Write to the booksellers4 books for « baranano kosme de »Edit
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21st (2)
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Fine arts (2)
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Painting (1)
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France (3)
Adolph Gottlieb. Una Retrospectiva. A Survey Exhibition.
Generalitat Valenciana 2001 In-4, oblong, cartonnage souple illustré, photographies pleines pages en noir et en couleurs, 137 pp. En espagnol et en anglais. Très bon état.
Ivam Centre Julio Gonzàlez 1 febrero - 22 abril 2001. Adolph Gottlieb (né en 1903 à New York et mort en 1974) est un peintre expressionniste abstrait et un sculpteur américain, membre fondateur du groupe The Ten créé en 1935. Il fait partie du mouvement expressionniste abstrait. Il sera fortement influencé par la peinture de Cézanne, de Matisse et de Fernand Léger lors de ses études à Paris. Très bon état d’occasion
Manolo Valdés
1999, Ediciones poligrafa, in-folio cartonné de 240 pages, jaquette illustrée, ouvrage en espagnol, nombreuses illustrations | Etat : Très bon état général (Ref.: G4609)
Ediciones poligrafa
Anthony Caro. Galvanised Sculptures
Annely Juda Fine Art 2007 In-8 relié 24 cm sur 27. Livre en anglais. 104 pages. Très bon état d’occasion.
Très bon état d’occasion
PER KIRKEBY retrospective , Per kirkeby and the forbidden paintings of Kurt Schwitters / ENG.
Brussel, Bozar, 2012 Hardback with dusjacket 285x225mm, 200pages., illustrations English text ISBN 9789085866275.
The Centre for Fine Arts presents a retrospective of the work of Per Kirkeby (born in 1938), one of the key painters of the Danish avant-garde. But just what does avant-garde mean: rupture, minimalism, abstraction, borrowings, subversion? One can find all of those in a prolific body of work that began in the 1960s in the wake of the Fluxus movement. But that is only one aspect of a very diverse oeuvre that draws just as much on the figuration of Danish classicism and the experiments of 19th-century French masters such as Eugene Delacroix. Kirkeby cannot be pigeonholed, nor does he want to be: he prefers to relentlessly question the position and the perceptions of the observer. An artistic process that has seen him turn to different media (canvas, blackboards, paper, bronze, etc.) in an assertion of the freedom he finds, as a trained geologist, in the omnipresence of nature. It is in this context that the Kurt Schwitters room in the exhibition is so relevant. Here, Kirkeby is not confronted with the Dadaist, but with an unfamiliar, figurative Schwitters, in love with landscape. ''Forbidden paintings'' - from the point of view of the modernist mainstream that is. The Danish artist recognises in this work his own credo: a visceral assertion of his freedom as an artist. Bozar, Brussel. Expo: 10/02/2012 - 20/05/2012
