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Siegfried WICHMANN
JAPONISME
Un ouvrage de 431 pages, format 275 x 310 mm, illustré, relié toile sous jaquette couleurs, publié en 1982, Editions du Chêne / Hachette, bon état
Reference : LFA-126724775
Traduit de l'allemand par Olivier Séchan
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Lettre de France, L'Art de Vivre à la Française
M. Olivier Auriol de Bussy
04 74 33 45 19
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Vente par correspondance, lors de salons à l'extérieur ou au Château de Vallin lors de manifestations culturelles. Nous vous accueillerons notamment les 21, 22 et 23 juin 2024 (de 10 h à 18 h) à l'occasion de notre "Foire aux Livres" estivale : exposition-vente de plusieurs milliers d'ouvrages, organisée au Château de Vallin, demeure historique des XIVe et XVIIIe siècles, située à Saint Victor de Cessieu, proche de La Tour du Pin, en Isère. A cette occasion, également une grande braderie de livres à 1 €
5 book(s) with the same title
JAPONISME IN FIN DE SIECLE ART IN BELGIUM,
Antwerp, Pandora, 2002 Paperback , wit karton onder blauwe geillustreerde kartonomslag met flappen, 175 x 240mm., 320pp., z/w en kleurillustratie. ISBN 905321448.
Pandora Cahier 9. Japonisme in its context: how did Japanese art and image enter Belgium? - Belgian public and private collections - A mode of Japanese style and Japanese art dealers - Art criticism; curious similarity between Japanese art and avant-garde works - Neo-Impressionism and Japonisme in the works of Theo Van Rysselberghe - Symbolist Fernand Khnopff and Japonisme - Two-dimensional representations; book illustration by Elskamp, Van de Velde, Lemmen, Khnopff and Van Rysselberghe. Book is in good condition.
Reframing Japonisme, Women and the Asian Art Market in Nineteenth-Century France, 1853-1914
Emery, Elizabeth: Reframing Japonisme, Women and the Asian Art Market in Nineteenth-Century France, 1853-1914. London: 2020. 264 pages, 50 black & white illustrations and 13 colour plates. Hardback. 23 x 15cms. Review of the collecting and display practices of European and American women involved in the Japanese and Chinese art market during the nineteenth century. Clémence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s and bequeathed the Musée d'Ennery to the state as a free public museum in 1893. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did art dealers Madame Desoye, Madame Malinet, Madame Hatte and Madame Langweil. Writers, actresses, and artists Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt took inspiration from the Japanese material in circulation to inform their own works. This study explores their role in expanding the Western taste for 'Japonisme' at the turn of the century.
Review of the collecting and display practices of European and American women involved in the Japanese and Chinese art market during the nineteenth century. Clémence d'Ennery (1823-1898), who began collecting Japanese and Chinese chimeras in the 1840s, built and decorated a house for them in the 1870s and bequeathed the Musée d'Ennery to the state as a free public museum in 1893. Travelers to Japan such as the Duchesse de Persigny, Isabella Stewart Gardner, and Laure Durand- Fardel returned with souvenirs that they shared with friends and family. Salon hostesses including Juliette Adam, Louise Cahen d'Anvers, Princesse Mathilde, and Marguerite Charpentier provided venues for the discussion and examination of Japanese art objects, as did art dealers Madame Desoye, Madame Malinet, Madame Hatte and Madame Langweil. Writers, actresses, and artists Judith Gautier, Thérèse Bentzon, Sarah Bernhardt, and Mary Cassatt took inspiration from the Japanese material in circulation to inform their own works. This study explores their role in expanding the Western taste for 'Japonisme' at the turn of the century. Text in English
Oriental Fascination 1889 - 1915. Le Japonisme en Belgique. Het Japonisme in België. Japonisme in Belgium. REVUE DE PRESSE - PERSOVERZICHT - PRESS REVIEW .
2. Brussels, organisers of the exhibition Oriental Fascination, 2008, in-4°, ca. 150 nn pp , Off-set and phototstat copies , orig. stiff wrapper. Collection of press reviews ( printed press and internet ) which appeared in Belgium (in French and Dutch) to comment on this exhibition. Curious publication to document the reception in Belgium of a Belgian exhibition which was made to document the reception in Belgium of Japanese art .
CHISABURO Yamada - Society for the Study of Japonisme ( editors ) :
Reference : 50254
Japonisme in Art. An International Symposium . Edited by '' The Society for the Study of Japonisme ''.
4. Tokyo, Kodansha International, Committee for the Year 2001, ilarge in-8°, 25,5 cm, 331 pp, publisher's cloth with printed dust wrapper. Some sparse pencil underlinings , still a fine copy. ISBN 0870114557 ..
Oriental Fascination 1889 - 1915. Le Japonisme en Belgique. Het Japonisme in België. Japonisme in Belgium.
" Bruxelles, Ville de Bruxelles (département Culture), 2008, in-4°, 222 pp, softcover. Three-lingual ; Dutch, French, English. Published on the occasion of an exhibition. (;japonism;belgian;art;)."
