Alison Smith, Tom Caley, Tager Stonor Richardson Jean-Luc Baroni
Reference : Z10510D
ISBN : B00STPSMH6
BROCHE 1977
Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.
Alison Smith, Tom Caley, Tager Stonor Richardson Jean-Luc Baroni
Reference : Z32391
ISBN : B00STPSMH6
BROCHE
Merci de nous contacter à l'avance si vous souhaitez consulter une référence dans notre boutique à Authon-du-Perche.
, Tate Publishing, 2018 Softcover, 224 pages, 28.5 x 23.5 cm, English text. *good condition. ISBN 9781849765992.
Edward Burne-Jones is widely regarded as one of the great British artists, and the only Pre-Raphaelite to achieve world-wide recognition through the elusive mythic language he developed across a range of media. Accompanying a major exhibition of Burne-Jones's work at Tate Britain, this beautifully-designed book looks at what was distinctive about Burne-Jones's art, and charts the course through which he emerged from being an outsider, to being revered as one of the great artists of the European fin de siecle. It shows how he maintained his vision through meticulous attention to craftsmanship and the repetition of key motifs. It examines the extraordinary combination of flattening and illusionistic effects in Burne-Jones's work, the artist's preoccupation with romance and horror, and the emphasis he placed on the potential of physical and symbolic objects within an image to simultaneously unlock and obfuscate meaning. Illustrated works show how Burne-Jones's highly subjective approach to storytelling resulted in a paradoxical combination of seriality and stasis, making the image unsettling in narrative and emotional terms. The essentially hermetic aspect of Burne-Jones' art will be used to foreground the challenge it presented to contemporary social and cultural values both within Britain and beyond. Large scale works made famous through public exhibition will foreground the impact Burne- Jones made on the continent, influencing the direction of pan-European Symbolism. Three essays examine Burne-Jones as an intellectual (his influences), as an artist (his techniques), and his legacy. Six section introductions, following the structure of the exhibition, look at in turn The Making of an Artist, Draughtmanship and Design, Burne-Jones' Public Exhibitions, Portraiture, Series Paintings, Art for the People. With contributions by Elizabeth Prettejohn, Jason Rosenfeld, Colin Cruise, Charlotte Gere and Suzanne Fagence Cooper.
National portrait gallery (3/2025)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781855145795
Flammarion (4/2025)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782080477989
Oxford University Press (11/2020)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9780192894175
NOVA SCIENCE PUBLISHERS INC (6/2005)
LIVRE A L’ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781594541926
Elle Shushan, Essaka Joshua, Emma Rutherford, Ellie Smith, Alison Lapper
Reference : 63176
, Paul Holberton Publishing Ltd, 2022 Softcover, 104 pages, ENG. edition, 250 x 195 mm, NEW , illustrated in color / b/w. ISBN 9781913645366.
Overview A celebration of an artist whose under-sung legacy testifies to the enduring power of originality, drive, and devotion. Accompanying an exhibition at Philip Mould & Company, Without Hands presents the art of Sarah Biffin. Biffin (1784-1850) was born with phocomelia, a condition described on her baptism record as "born without arms and legs." After learning to sew and write as a child, Biffin joined a traveling sideshow where she painted in front of an audience. Eventually, she rose to fame as a talented miniaturist, signing many of her works "without hands." Despite her prolific output, including commissions from royalty and exquisitely detailed self-portraits, Biffin's work has been overlooked by art historians. Beautifully illustrated and including original research, Without Hands celebrates Biffin as an artist who challenged contemporary attitudes to disability.