574 books for « andersen hans christ... »Edit

‎Fodreise fra Holmens Canal til Østpynten af Amager i Aarene 1828 og 1829. - [ANDERSEN'S ""REAL"" DEBUT]‎

‎Kjöbenhavn, 1829. 12mo. Bound with the original wrappers in a lovely slightly later burgundy red half calf with richly gilt spine and marbled covers. A few stains to wrappers and brownspotting to text. In spite of the spotting, all in all a lovely copy. 136 pp. Ex-libris on pastedown: ""Hyllested"". Glued note on the last endpaper. ‎

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‎The rare first edition of Hans Christian Andersen's debut novel, ""Journey on Foot"", here in the extremely scarce original printed wrappers. Andersen himself considered this book his debut and refers to it as ""my first publication"". It came to play a tremendous role in the development of his writing and constitutes one of his most important works. It is the first piece of Andersen that yields any success and the first work for which he gained any recognition. ""It is a well-known fact that Hans Christian Andersen made his début as a writer three times during his youth. The first time he published a book was in 1822, when 'Youthful Attempts' came out [...]. He was 17 years old, penniless and in need for help, but the main part of the circulation ended up in the paper mill [...] The second time he made his début was in 1829, when he published 'Journey on Foot from Holmen's Canal to the Eastern Point of Amager', a book which can hardly be classified as a travel book. To me it seems a subtle and humorous arabesque and a literary satire. This book was published in the year after he had left grammar-school and was qualifying for the entrance examination to academic studies at the university. It can rightly be regarded as a key, which enables us to understand the entire development of his later production [...]. It was Carl Bagger, his friend from the school days, who had instigated him to cultivate his inborn talent for satire, and during the same year he published 'Journey on Foot' they met regularly together with a third mate in the 'Serapionsclub' to which Andersen showed up with a piece of paper sticking out of his pocket. As a free writer it was the fantastic arabesque à la E. T. A. Hoffmann, which came into the centre of their poetic endeavour. What he had learned from Bernhard Severin Ingemann, his fatherly friend, talked about to Carl Bagger and read in Hoffmann, Jean Paul and Ludwig Tieck, he laid out in his book, which as a mixture of an autobiography in disguise and an allegorical satire contains all the basic motifs of his poetic world as a raw material."" (Kofoed) In ""The Fairy Tale of My Life"", Andersen writes: ""Having passed my examinations, the multicoloured fantasies and inventions by which I had been haunted on my walking tours back from my coach, flew like a swarm of bees out in the world in my first publication: 'Journey on Foot from Holmen's Canal to the Eastern Point of Amager', a humours, weird book, a kind of fanciful arabesque, yet perfectly indicating my whole personality and my views at that time."" ""'Journey on Foot' is a grotesque and serious satire foreseeing the deluge of letters in a mass society, and this issue is in my opinion not only superior as a motive in Andersen's first book but also an overall theme in his entire production. A kind of grotesque humour is one of the characteristics of the arabesque, and if we take a look at the collected tales we may easily sort out a series of narratives typical of the same fluttering, self-ironical and even prophetic style."" (Kofoed) See: Kofoed, Niels. (1999). ""The Arabesque and the Grotesque: Hans Christian Andersen Decomposing the World of Poetry"". In Johan de Mylius, Aage Jørgensen and Viggo Hjørnager Pedersen (ed.), Hans Christian Andersen. A Poet in Time. Papers from the Second International Hans Christian Andersen Conference 29 July to 2 August 1996. The Hans Christian Andersen Center, Odense University, Odense University Press. BFN: 22.‎

‎Danish Fairy Legends and Tales. (Translated by Caroline Peachey). - [THE FIRST ENGLISH TRANSLATION OF ANDERSEN'S ""THE EMPEROR'S NEW CLOTHES"", ""THE NIGHTINGALE"" ETC...]‎

‎London, William Pickering (Chiswick), 1846. Uncut in original printed cardboard boards - front board with printed title, author, printer and printer's device within a meander border, back board with an ornamental centre-piece within a meander border. Contemporary light green-blue cloth spine with gilt title and gilt lines. Boards with light soiling and spotting, a bit of wear to extremities and inner front hinge weak. Free end-papers with brownspotting, otherwise internally very nice and clean. With the owner's name of Henriette Scavenius (born Moltke) to front free end-paper. An excellent copy of this beautifully printed book. With the Aldine-inspired printer's device on front board and title-page and the Charles Whittingham (Chiswick, 1846) -device on verso of last leaf. (6), 197, (3) pp. With the scarce advertisement-leaves at both beginning and end.‎

