10 books for « sao paulo »Edit

‎USP. Universidade de Sao Paulo - The University of Sao Paulo‎

‎1 vol. grand in-8 carré cartonnage éditeur, Reitora da Universidade de Sao Paulo, Sponsored by the Itau America Foundation, Printed by Rossolillo, s.d. [ circa 1972 ], 20 ff. avec le plan dépliant de l'Université‎

11 Images

‎Nice presentation booklet of the University of Sao Paulo, complete with the joined map (cover slightly sunned, otherwise a very good copy). Belle plaquette de présentation de l'Université de Sao Paulo (couv. lég. insolée, bon exemplaire par ailleurs). ‎

‎A capital de S. Paulo em 1933. ‎

‎São Paulo, Directoria de Publicidade Agricola, 1934 ; 160 x 230 mm, 48 pp., couverture et cahier agrafés. Tiré à part, en langue portugaise. Volume «Os Municipios do Estado de S. Paulo» (Separata do). Bon état.‎

‎Arte / Cidade - Cidade Sem Janelas - Catalogue d'exposition Secretaria de Estado da Cultura de Sao Paulo - 1994‎

‎ Editora Marca d'Agua - 1 vol in-4 - broché - 48 pages - 1984 - Illustrations et photographies en noir et blanc et en couleurs - Texte en portugais‎

‎Bon état - Un léger accroc à la couverture ‎

‎Lettre autographe signée à "chere Martine..." [Mary ?] - Rio le 28 mars ? -- ‎

‎ 1 page in8 - bon état -‎

‎Il remercie pour une lettre et pour l'intérêt porté à son art, "ma peinture" -Rubens Gerchman (10 janvier 1942, Rio de Janeiro - 29 janvier 2008, São Paulo) est un peintre et sculpteur brésilien influencé par l'art concret et néoconcret.Rubens Gerchman (born January 10, 1942, Rio de Janeiro January 29, 2008) was a Brazilian painter and sculptor. He was heavily influenced by concrete and neoconcrete art. Many of Gerchmans works are paintings based on populist themes and his political beliefs, which followed those of neoconcrete artists. His sculptures with letters, stem from concrete poetry. Gerchman studied at the Rio de Janeiro School of Fine Arts. In the 1960s, his work focused on mass culture. He used faces clipped from news photos, but unlike Andy Warhol, who used infamous celebrity, he used images of anonymous individuals. These faces would be reproduced as multiple painted images in a comic-strip style. In the late 1960s, Gerchman devoted his interest to urban isolation and alienation. He produced boxes and containers destined to be opened by spectators, and made a series of mixed media collages on wood, broadly titled Caixa de morar (Box to Live In), which reflects this theme. One work in this series, O rei do mau gosto (The King of Bad Taste), was a satire on the bourgeoisie and industrial tycoons set in a monstrous tropical paradise. From the mid 1960s to the early 1970s, Gerchman incorporated letters and words in his paintings, photographs, and sculptures. In 1967, he completed sculptural works which included Terra (Earth), Lute ("Struggle") and Sós ("Alone"). Terra integrated Gerchmans box with hollowed out letters, while Sós played on his Boxes to Live In series with its reference to isolation and alienation. Lastly, Lute expresses political importance. During his stay in New York City from 1968-1973, Gerchman adapted to his new audience by producing works with English words. His new works still reflected Gerchman's populist nature, and are rooted in concrete poetry. Some of his work with letters also addresses issues of Latin America's relative geographic location in the Southern Hemisphere. Réouverture jeudi 11 avril 2024 - Nous traiterons vos commandes à ce moment là -‎

‎Bruno Goller.‎

‎2. Hamburgo (Hamburg), Herman Eidenbenz (printer), 1965, in-4°, 45 pp, one coloured and several black/white illustrations. With a preface (in Portugese) by Werner Schmalenbach. Published on the occasion of the 8th Biennal of Sao Paulo (Bresil).‎

‎.‎

‎Bruxelles, Éd. de la Connaissance, 1954, in-8, br., 94 pp., ill. en noir et blanc. (SC26A) ‎

‎Catalogue d'exposition au Palais des Beaux-Arts à Bruxelles, 1954. ‎

‎.‎

‎P., Éd. des Musées nationaux, 1953, in-8, br., 132 pp., ill. en noir et blanc. (SC43) ‎

‎Catalogue d'exposition au Musée de l'Orangerie à Paris, 1953/1954. Introduction de Germain Bazin. ‎

‎DOLCE - PIANO + CHANT.‎

‎RADIO MUSIC FRANCE. NON DATE. In-8. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 3 pages de partitions non paginées.. . . . Classification Dewey : 780.26-Partitions‎

‎RMF.131. Classification Dewey : 780.26-Partitions‎

‎LES PRODUITS D'ORIGINE MARINE et FLUVIALE, étude des matières premières :origines applications alimentaires et industrielles, leur importance dans l'économie nationale.‎

‎ PARIS, PAYOT, Bibliothèque scientifique - 1948 - 366 pages.Ouvrage orné de 23 planches, 14 figures, 1 carte, 2 diagrammes et 66 tableaux.Dessins deMarcel BOURGEOIS.Broché, Bon état;‎

‎ - ATTENTION: Colis recommandé uniquement sur demande (parcel recommended on request). Si vous désirez un remboursement équivalent au montant de votre achat, en cas de perte détérioration ou spoliation, demandez-nous expressément un envoi en recommandé ( if you wish a repayment equivalent to the amount of your purchase, in case of loss - deterioration or despoliation, ask us expressly for a sending recommended)- Conditions de vente : Les frais de port sont affichés à titre Indicatifs (pour un livre) Nous pouvons être amené à vous contacter pour vous signaler le prix du supplément de port en fonction du poids et du nombre de livres- Conditions of sale : The shipping costs are displayed as an indication (for one book) We may need to contact you to inform you of the cost of the additional shipping depending on the weight and the number of books- Possibilité d'envoi par Mondial-Relay - Réception en boutique sur rendez-vous. Librairie G. PORCHEROT - SP.Rance - 0681233148 ‎

‎Fascicule d'illustrations de tapisseries de Luiz Adolpho‎

‎Banespa 1960‎

‎in8 oblog souple a spirale, 19 illustrations couleurs, pas de date de publication‎