Paris, Hachette, 1947; in-8, 578 pp., br.
Reference : 201804566
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Librairie Lire et Chiner
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commande par internet, retrait possible au magasin. Les colis sont expédiés dès réception du règlement après entente concernant les frais de port, envoi vers la France mais aussi vers l'étranger nous contacter pour le calcul des frais d'envoi
Turnhout, Brepols, 2010 Hardback, X+332 p., 156 x 234 mm. ISBN 9782503528977.
From the English Civil War to the Fronde, from Masaniello to Robespierre, this book is one of the first attempts to create a European, transnational approach to the problems of the early modern age. It proposes a detailed reconstruction of the main interpretative tendencies that have developed around the English Civil War, the French Revolution, the so-called 'Seventeenth-Century Crisis': the Fronde and the Neapolitan revolt of Masaniello. And yet, Mirrors of Revolution agrees with neither the traditional social interpretations of the causes of revolt, nor with revisionist approaches that privilege the influence of discursive registers. Instead, it proposes an original interpretation of revolution based on the concept of political identity. In the terms of this analysis, revolutions do not reveal previously hidden social groups. Rather, revolutions become the central ground upon which new identities coalesce. With its usage of the Fronde and Masaniello as case-studies for extensive investigation, Mirrors of Revolution outlines a challenging and exciting reformulation of the concept, and causes, of revolution. Languages : English.
, Acc Art Books, 2023 Paperback, 256 pages, ENG. edition, 280 x 220 x 20 mm, NEW, illustrated in colour. ISBN 9781910807576.
Britain's industrial age is often perceived through a black-and-white filter as the 'funereal' age of coal pollution and bleak working class slums. This catalogue will dispel that perception, demonstrating how the industrial revolution transformed colour, and focus on the central role it played in art, culture and technology As opposed to approaches favouring a long history of colour, the catalogue focuses on the second half of the 19th century and argues that this was a crucial chromatic turn, which has been significantly ignored by prominent historians of colour and previous publications Several essays in the catalogue offer new research into key chromatic events of the period including the 1862 International Exhibition Accompanies an exhibition at the Ashmolean Museum from 21 September 2023 to 18 February 2024 Contrary to the monochrome vision of Queen Victoria's mourning dresses and the coal-polluted streets of Charles Dickens' London, Victorian Britain was, in fact, a period of new and vivid colours. The Industrial Revolution had transformed the Victorians' perception of colour and, over the course of the second half of the 19th century, it became the key signifier of modern life. Colour Revolution: Victorian Art, Fashion & Design charts the Victorians' new attitudes to colour through a multidisciplinary exploration of culture, technology, art and literature. The catalogue explores key 'chromatic' moments that inspired Victorian artists and writers to think anew about the materiality of colour. Rebelling against the bleakness of the industrial present, these figures learned from the sacred colours of the past, the sumptuous colours of the Middle East and Japan and looked forward towards the decadent colours that defined the end of the century.
Dusseldorf, Richter Verlag, 2007 Gebunden, fadengeheftet, 220 x 275mm., 96S., farbige Abbildungen. ISBN 9783937572758.
Seit den siebziger Jahren widmet sich Anselm Kiefer in seinen riesigen Leinwanden, Holzschnitten, Fotosequenzen und den in Blei gebundenen Folianten der Aufarbeitung der europaischen Zivilisationsgeschichte, ihrer Mythen und Archetypen sowie des Verlusts der Humanitat durch die Folgen einer barbarischen deutschen Geschichte im letzten Jahrhundert. Seine materialreichen, expressiven Historienbilder sind keine narrativen Darstellungen von Ereignissen, sondern eschatologische Szenen, die an Tatorte und die mit ihnen verbundene politisch und letztendlich anthropologisch begrundete Angst erinnern. Das in dieser Publikation vorgestellte mythische Szenario der Hermannsschlacht, die in Holz geschnittenen Kopfe, sowie die Installation der Bleibetten aus dem grossen Werkzyklus Die Frauen der Revolution geben Zeugnis seiner historischen Auseinandersetzung: mit den geistigen Wurzeln des Nationalsozialismus und den beruhmten Frauen der franzosischen Revolution. Guter Zustand.
, La haye, Martinus nijhoff, 1973., Toile originale,12x24cm,463pp, illustrations,
Archives Internationales d' histoire des idees nr 56, essai de litterature politique comparee, jacket damaged.
, Brussel, Paleis der Academien, 2000., Gebrocheerd, originele uitgeversomslag, 26x18cm, 141pp, als nieuw/ as new!!!! ISBN 9789065696892.
Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Iuris Scripta Historica XII.