‎The very rare first edition – ANDERSEN'S CLOSE FRIEND HENRIETTE SCAVENIUS' (BORN MOLTKE) COPY – of this highly important Andersen-translation, which contains the very first appearance in English of some of Andersen's most famous and beloved fairy tales: ""The Emperor's New Clothes, ""The Nightingale"", ""The Wild Swans"", ""The Buck-Wheat"" and ""The Dustman"", and for the first time we here find the titles ""The Ugly Duckling"" (previously called ""The Ugly Duck"") and ""The Real Princess"" (previously called ""The Princess and the Peas""). The fairy tales were originally written in Danish, printed between 1835 and 1844. The present work constitutes the third Andersen fairy tale collection to appear in English. It appeared in May 1846 and contains 14 fairy tales translated by Miss Caroline Peachey"" the above-mentioned five were printed for the first time in English. The preceding two translations contained 10 and 12 fairy tales. The first was translated by Mary Howitt and printed earlier the same year (""Wonderful Stories for Children"", London, February 1846), but not containing the same fairy tales. It comprised nine of the oldest fairy tales and one more recent one. Shortly after Howitt's translation, Charles Boner's appeared under the title ""A Danish Story Book"", containing 12 fairy tales, all translated from German. The translations of this third collection are said by Peachey to have been made from the Danish, which was not very common – mostly, German translations from Danish would be used for the English translations. As early as during the 1830'ies, Andersen's works began to appear in German translations, and Andersen anxiously kept an eye on the success of his works in other European countries. He was very eager to have his works translated into other European languages, and as soon as the German translations began to appear he began thinking about English and French translations. In 1837 he states in a letter to Henriette Hanck: ""Gid jeg maate opnaa den Glæde, at en af mine Romaner kom ud paa Engelsk" det ville fornøie mig særdeles" dog, paa Fransk skaffes nok flest Læsere..."" (Bredsdorff, Andersen og England, p. 42) (i.e.: ""I wish to gain the pleasure of one of my novels appearing in English" it would bring me great joy" though, in French there will probably be more readers to be found..."" [own translation]). The first work by Andersen to appear in English is ""The Improvisatore"", in 1845, but it is with his fairy tales that Andersen begins to gain the world-wide fame that he possesses today. The fairy tales had a great impact in England, which is reflected by the fact that the number of publications grew rapidly: nine collections in the span of two years, 1846-47, 44 texts in total (Jørgensen 1996: 19). According to Jørgensen (1996), the reception in England showed a deeper understanding of the genre's artistic character than the Danish contemporary critics (1996: 19). In fact, it was the case for his work that ""its national recognition was fostered by its international circulation rather than the reverse"" (Thomsen 2025: 8). It is with these three mentioned fairy tale collections of 1846 as well as the two following, that Hans Christian Andersen makes his entrance on the English-speaking market. According to Bredsdorff (1954), the most important translators of Andersen's fairy tales in the period 1846-1875 are the following eleven: Mary Howitt, Charles Boner, Caroline Peachey, Meta Taylor, Charles Beckwith Lohmeyer, Madame de Chatelain, Anne S. Bushby, Alfred Wehnert, H.W. Dulcken, Mrs. H.B. Paull and, in collaboration with several others, Augusta Plesner. Furthermore, ""[t]he first five of these possess the honour of having made the fairy tales known in England between 1846-1848, and their versions of H.C. Andersen's fairy tale are thus of particular interest."" ([own translation] Bredsdorff 1954: 489). ------------------------------------------------------------------------------ HENRIETTE SCAVENIUS was born Countess Molkte. She married Jacob Brønnum Scavenius of Basnæs estate. As is well known, H.C. Andersen spent a great part of his time on Danish estates, about 5 years all together, and one of his favourite places was Basnæs, where he spent time with his close friend Henriette Scavenius. He is supposed to have visited Basnes and Henriette Scavenius 37 times and spent about 15 months there over the years. When he was not visiting Basnes, Andersen corresponded frequently with Henriette Scavenius, and a vast number of letters to her from Andersen are known and have been preserved. Bredsdorff, Elias L. (1954). Hans Christian Andersen og England. pp 489-522. Jørgensen, Aage (1996). H. C. Andersen i Europas Spejl. zusammenfassung: H. C. Andersen im Spiegel Europas. In Niels Oxenwad (ed.), Andersiana. pp. 5-40. H. C. Andersens Hus, Odense. Thomsen, T. B. (2025). Andersen Abroad: Literary Circulation in Nineteenth-Century Europe. Journal of World Literature, 10(2), 193-212. Article 3. https://doi.org/10.1163/24056480-01002003‎

