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ALLART VAN EVERDINGEN, THE DRAWINGS, A Complete Catalogue, Including the Studies for Reynard the Fox.
, Nunspeet, 2007, Aetas Aurea, Davaco., Bound in cloth with dust jacket,. 4to. 504 pages, containing an Introduction, the main text comprising of 12 chapters, an extensive bibliography and indexes; 756 illustrations, from which 10 are in colour.fine condition Aetas Aurea, Vol. XXI ISBN 9070288974.
Allart van Everdingen, born at Alkmaar in 1621, launched his career as a landscape and marine specialist at Haarlem in the 1640s, then moved to Amsterdam in 1652 where he was active as a painter, printmaker, draftsman and art dealer up to his death in 1675. He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in 1644.This catalogue of Everdingen's drawings presents 670 authentic water colors, ink drawings and oil sketches on paper in comprehensive, illustrated entries. The accompanying text explores many facets of his activity as a draftsman, including his use of paper, and also discusses later collectors of his sheets, their marks and inscriptions, and many imitations and copies of the master's drawing extant today. High points from Everdingen's production include his trip sketches (both from his travels to Scandinavia and from a trip he made to the Ardennes in 1656), his masterworks showing Dutch scenery, his allegorical series (Twelve Month, Four Seasons and Four Elements) and his studies and transfer drawings for both his Scandinavian landscape etchings and the prints he made to illustrate the fable Reynard the Fox.The volume is an important reference work for all those with a general interest in seventeenth-century Dutch landscape and old master drawings, or with a particular interest in allegorical landscape subjects, book illustration or the Reynard the Fox fable.The author, Alice I. Davies, published an Everdingen monograph and catalogue of the artist's paintings (in collaboration with Frederik J. Duparc) in 2001. Her other publications includes a book on the life and work of Jan van Kessel (1641-1680) and a catalogue of the 16th- and 17th-century Dutch and Flemish paintings at the Springfield Museum of Fine Arts. She was an editor of Shop Talk, the 1995 Festschrift in honor of Seymour Slive.
JAN VAN KESSEL (1641-1680), catalogue raisonne.
, Davaco, Aetas Aurea, Vol. X, 1993, Cloth bound with dusjacket, 4to. VIII, 335 pp. text and 411 ills. on 244 plts. (11 in color). fine condition! ISBN 9070288818.
JAN VAN KESSEL is a monograph and catalogue raisonne introducing a little-known but talented Amsterdam follower of Jacob van Ruisdael. Many art professionals outside of the speciality of seventeenth- century Dutch landscape do not realize that he existed, with the result that his works sometimes are assigned to the contemporary (but unrelated) Antwerp painter of the same name. The monograph text starts with a critique of the artist's reception to date, both in terms of the public exhibition of his work and the appraisals of him in scholarly literature. Next, his biography is updated using primary and secondary sources, including un-published data from the Amsterdam Municipal Archives. Then, Jan van Kessel's paintings and drawings are given a general introduction, with special attention paid to the development that occurred in the way he signed his name. The main body of the monograph is devoted to his art, presented chronologically from the artist's documented start in 1661 until his early death in 1680. The catalogue raisonne contains fully documented entries with discussions up to a thousand words in lenght. The 290 works catalogued are organized into six sections: Authentic, Problematic, Doubtful Paintings, Authentic Drawings, Problematic Drawings, Doubtful Drawings (26). As new!
ANTHONIE VAN BORSSOM (1630-1677) A Catalogue of His Drawings
NL-, Davaco, 2014 Hardcover with dusjacket, in 4to. 141 pp., including 186 illustrations (91 in color) Cloth bound with dustjacket. English. ISBN 9789070288099.
Anthonie van Borssom was a resident of Amsterdam his entire life, active primarily as a landscape artist, who is associated with Rembrandt at the onset of his career. Werner Sumowski catalogued many of Borssom's drawings and paintings in 1979 and in 1983, respectively, in the sixteen volumes he devoted to fifty-four members of Rembrandt's school. Hollstein (1951) lists eight Borssom etchings of domestic animals and birds in landscape settings. A comprehensive monograph has not been published, and some confusion remains concerning aspects of the artist's life, including the year of his birth. New information about Anthonie van Borssom's life is presented in the introductory essay for this updated catalogue of his watercolors and ink wash drawings. There is a growing consensus that Borssom's true talent and originality find their best expression in his drawings, and not in his largely derivative paintings. The new attention paid to his works on paper has brought a clearer understanding of his production. Besides elucidating the artist's biography and the complexities involving his name, the introductory text presents a discussion of his subjects (mostly Dutch landscapes, garden scenes, birds and animals, five church interiors, three allegorical series, and a few figures); the trips and excursions he made to depict identifiable sites in The Nether-lands and at Cleves, just over the German border; and the characteristics of his style which help secure attributions to his hand. New attributions are reported in the essay, involving both his contemporaries (mainly from Rembrandt's school) and also his dedicated followers in the 18th and 19th centuries. The catalogue of Borssom's drawings is limited to those accepted by the author as authentic, and for which an illustration is available. The independent sheets are grouped by medium (watercolor; brown ink with brown wash; brown ink with grey or grey and brown wash; grey ink and black chalk), organized by size (larger to smaller). The most important work is the artist's sketchbook preserved at the British Museum, which is fully illustrated here. Sumowski (1979) reproduced six pages from the sketchbook, and illustrated 78 independent drawings by Borssom, while mentioning twelve more as authentic works. This catalogue contains 122 independent sheets (not always in agreement with Sumowski's selection), some with sketches on their versos (likewise illustrated), in addition to the 94 complete sketches (sometimes several to a page) in the British Museum book. The independent drawings are supported by full entries: heading, inscriptions/marks, watermark, chain lines, provenance, literature, exhibitions, and notes. The volume is completed by a full bibliography (books and articles, exhibition catalogues, and sale catalogues) and two indexes (present collections and owners).
