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Rothenstein Sir John
Turner
Le musée personnel 1965 in4. 1965. Relié.
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5 book(s) with the same title
The genius of J. M. W. Turner, R. A.
1903 The Studio Soft cover
The genius of J. M. W. Turner, R. A. softcover, 300 x 215 mm, XVI adv. 24 pp + numerous illustrations, good condition
Soil Survey of Crisp and Turner Counties, Georgia
USA 1981 United States Department of Agriculture Soft cover
Soil Survey of Crisp and Turner Counties, Georgia soft cover: 28 x 23 cm, 120 pages + 47 double pages sheets, very good condition
Turner - Early Works et Turner - Later Works 2 vols.
Tate Gallery Publishing, Millbank, London, 1974. 2 vols. in-12, brochés sous couverture illustrée en couleur, 17 pp. - pl. et 17 pp. - pl. Turner Early Works : Note - List of Plates - Turner's Early Paintings, 1796-1819 - Plates / Turner Later Works : Note - List of Plates - Turner's Later Paintings, 1819-1850 - Plates.
Avec 31 planches couleur pour chaque volume. --- Plus d'informations sur le site archivesdunord.com
Phone number : 01 42 73 13 41
Reference : alba1cd31dd545a8b1e
Turner. Turner. 1775-1851. In Russian /Turner.Terner. 1775-1851.
Turner. Turner. 1775-1851. In Russian /Turner.Terner. 1775-1851. In German: Parkstone. 2011. 255s. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba1cd31dd545a8b1e.
Turner's Classical Landscapes : Myth and Meaning
, Princeton University Press, 1990 Hardcover, 302 pages, ENG, 260 x 225 mm, brown linen with gold coloured imprint , dustjacket, lots of illustrations in b/w. ISBN 9780691040806.
Now famous for their immediate impact of color, light, and atmospheric effect, the landscapes of Romantic painter J.M.W. Turner (1775-1851) were at first the object of opposing critical claims: from one side the British artist was charged with painting ''pictures of nothing and very like,'' from the other, with allowing too much ''content'' to eclipse his presentation of nature. Taking this paradox as its starting point, Kathleen Nicholson's richly illustrated book proposes a thorough revision of how we understand the enigmatic artist who revolutionized landscape painting. Advancing the growing interest in Turner's handling of content, without ignoring questions of style, Nicholson shows how Turner used the themes of antiquity to explore the ways natural imagery can embody meaning, and how he came to view interpretation itself as a primary subject. Nicholson maintains that by seeking themes in ancient myth, culture, and history, Turner was able to reinvest nature with new values and concepts, thereby accomplishing a genuinely modern revision of classical landscape in an early nineteenth-century idiom. His inquiry into the nature of meaning, she argues, led him to articulate a narrative that engaged the viewer in ''reading'' or interpreting both symbolic and purely visual imagery. Among the first to analyze systematically the themes treated in Turner's early sketchbooks, Nicholson traces the artist's understanding of a given legend, ancient author, or formal source as it developed over time, providing rare insight into the extent and character of his manipulation of subject matter.