‎Contes pour les enfants. Traduit du Danois par V. Caralp. Illustrations à deux teintes par Derancourt. - [FIRST TRANSLATIONS OF ANDERSEN'S FAIRY TALES INTO FRENCH]‎

‎Paris, Morizot, (1848). 8vo. Very nice red half morocco with raised bands and gilt title to spine, red cloth to boards. A very nice copy with just light occasional brownspotting. (5), 329, (1) pp. With 12 lithographic plates by C. Derancourt (active circa 1842–1871). ‎

‎Extremely scarce first edition of the first translations of any of Hans Christian Andersen's fairy tales to appear in French. This first French Andersen-collection constitutes the introduction of Hans Christian Andersen's works in French literature, the introduction of the fairy tale genre in France and a cornerstone in the history French children's literature. According to Thomsen (2025), Andersen's work did not easily gain a foothold in France, although he was greatly inspired by French literature (2005: 16). It was through Andersen’s growing popularity in Germany in the early 1840’s that an interest was ignited in France – at the time the literary capital of the world (Thomsen 2025: 2). His success “lay in being compared with influential authors from both Germany and France, thus placing him in a European pantheon of writers” (Thomsen 2025: 10). In France, his first novel (translated to French in 1847) was compared to Madame de Staël’s Corinne, while his name was put alongside La Fontaine. “However, just as in Germany, where Andersen’s novels were placed in the context of an ongoing aesthetic debate, in which they represented something new, it is also the deviations from La Fontaine (1621-1695) that made the difference in France, according to Andersen himself. He had been advised to follow the French fairy tale patterns but chose not to, stating in this regard: ‘Had I followed the French patterns, I would hardly have been translated into French and placed alongside Lafontaine’ (Høybye)” (Thomsen 2025: 26) Additionally, Andersen himself played a big role in propagating his works abroad (see “the golden triangle”, Möller-Christensen 1993), as he consciously made himself available to the media via contacts in the literary world (Möller-Christensen 1991, see also Jørgensen 1996). Andersen visited Paris in 1843, where he had the opportunity for networking and self-promotion (Thomsen 2025: 3). While in Paris, Andersen made the acquaintance of several renown names: Heinrich Heine (1797-1856), a German writer and literary critic, Alexandre Dumas (1802-1870), Honoré de Balzac (1799-1850), Victor Hugo (1802- 1885) and Charles Reybaud (1802-1870). He frequently met with the writer Xavier Marmier (1808-1892), whom he had met in Copenhagen, and who was responsible for introducing Andersen to the French literary scene with an article six years prior (Thomsen 2025: 3). “In Marmier, Andersen found a gatekeeper not only to the French literary audience but to the European public” he was “largely responsible for popularizing the impactful fiction about the poor boy destined by higher powers to become a world-famous author” (Thomsen 2025: 17). The translator of the first French edition of Andersen’s fairy tales was Françoi Garay (1796-1873), under the pseudonym V. Caralp. According to Høybye (1952), he was “a literary robber who also appears under the pseudonyms Eugène de Monglan, Albert Deville and Maurice Dufresne” [own translation]. At least in this edition, Caralp gave the credit to the author. Andersen placed an enormous importance on the translations of his work, which, to him, were a visible sign of recognition. During his travels he sometimes found his own work translated. He did not own a complete collection of French translations, as he didn’t always receive a copy. (see Høybye 1952) This first translation of Andersen’s fairy tales was, as with many other translations, based upon the German. It was not until 1856 that there appeared French translations directly from Danish. A study showed that the 14 tales in the present collection were made based on three different German translators’ work: 9 from Petit (1845), 4 from Reuscher (1844-45), and one from Jenssen (1838) (see Høybye 1952). Interestingly, in the autobiography The Fairy Tale of My Life, Andersen observes that, in Petit’s German translation, “The Ugly Duckling” (original: Den Grimme Ælling) was translated to “grüne Ente”, and from there to the French “le petit Canard Vert” (lit: “the little green duck”) (Høybye 1952), as is the case in Caralp’s translation. ‎

‎Autographed letter, signed in full (""Hans Christian Andersen""), in English, for the Scottish author William Hurton. - [EXTREMELY RARE LETTER IN ENGLISH, IN LATIN CHARACTERS]‎

