10 books for « b ramakers »Edit

‎Bride Unveiled. Bart Ramakers. Photo‎

‎BE - , Bart Ramakers, 2021 Hardcover, printed on Magno Silk 150 g paper in full color, is 22 x 30 cm, .‎

‎Bart Ramakers is best known for his mythological scenes, in which he provides a contemporary interpretation of classical legends and stories. In A Divine Comedy, for example, he created his own version of the New Testament, and in ?The Anatomy of Beauty? he explored his fascination with classical standards of beauty and purity. In his latest project and book, ?The Bride Unveiled?, he goes a step further: he deconstructs many of these classical ideals in a surrealistic story about a cardinal and a journalist who each in the end will find their true love, after a lot of surrealistic plot turns and art references to Duchamp, Mari n, Bacon and their likes. Once bared, the veiled bride turns out to be a woman of flesh and blood, purified and marked by real life, true to life. ?The Bride Unveiled? is a long awaited delightful gem, bound in red linen, stamped in gold and finished with a gold cut. It?s printed in 250 copies only, 50 of which are numbered and signed. Some 60 pictures (never published before) tell the story of a devoted cardinal and his twin brother ? the former reporter Linlin ? , each of them searching for their eternal female. The images, shot in Italy, France and Belgium, are full of humour, estheticism, narrative details, art references? and Bart?s colours were never as daring as in this project.‎

‎Understanding Art in Antwerp, Classicising the Popular, Popularising the Classic (1540-1580)‎

‎, Peeters leuven,, 2011 Hardcover with dusjacket 342 pages, Illustrated. z/w. ISBN 9789042926134.‎

‎On January 23-24, 2008 the University of Groningen hosted an international symposium entitled 'Understanding Art in Antwerp. Classicising the Popular, Popularising the Classic (1540-1580)', where art historians, literary historians and musicologists explored how art was understood in Antwerp in the sixteenth century, how that art understood itself and conveyed such understanding to others, and how students of early modern Antwerp should understand that concept of art historically. Attention was paid to the factors which influenced the vision of the nature and function of art, including those of a non-artistic nature. Central to the idea of art was the relationship between the classical and the popular and between various synonyms, such as the foreign and the vernacular. Antwerp artists in all fields covered by this volume participated in cultural exchange, attempting to incorporate and assimilate elements from different origins into their work. Likewise, contemporary audiences (either as spectators, readers or listeners) were challenged to follow and understand what amounted to a kind of play or playfulness that was so charcateristic of sixteenth-century culture.‎

‎Rubens and the Netherlands ‎

‎, Waanders, 2006 Hardcover with dusjacket 368 PAG. Illustrated. ISBN 9789040091094.‎

‎The Flemish baroque painter Peter Paul Rubens was the most renowned northern European artist of his day, and is now widely recognized as one of the foremost painters in Western art history. By completing the fusion of the realistic tradition of Flemish painting with the imaginative freedom and classical themes of Italian Renaissance painting, he fundamentally revitalized and redirected northern European painting. Most accounts of Peter Paul Rubens represent the artist in his cosmopolitan European setting, in line with his demonstrable interests and ambitions. Although such interpretations are typically attentive to the ways in which political, socioeconomic and cultural circumstances and traditions in the Netherlands affected his persona and work, the interaction between Netherlandish contingencies and translocal ambition has rarely been the sustained object of Ruben's studies. In Dutch and English.‎

‎Wooncultuur in de Nederlanden. The Art of Home in the Netherlands. 1500-1800. Nederlands Kunsthistorisch Jaarboek 2000, deel 51.‎

‎, Waanders Uitgevers, Zwolle, 2001 Hardcover met stofomslag compleet. 316 pagina's, 21cm x 27cm, tekst: Nederlands, Engels, Hardcover with dust jacket complete. 316 pages, 21cm x 27cm, text: Dutch, English. ISBN 9040095396.‎

‎In de afgelopen twee decennia hebben historici van de vroeg-moderne tijd zich intensief beziggehouden met de oorsprong en definitie van moderne idealen van 'huis' en 'thuis' en de daarmee samenhangende begrippen als gezin, priv -leven, intimiteit, huiselijkheid en gezelligheid. Velen hebben daarbij de fundamentele invloed van Nederlandse maatschappelijke ontwikkelingen op de geschiedenis van deze idee n en gevoelens benadrukt. Deel 51 van het Nederlands Kunsthistorisch Jaarboek kijkt specifiek naar de bijdragen van Noord- en Zuid-Nederlandse architecten, kunstenaars, verzamelaars, huizenbezitters en huizenbewoners aan de veelzijdige vormen, inrichtingspraktijken en functies van het vroeg-moderne huis‎

‎De logische studie van de industriële automatismen ; elektronische statische relais - elektromagnetische relais‎

‎, Brussel, Manufacture belge de lampes et de matériel électronique s.d., 197pp.met 192 fig., linnen band, mooie staat‎

‎Weg van woorden‎

‎ 2009 De cavalerie Hardcover ‎

‎Weg van woorden Hardcover, blauwe linnen band, stofwikkel, 285 x 225 mm, 164 pp , illustraties in z/w en kleur, zeer goede staat‎

‎Pieter Bruegel (nkj 47) Stichting Nederlandse Kunsthistorische publicaties / foundation for Dutch art historical publications,‎

‎, Waanders, 1997 Hardcover with dusjacket 271 pages, Illustrated. text in English, Dutch and German. ISBN 9789040098963.‎

‎Het Nederlands Kunsthistorisch Jaarboek van 1996 is gewijd aan de kunst van Pieter Brueghel de Oude. Het werk van de zestiende-eeuwse Vlaamse schilder is al door talrijke kunsthistorici onderzocht. Tegenwoordig wordt hij niet langer gezien als een eenvoudig man die op naieve wijze zijn land en zijn volk uitbeeldde. Toch zijn onderzoekers pas onlangs begonnen om de kunstenaar te plaatsen binnen zijn eigen maatschappelijke en intellectuele omgeving. Bovendien hebben zij in de laatste jaren geheel nieuw inzichten ontwikkeld rond bekende Brueghel-thema's als de boerencultuur, de rederijkers, het humanisme en de religieuze en politieke verwikkelingen van zijn tijd. Reden genoeg om Brueghels kunst nog eens opnieuw te bezien vanuit zijn eigen samenleving en cultuur. In het Jaarboek wordt door een internationale groep Brueghel-kenners verslag gedaan van hun jongste bevindingen.‎

‎Rubens and the Netherlands - Rubens en de Nederlanden. Netherlands Yearbook for the History of Art 2004 Volume 55.‎

‎ Zwolle, Waanders, 2004, format small in-4°, 367 pp, Publisher's black cloth with original dust jacket. Private name on the first fly leaf but a very fine copy.‎

‎Hof-, Staats- en Stadsceremonies. Court, State and City Ceremonies.‎

‎6. Zwolle, Waanders, 1998, small in-4°, 307 pp, publisher's cloth with dustwrapper. Texts in Dutch and English. Published as Volume 49 (1998) as ''The Netherlands Yearbook fof History of Art ''.‎

‎Prentwerk - Print Work 1500 - 1700 .‎

‎4. Zwolle, Waanders, 2001, small in-4°, 239 pp, publisher's cloth with printed dust wrapper. Published as Volume 52 in the series '' Netherlands Yearbook for History of Art - 2001 ''. Texts in Dutch and English.‎