine the advantage of restricted colour palettes to create particular effects; red and 'In the mood for love', orange and 'Blade runner 2049', yellow and 'Traffic', green and 'Vertigo', blue and 'Moonlight', purple and 'Cabaret', pink and 'But I'm a cheerleader'. Also includes a selected timeline of historical film colours.‎

‎Edward Wadsworth, a painters life‎

‎Wadsworth, Barbara: Edward Wadsworth, a painters life. Russell, 1989. 416 pages. 8 colour illustrations. 32 monochrome illustrations. Singed on title page by author. Cloth. 24x16.5cms. Biography by Wadsworth's daughter with a forty-page catalogue of his works.‎

‎Biography by Wadsworth's daughter with a forty-page catalogue of his works. Text in English‎

‎The Attic Stamnos‎

‎Pjilippaki, Barbara: The Attic Stamnos. at the Clarendon Press, 1967. 171 pages of text, 64 black & white plates. Hardback. 29 x 23cms. Written as a thesis in Oxford in the years 1947-50, study of the shape of stamnos vases with their decorative schemes and ornaments.‎

‎Written as a thesis in Oxford in the years 1947-50, study of the shape of stamnos vases with their decorative schemes and ornaments. Text in English‎

‎Piranesi e l'Aventino‎

‎Jatta, Barbara: Piranesi e l'Aventino. Exhibition: Rome, Santa Maria del Priorato, 1998. 235 pages. illustrated throughout in black and white. Paperback. 28 x 25cms. Text in Italian.‎

‎Text in Italian‎

‎Claes Oldenburg: Los Anos Sesenta‎

‎Hochdorfer, Achim and Barbara Schroder: Claes Oldenburg: Los Anos Sesenta. Exhibition: Bilbao, Guggenheim, 2012. 320 page, illustrated throughout in colour. Hardback. 27 x 26.5cms. Text in Spanish.‎

‎Text in Spanish‎

‎The Origins of the Greek Architectural Orders‎

‎Barletta, Barbara A.: The Origins of the Greek Architectural Orders. Cambridge University Press, 2001. xi, 220 pages., 87 illustrations. Cloth. 26 x 18.5cms. Preface; 1. The literary evidence; 2. The archaeological evidence: proto-geometric through the seventh century BCE; 3. The emergence of the Doric 'order'; 4. The emergence of the Ionic 'order'; 5. The origins of the orders: reality and theory; Conclusions: interpretations and implications.‎

‎Preface; 1. The literary evidence; 2. The archaeological evidence: proto-geometric through the seventh century BCE; 3. The emergence of the Doric 'order'; 4. The emergence of the Ionic 'order'; 5. The origins of the orders: reality and theory; Conclusions: interpretations and implications‎

‎Partition de la chanson : Barbara Album Nouvel album de 15 titres : - Dis ! quand reviendras-tu ? - Le bel âge - Gare de Lyon - Göttingen - L'homme en habit - Je ne sais pas dire - Ce matin-là - A mourir pour mourir - Les mignons - Paris 15 août - Nantes - Quel joli temps - Les rapaces - La solitude- Toi ‎

‎ Métropolitaines 1990‎

‎ Bon état Grand format Piano ‎

‎Partition de la chanson : Chansons de Barbara (Les) Album numéro un de dix titres avec accompagnement piano : - - Le bel âge - Gare de Lyon - Gottigen - Nantes - A mourir pour mourir - Ce matin là - Paris 15 aout - Les rapaces - La solitude - Je ne sais dire ‎

‎ Métropolitaines 1982‎

‎ Très bon état Grand format Piano ‎

‎Partition de la chanson : Album " l'Aigle Noir " Barbara Douze chansons avec accompagnement piano : - L'aigle noir - Au bois de Saint Amand. - Au coeur de la nuit. Bref - Chaque fois - Le mal de vivre - Ma plus belle histoire d'amour - Parce que je t'aime - Pierre - Si la photo est bonne - Une petite cantate - Y'aura du monde (l'enterrement). ‎

‎ Tutti 1970 approx.‎

‎ Bon état Grand format Piano ‎

‎Art! Barbara en Rene Stoeltie. Art! ‎

‎, Fonds Mercator/ Mercatorfonds , 2008 Hardback, 325x245mm, 288p, 240 bw and col. illustrations. French edition. AS NEW ISBN 9789061538219.‎