‎Dated ""Copenhagen 2 October 1851"" 2 closely written pages, measuring 21x13,5 cm.‎

‎Exceedingly scarce letter from Andersen - one of only very few letters known by Andersen in English, and in Latin handwriting. In the fall of 1851, William Hurton had published a book entitled Voyage from Leith to Lapland"" or, Pictures of Scandinavia in 1850, which he dedicated thus to the greatest Scandinavian writer of the era: ""To/ Hans Christian Andersen,/ these pictures of his Scandinavian home/ are inscribed,/ by his friend and admirer,/ William Hurton. London,/ May, 1851."" The book contains many lengthy references to Andersen – even a part biography of Andersen. Andersen was very touched by the gesture and by Hurton's flattering and lengthy portrayals of him, his life, and his work. The two authors had met in Copenhagen in 1849/early 1850 and formed an immediate friendship. In the present letter, which is both very interesting and very emotional, Andersen writes to Hurton, addressing him ""a son of Shackespears Land"", saying that he regrets not having met Hurton sooner and not having had the opportunity to do more for him while he was in Copenhagen. The expression of his gratitude for Hurton's dedication and portrayal of his authorship is both very sincere, very profound, very heartfelt, and very touching. He refers to receiving the book upon returning from Germany and describes how it reminded him of a bouquet of flowers in his living room. He also writes about the ship that Hurton travelled with, Caroline, how it went down and that the captain, crew, and passengers all died. Andersen ends the letter by saying that he hopes Hurton has received his latest book (""I Sverrig"") and that he looks forward to hopefully seeing him again soon in Copenhagen. The present letter is of the utmost interest, as it is written in English (in Andersen's own hand!) and also in Latin characters, as opposed the gothic handwriting that Andersen usually uses. Letters and inscriptions in Andersen's Latin hand are of the utmost scarcity. He only used this handwriting when writing to a recipient not very familiar with Gothic writing, e.g. Englishmen (and also Swedes). Out of the few known letters in Andersen's hand, we have even fewer letters by him written in English. His English was very poor, and he did not correspond very much with English-speaking people. He made an exception for William Hurton, though, to whom a few letters have been preserved, demonstrating his reverence for this Scottishman so fascinated by Andersen himself. Almost all of these letters are in institutional holdings, and the present one on private hands is a true scarcity. Andersen did not know enough English himself to actually write the letter in English in the first go, and he thus draughted a letter in Danish (this Danish version is very well known and is reproduced in e.g. Bredsdorff, Andersen og England, pp. 277-78). This Danish version was then translated, possibly by his benefactor and friend Edvard Collin. Collin did know English, but was not fluent in the language, which the letter also indicates. After having a translation in front of him, Andersen then wrote the letter again, in his own hand, in Latin handwriting, and in English, which is the result that we have in front of us.‎

‎Contes Danois. + Nouveau Contes Danois. Traduits pour la premiere fois par MM. Ernest Grégoire & Louis Moland. Illustrés d'apres les dessins de M. Yan' Dargent. - [IMPORTANT ASSOCIATION-SET]‎

‎Paris, Garnier Frères, (ca. 1873-75). Bound in two very nice cont. almost uniform red hcalfs w. gilt geometrical ornamentations to backs and blindstamped (vol. 2 black) ornamentations to boards. All edges gilt. Excellent, clean and well-preserved set w. numerous beautiful illustrations. W. both half-titles and frontispieces.‎

