Academy Editions.1982.In-folio toilé noir,avec jaquette illustrée en couleurs.315 p.Iconographie importante noire et en couleurs.BE.Jaquette légèrement froissée.En anglais.
Reference : 47905
Librairie Ancienne Laurencier
M. Patrick Laurencier
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livresanciens.laurencier@wanadoo.fr
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, Johns Hopkins University Press 2014, 2014 Hardcover, 256 pages, English, book in perfect condition, with pictures in b/w, . ISBN 9781421411620.
The bold lines and decorative details of Art Deco have stood the test of time since one of its first appearances in the International Exhibition of Modern Decorative and Industrial Arts in Paris in 1925. Reflecting the confidence of modern mentality-streamlined, chrome, and glossy black-along with simple elegance, sharp lines, and cosmopolitan aspirations, Art Deco carried surprises, juxtaposing designs growing out of speed (racecars and airplanes) with ancient Egyptian and Mexican details, visual references to Russian ballet, and allusions to Asian art. While most often associated with such masterworks as New York's Chrysler Building, Art Deco is evident in the architecture of many U.S. cities, including Washington and Baltimore. By updating the findings of two regional studies from the 1980s with new research, Richard Striner and Melissa Blair explore the most significant Art Deco buildings still standing and mourn those that have been lost. This comparative study illuminates contrasts between the white-collar New Deal capital and the blue-collar industrial port city, while noting such striking commonalities as the regional patterns of Baltimore's John Jacob Zinc, who designed Art Deco cinemas in both cities. Uneven preservation efforts have allowed significant losses, but surviving examples of Art Deco architecture include the Bank of America building in Baltimore (now better known as 10 Light Street) and the Uptown Theater on Connecticut Avenue NW in Washington. Although possibly less glamorous or flamboyant than exemplars in New York or Miami, the authors find these structures-along with apartment houses and government buildings-typical of the Deco architecture found throughout the United States and well worth preserving. Demonstrating how an international design movement found its way into ordinary places, this study will appeal to architectural historians, as well as regional residents interested in developing a greater appreciation of Art Deco architecture in the mid-Atlantic region.
MLP. 1999. In-8. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 64 pages augmentées de nombreuses photos en couleurs dans et hors texte.. Avec Jaquette. . . Classification Dewey : 730-Arts plastiques. Sculpture
SOmmaire: Le style art déco; La peinture art déco; Les affiches art déco; La reliure et les illustrations art déco. Classification Dewey : 730-Arts plastiques. Sculpture
, Thames & Hudson, 2009 Hardcover, 544 pages, ENG. edition ; 315 x 250 x 50 mm, in Perfect Condition !, illustrated dustjacket, packed with over 1000 !! illustrations in colour / b/w. ISBN 9780500238554.
Hardcover. In the most comprehensive account of the decorative arts of the Art Deco period ever assembled, Alastair Duncan celebrates the rich variety of form and diverse international roots that have made it a perennial favourite of collectors and a constant source of inspiration for designers.Straddling two World Wars and the Great Depression, ushering in the Jazz Age and the era of the automobile and skyscraper, and shaping everything from the Golden Gate Bridge to the humble desk lamp, the story of Art Deco is the story of our modern world.In its purest forms, it developed from a characteristically French image of luxury and refinement. Later, modernist European and American designers incorporated metal and plastic in styles described as 'Streamline Moderne', but which are now called 'Deco'. Although Paris was the spiritual home of the movement, Art Deco was a truly global style, with designers from every country in Europe and the Americas inspired by a vast international catalogue of artistic and craft traditions.The guide begins with essays on the major media of the period: Furniture and Interior Decoration; Sculpture; Paintings, Graphics, Posters and Bookbinding; Glass; Ceramics; Lighting; Textiles; Silver, Metal, Lacquer and Enamel; and Jewelry, each followed by lavishly illustrated in-depth biographies of the major designers and artists working in the medium.The second half of the book is an authoritative illustrated A-Z listing of all significant designers in the Art Deco style, comprising over four hundred entries. The book is a visual garden of Deco design, with hundreds of items photographed in colour and described with their useful purposes, materials, and current values. This book is important because it demonstrates how the new Art Deco style provided the Depression-ridden world with colour and style in a form most people could afford
, ACC Art Books, 2019 Hardcover with dusjacket,336 Pages: 288, Illustrations: 342 colour, 324 x 273 mm, . ISBN 9781788840637.
One of the most important sculptors of the Art Deco era, Dem tre Chiparus (1886-1947) was a Romanian sculptor who lived and worked in Paris. This book is a stunning monograph covering the most iconic of the Art Deco sculptors. It delves into his work both as a sculptor and a painter This new and updated edition adds new figures as well as historic documents. Of particular interest is the discovery of the long-lost marble figure Polar Bear last seen over 75 years ago in Paris, where it was exhibited for the first and last time at the 1943 Salon des Artistes Fran ais. Accompanying images of this important discovery are presented in this edition for the very first time. Over 26 years ago the first publication of Chiparus: Master of Art Deco brought this artist into the public eye. His name, lost in records and catalogues, was rejuvenated by Alberto Shayo's rediscovery of his works, effectively bringing artist and oeuvre back to life. The book dwells on the sources and inspiration of the Art Deco movement, with particular emphasis on sculptures created by Dem tre Chiparus.
, Suffolk, Antique Collector's Club, 2008, Bound, blue cloth with gold impression, illustrated dustjacket, illustrated inner platters, frontispice in colour, 225 x 280mm., 264pp., beautiful colour illustration troughout.
This book focuses on the art deco ceramics that were produced by the British pottery industry during the late twenties and early thirties. It covers all the important aspects of the popular style from its origins in France, its breakthrough in Britain and how the style took on during the early thirties. The background of art deco is examined and how it developed in France during the early part of the twentieth century: how European designers created new shapes and patterns and how these ideas eventually made their way into British design. Art Deco Ceramics in Britain looks at the well-established factories such as Josiah Wedgwood and Sons Ltd and Minton who produced the top of the range wares for the upper classes and how they were forced, due to market forces, to produce art deco styled wares. At the same time the smaller factories were able to respond quickly to the art deco style, using hand painted decoration, which was an important feature of art deco patterning with the big names such as Clarice Cliff and Susie Cooper still being well known today. Also documented in the book are concise, yet comprehensive biographies of many smaller factories that are not so well known today. This listing provides an invaluable source for or ideas for new areas of collecting. New book.