La petite prisonnière de papa - Histoire vraie d'une juene fille battue, violée et sequestrée
City. 2017. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 300 pages.. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne
Traduit de l'anglais par Christophe Cuq. Classification Dewey : 820-Littératures anglaise et anglo-saxonne
ALLART VAN EVERDINGEN 1621-1675. FIRST PAINTER OF SCANDINAVIAN LANDSCAPE,
, Davaco Publishers, 2001, Cloth bound with dusjacket, 4to., 312 pp. text and 467 plates and illustrations (14 in color). fine! ISBN 9070288273.
A Monograph, with a Catalogue Raisonne of Paintings.The catalogue raisonne of Everdingen's paintings is a collaborative effort by Alice I. Davies and Frederic J. Duparc. Like the chapters treating the painter's career in the monograph, the catalogue of the 179 authentic works is organized by subject - 22 marines, 146 Scandinavian landscapes, and 11 Netherlandish landscapes - with the dated pictures listed first and the remainder presented in chronological order. The other three sections comprise 22 "attributed paintings" not yet examined at firsthand by the authors, 35 "rejected paintings" in public collections, and 5 paintings lost from public collections, for which no reproduction exists. All of the catalogue entries, save the five in the last section, are reproduced in black and white plates (14 also in color). In addition, many of the artist's drawings and etchings appear among the 231 comparative illustrations that accompany the monograph text. The 1709 sale catalogue of Everdingen's painting collection is duplicated in an appendix. Complete bibliographies and indexes also make this a definitive reference book. Aetas Aurea XV.
[Allart van Everdingen] - Davies, Alice I.
Reference : 072916
(2001)
ISBN : 9070288273
Allart van Everdingen 1621-1675. First Painter of Scandinavian Landscape. Catalogue Raisonné of Paintings. Aetas Aurea: Monographs on Dutch & Flemish Painting
Davies, Alice I.: Allart van Everdingen 1621-1675. First Painter of Scandinavian Landscape. Catalogue Raisonné of Paintings. Doornspijk: 2001. Series: Aetas Aurea: Monographs on Dutch & Flemish Painting. 309pp plus 14 colour and 34 monochrome plates, 433 monochrome illustrations, tear to top of back jacket, very good condition otherwise. Cloth. 31x23.2cms. A Dutch 17th-century artist, working in Scandinavia, Everdingen is best known for his Dutch and Scandinavian landscapes but was also a marine painter. A pupil of Pieter de Molyn, Everdingen later collaborated with Adriaen van de Velde, Claes Berchem and Johannes Lingelbach. A monograph precedes the catalogue raisonné, divided into five sections: authenticated, attributed, rejected or reattributed paintings in public collections, lost paintings from public collections. It is supported by extensive documentary and comparative material, includes a concordance, indices of names, places, present collections and owners.
A Dutch 17th-century artist, working in Scandinavia, Everdingen is best known for his Dutch and Scandinavian landscapes but was also a marine painter. A pupil of Pieter de Molyn, Everdingen later collaborated with Adriaen van de Velde, Claes Berchem and Johannes Lingelbach. A monograph precedes the catalogue raisonné, divided into five sections: authenticated, attributed, rejected or reattributed paintings in public collections, lost paintings from public collections. It is supported by extensive documentary and comparative material, includes a concordance, indices of names, places, present collections and owners. Text in English
Lama Serge - Dona Alice,Gilbert Yves,Davies Raymond Douglas,Stefanidis Tony - Lama Serge,Davies Raymond Douglas
Reference : 92678
Lama Serge - Datin Jacques,Dona Alice,Petit Jean-Claude,Davies Ray,Gilbert Yves - Lama Serge,Chauvier Serge
Reference : 79957
(1999)
Partition de la chanson : Album "Top" Serge Lama 10 titres : - Chez moi - D'aventure en aventure - Femme, femme, femme - Les glycines - Je suis malades - Marie la Polonaise - Les P'tites femmes de Pigalle - Superman - Le temps de la rengaine - Une île
Beuscher Paul 1999
Bon état Grand format Piano
Multi-Artistes Serge Lama Alice Dona Jacques Datin Jean-Claude Petit Maxime Le Forestier Ray Davies Yves Gilbert Jean Morlier Jean-Claude Petit Serge Lama
Reference : 28697
(1984)
ISBN : 0042282250520
D'aventures en aventures
Mercury 1984 8x8x3cm. 1984. CD.
French edition - expédié soigneusement depuis la France dans enveloppe à bulles