‎ART! is de eigenzinnige en zeer persoonlijke kijk van Barbara en Rene Stoeltie op de kunstwereld. Hun "album van souvenirs" omvat portretten van kunstenaars, galerijhouders, verzamelaars en museumconservators, gemaakt tussen 1980 en 2008. Deze verzameling unieke en nooit eerder gepubliceerde beelden toont ons kunstenaars en hun creaties, de plaatsen waar ze werken en de objecten waarmee ze zich omringen in hun dagelijkse omgeving, laat ons genieten van de schoonheid van hun werk en de unieke sfeer van hun atelier, en belicht hun buitengewone persoonlijkheid. ART! vertelt over vaak toevallige en onverwachte ontmoetingen met de belangrijkste figuren uit de kunstwereld van de afgelopen kwart eeuw. ART ! focust op gezichten en handen van kunstenaars en kunstverzamelaars, toont ons verborgen hoekjes van hun atelier, zoomt in op kunstwerken aan de muur, op objecten op een tafel, op beeldhouwwerken in de hoek. Het is een unieke en onvergelijkelijke weerslag van dat bijzondere moment waarop de kunstenaar zich onbewust wordt van het oog van de fotograaf en zijn magische manier om bijzondere momenten voor de eeuwigheid vast te leggen. Barbara en Rene Stoeltie begonnen hun carriere als kunstenars en galerie-houders, en publiceerden sinds 1984 - zij als auteur, hij als fotograaf - talloze artikels en boeken over kunst en design. Hun werk verscheen bij Taschen en andere uitgevers, en in invloedrijke tijdschriften als Vogue, The World of Interiors, AD, Elle, House and Garden, Country Living, en House Beautiful. ART ! est le regard original et tres personnel que Barbara et Rene Stoeltie portent sur le monde de l'art. Leur ? album van souvenirs ? comprend des portraits d'artistes, de galeristes, de collectionneurs et de conservateurs de musees pris entre 1980 et 2008. Cet ensemble d'images uniques et inedites nous montre des artistes et leurs creations, les lieux ou ils travaillent et les objets dont ils s'entourent dans leur cadre familier. Nous savourons ainsi la beaute de leur travail et l'ambiance particuliere de leur atelier tout en decouvrant leur personnalite hors du commun. ART ! est une histoire de rencontres souvent fortuites et inattendues avec les principales figures du monde de l'art de ce dernier quart de siecle. ART ! se concentre sur les visages et les mains des artistes et collectionneurs, explore les recoins de leur atelier, s'attarde sur des ouvres accrochees a un mur, des objets sur une table, des sculptures dans un coin. C'est un precipite unique et incomparable de ces instants ou l'artiste perd conscience de la presence du photographe et de sa facon magique d'immortaliser le moment present. Barbara et Rene Stoeltie ont debute leur carriere en tant qu'artistes et galeristes et ont publie depuis 1984 - elle comme auteur, lui comme photographe - d'innombrables articles et livres sur l'art et le design. Leurs textes et photos sont parus chez Taschen et d'autres editeurs, et dans d'importants magazines comme Vogue, The World of Interiors, AD, Elle, House and Garden, Country Living, en House Beautiful.‎

‎Partition de la chanson : Eglantine Photocopie ? ‎

‎ Breton Raoul 1973‎

‎ Bon état Format Coquille Piano ‎

‎Partition de la chanson : Bel âge (Le) ‎

‎ Métropolitaines 1964‎

‎ Bon état Format Coquille Piano ‎

‎Partition de la chanson : Dis ! Quand reviendras tu ? ‎

‎ Llenas François 1962‎

‎ Bon état Format Coquille Piano ‎

‎Partition de la chanson : Paris quinze Aout ‎

‎ Métropolitaines 1964‎

‎ Bon état Format Coquille Piano ‎

‎Partition de la chanson : Amour magicien (L') ‎

‎ Marouani 1978‎

‎ Bon état Format Coquille Piano ‎

‎Partition de la chanson : Au coeur de la nuit Nuit (Une) ‎

‎ 1966‎

‎ Très bon état Format Coquille Piano ‎

‎Partition de la chanson : C'est parce que ‎

‎ Tutti 1966‎

‎ Bon état Format Coquille Piano ‎

‎Partition de la chanson : Fragson ‎

‎ Marouani 1975‎

‎ Bon état Format Coquille Piano ‎

‎Partition de la chanson : Insomnies (Les) ‎

‎ Marouani 1975‎

‎ Très bon état Format Coquille Piano ‎