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‎Two first editions, both containing the first French translations of the present works by Hans Christian Andersen. With original handwritten and signed presentations in both volumes from the translator, Ernest Grégoire, for Robert Watt.Robert Watt (1837-94) was a leading figure in the Danish modernist breakthrough (1870-90) and a famous figure in Danish cultural life in the second half of the 19th century. In spite of the age difference, he became closely connected with Hans Christian Andersen, and it was he who accompagnied Andersen to the World Exhibition in Paris in 1867. He was also the one to encourage Andersen to have his fairy tales translated into and published in French, and he is the one who made this translation happen. Thus this particur presentation copy is of great interest.In his diaries from 1873 and 1874, Andersen fairly frequently writes about the preparation of this translation, about Watt and Gregoire. On the 31st of March (Vol. X, p. 54-55) he writes: ""Besøg af Watt der havde faaet Brev fra den franske Journalist Gregoire, der vilde oversætte og lade illustrere mine Eventyr, med Undtagelse af dem Soldi havde udgivet..."" [""Visit by Watt who had received a letter from the French journalist Gregoire, who wanted to translate my fairy tales and have them illustrated, except for the ones that Soldi had published..."" (own translation) ]. On several occations Andersen worries about the rights to the French translations, and he is not happy with the fact that Gregoire apparently claims them. On the 13th of April (Vol. X, p.64) he writes: ""-Hele Dagen Hoste og mit Nerveuse, Middag hos Eduard Collin, der skrev for mig en Skrivelse til Gregoire, efter min Opfattelse, og ikke som Watt havde givet mig til Underskrift. Strax paa Aftenen kom Watt og blev ilde stemt ved at jeg ikke vilde underskrive hans Skrivelse, sagde at MIN havde ikke Betydning for Loven i Paris, jeg forstod ikke hele hans Forklaring og da han vedblev kom jeg i saadan nerveus Stemning at jeg brast i Graad og sank om paa Sophaen."" [- The entire day cough and my nerves, dinner at Eduard Collin, who wrote for me a letter for Gregoire, according to my conception, and not like Watt had given me to sign. As soon as evening fell Watt came and became ill disposed because of me not wanting to sign his letter, said that MINE had no significance according to the law in Paris, I did not understand all of his explanation and when he kept on going I became so nervous that I broke down crying and collapsed on the couch."" (own translation) ].Robert Watt later (1886) became the director of the Tivoli Gardens in Copenhagen, where he, among many other things, installed the famous rollar coaster.‎

‎Andersen H.K. Tales by Hans Christian Andersen. In Russian /Andersen Kh.K. Skaz‎

‎Andersen H.K. Tales by Hans Christian Andersen. In Russian /Andersen Kh.K. Skazki Khansa Kristiana Andersena. M. Olma Media Group 2012.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb29e603cf18ad3889.‎

‎Hans Andersen Christian. Hans Andersens Fairy Tales. Compilation: 26 fairy tale‎

‎Hans Andersen Christian. Hans Andersens Fairy Tales. Compilation: 26 fairy tales. In Russian /Andersen Khans Kristian. Hans Andersens Fairy Tales (Skazki Gansa Andersena. Sbornik: 26 skazok). Illustrations: Dagmar Berkova. Prague. Artia. 1979. 264 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbb10dc8b3521de5ee.‎

‎Andersen Hans Christian. The most beautiful fairy tales by H.-H.Andersen. In Ru‎

‎Andersen Hans Christian. The most beautiful fairy tales by H.-H.Andersen. In Russian /Andersen Khans Kristian. Samye krasivye skazki G.-Kh.Andersena. Series: Golden Tales for Children. Artist: Lauber Larissa. Exmo 2020. 136s. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb4ac63f85d07501dc‎

‎Andersen Hans Christian. Tale plays. In Russian /Andersen Khans Kristian. Pesy-‎

‎Andersen Hans Christian. Tale plays. In Russian /Andersen Khans Kristian. Pesy-skazki. Translation from Danish. Compilation, introductory article and notes by V. L. Matusevich. Artist T. Tolstoy. M. Art 1963. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. The delivery of this book might be delayed beyond the usual timeframe due to extended processing and preparation before shipment, and faster shipping options are not offered. Please inform us if you need the order by a certain date or have a deadline. SKUalb576eab8f2b685479‎

‎Andersen Hans Christian: The Snow Queen. In Russian /Andersen Khans Kristian. S‎

‎Andersen Hans Christian: The Snow Queen. In Russian /Andersen Khans Kristian. Snenaya koroleva. Translation by A. Ganzen. Artist V. Panov M. Astrel 2008. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order. SKUalb1ca8153237964b6a‎

‎Andersen Hans Christian. Just a violinist: a novel. In Russian /Andersen Khans ‎

‎Andersen Hans Christian. Just a violinist: a novel. In Russian /Andersen Khans Kristian. Vsego lish skripach: roman. Moscow. Text, 2001. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order. SKUalb07afe4612b7d8933‎

‎Les contes de Hans Christian Andersen.‎

‎ Jean de Bonnot 1975 Jean de Bonnot, 1975, IV-506 p., reliure éditeur marron avec décor historié doré, tranche de tête dorée, environ 275x205mm, illustrations de Hans Tegner. Bon état.‎

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‎Traduit en français par Etienne Avenard, avec 195 illustrations de Hans Tegner. Merci de nous contacter à l'avance si vous souhaitez consulter une référence au sein de notre librairie.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Khristian. Skazki.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Khristian. Skazki. Moscow: Art Literature, 1993. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. The delivery of this book might be delayed beyond the usual timeframe due to extended processing and preparation before shipment, and faster shipping options are not offered. Please inform us if you need the order by a certain date or have a deadline. SKUalbb324adcf7b347e0d‎

‎Andersen Hans Christian. Pigs. In Russian /Andersen Khans Kristian. Svinopas.‎

‎Andersen Hans Christian. Pigs. In Russian /Andersen Khans Kristian. Svinopas. Series: Tales by M. Altei and K 2011. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. The delivery of this book might be delayed beyond the usual timeframe due to extended processing and preparation before shipment, and faster shipping options are not offered. Please inform us if you need the order by a certain date or have a deadline. SKUalba6d6f4c491ad70f3‎

‎Andersen Hans Christian. The best fairy tales. In Russian /Andersen Khans Krist‎

‎Andersen Hans Christian. The best fairy tales. In Russian /Andersen Khans Kristian. Luchshie skazki. Series: All the best fairy tales. Translated from Danish by A. Gansen. Rosman 2022. 144s. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb618dfbc2ea007514‎

‎Andersen, Hans Christian. The Kings New Dress. In Russian /Andersen, Khans Kris‎

‎Andersen, Hans Christian. The Kings New Dress. In Russian /Andersen, Khans Kristian. Novoe plate korolya. Series: Masters of Book Illustration. Hud. N.Golts. St. Petersburg: ABC Classics 2010. 32s. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time, no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb4665796ae80a9e98‎

‎Andersen Hans Christian. The Snow Kite. In Russian /Andersen Khans Kristian. Sn‎

‎Andersen Hans Christian. The Snow Kite. In Russian /Andersen Khans Kristian. Snezhnaya koreva. M Onyx-Leith 2018.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbf2a2988a759271e4.‎

‎Andersen, Hans Christian. Tales. In Russian /Andersen, Khans Kristian. Skazki.‎

‎Andersen, Hans Christian. Tales. In Russian /Andersen, Khans Kristian. Skazki. Artist E. Zvolskaya. Translated from Danish by A.Ganzen. M., ROSMAN, 2012.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb01d2fe94f8837480.‎

‎Andersen Hans Christian. A persistent tin soldier. In Russian /Andersen Khans K‎

‎Andersen Hans Christian. A persistent tin soldier. In Russian /Andersen Khans Kristian. Stoykiy olovyannyy soldatik. Series: A book as a gift from M. ABC Classics 2009.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbc789dd6a7caf167b.‎

‎Andersen Hans Christian. Tales. Stories. In Russian /Andersen Khans Kristian. S‎

‎Andersen Hans Christian. Tales. Stories. In Russian /Andersen Khans Kristian. Skazki. Istorii. Series: Library of World Literature (BVL). Series Two. Volume 66. Translation from Danish. Introductory article by K. Paustovsky. Moscow: Art Literature, 1973.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb4fd2cdec7ada13a0.‎

‎Andersen Hans Christian: The Snow Queen. In Russian /Andersen Khans Kristian. ‎

‎Andersen Hans Christian: The Snow Queen. In Russian /Andersen Khans Kristian. Snezhnaya koroleva. Andersens Fabulous Rebus M Clover Media Group 2013 42 4s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba9b75ea0ebf5231c.‎

‎Andersen Hans Christian. The Little Mermaid. In Russian /Andersen Khans Kristia‎

‎Andersen Hans Christian. The Little Mermaid. In Russian /Andersen Khans Kristian. Rusalochka. Series: Gift Collection. Illustration: Vladimir Nenov. Rosman 2014. 48 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb3153d1cf1e78f694.‎

‎Andersen Hans Christian. The Little Mermaid. In Russian /Andersen Khans Kristia‎

‎Andersen Hans Christian. The Little Mermaid. In Russian /Andersen Khans Kristian. Rusalochka. Translator: Ganzen A. M. ABC, ABC-Atticus. 2011.We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb1c53c59abc9c3b54.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Kristian. Skazki.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Kristian. Skazki. Series: Book in Gift. Artist: Gotzen-Beck Betina. M Dragonfly. 2018. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb4f1770f5f10aee31.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Kristian. Skazki.‎

‎Andersen Hans Christian. Tales. In Russian /Andersen Khans Kristian. Skazki. Series: Book as a Gift. Illustrations: G. Tegner, W. Pederson M Exmo, 2004. 1024s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalbeb192dc0f4165116.‎