‎COLLECTIF‎
‎Beethoven‎

‎SONATEN FUR PIANOFORTE UND VIOLINE VON W. A. MOZART - SONATEN FUR PIANOFORTE UND VIOLINE VON JOS. HAYDN - DREI SONATEN FUR PIANOFORTE UND VIOLINE L. V. BEETHOVEN OP. 12 N. II SONATE VIOLON FR. SCHUBERT OP. 137 N. 3‎

‎Raccolta di quattro spartiti legati insieme nello steso volume dei primi del novecento. Il primo 18 sonate per violino e pianoforte di Mozart. Il secondo otto Sonate per violino di J. Haydn. Il terzo "Drei sonaten" per pianoforte e violino n. II dall'opera 12 di Beethoven. Il quarto la Sonate per violoncellon. 3 dall'op. 137 di Schubert.<BR><BR>In buone condizioni con fioriture.<BR><BR>Copertina in mezza pelle in discrete condizioni generali con usure e parti mancanti ai margini e dorso. Legatura in discrete condizioni con qualche rottura. Pagine in buone condizioni con fioriture. Pagina 6 e 7 del primo spartito attaccate con nastro adesivo e con usure marginali. In folio. cm. 31x23,5. Pp. 72+31+6+6.Colelction of four musical score bound together in the same volume of early 20th century. The first one is 18 sonates for violin and piano by Mozart. The second one eight Sonate for violin by J. Haydn. The third one "Drei sonaten" for piano and violin n. II from the work 12 by Beethoven. The fourth one the Sonate per violoncellon. 3 from the work op. 137 by Schubert.<BR><BR>In good conditions with foxings.<BR><BR> <BR><BR>Half leather cover in fair conditions with wearings and missing parts in the edges and spine. Binding in fair conditions with some cracks. Pages in good conditions with foxings. Pages 6 and 7 of the first musical score attached with adhesive tape with worn edges. In folio. cm. 31x23,5. Pp. 72+31+6+6.‎

‎FIDELIO DRAMMA LIRICO IN TRE ATTI DI GIUSEPPE SONNLEITHNER<BR>MUSICA DI L. VAN BEETHOVEN‎

‎MILANO SESTO SAN GIOVANNI 1940‎

‎Libretto d'opera del 1940 dell'opera in tre atti "Fidelio" di Ludwig Van Beethoven su libretto di Giuseppe Sonnleithner. La prima rappresentazione ebbe luogo il 15 maggio 1883 a Milano nel Teatro dal Verme.<BR>In buone condizioni. Bella brossura editoriale illustrata. Brossura editoriale in buone condizioni generali con lievi usure ai margini e dorso. Legatura in buone condizioni. All'interno le pagine si presentano in ottime condizioni con rare fioriture. In 16. Dim. 18,5x12 cm. Pp. 32.‎

‎Beethoven the European. Transcultural Contexts of Performance, Interpretation and Reception‎

‎, Brepols, 2023 Hardback, xix + 410 pages, Size:210 x 270 mm, Illustrations:27 b/w, 71 musical examples, Language: English. ISBN 9782503602905.‎

‎Summary Beethoven's music, stemming from its 18th- and 19th-century European context, communicates values of the Enlightenment bearing a seemingly universal, timeless significance. More than a quarter millenium after his birth, a 21st-century perspective offers a timely opportunity ? against a backdrop of the reconfiguration of Europe and tensional power shifts across continents ? to explore ways in which notions of European ideals impacted the works of Beethoven and his contemporaries and which social-political contexts shaped its reception. The essays in this volume offer cutting-edge research shedding new light on varied aspects of Beethoven's music, and the ways it has been adapted and adopted by the musical world up to the present-day. Foremost international experts and younger scholars, gathered together with the editors William Kinderman and Malcolm Miller, share insights about Beethoven reception both within and beyond Europe, covering France, Italy, Britain, Spain, the USA and Japan. Innovative contextual studies consider topics on criticism and interpretation, performance and publication, and a variety of less familiar personalities, institutions and performing organisations. Studies of individual works illuminate Beethoven's well-known masterpieces through novel, sometimes polemical, contextual and analytical frameworks. The volume as a whole celebrates Beethoven's genius as European and global, marking a fascinating turning-point between the particular and the universal. TABLE OF CONTENTS Malcolm Miller - William Kinderman Preface Politics, Aesthetics and Ideology William Kinderman Beethoven's Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann's Doktor Faustus to the Brexiteers of 2019 Michael Christoforidis - Peter Tregear Beethoven, the Congress of Verona, and the Concert of Europe in 1822/1823 David B. Dennis Beethoven's 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture Sanna Iitti Patriotism and Islam in Ludwig van Beethoven's The Ruins of Athens, Op. 113, and King Stephen, Op. 117 Arabella Pare Beethoven as a Transnational Composer: Stra enmusik, Verbunkos and the Trio Op. 11 'Gassenhauer' Susan Cooper Beethoven, His Circle and Horace Reception across Europe and beyond Mar a Encina Cortizo - Ram n Sobrino Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life Chiara Sintoni Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century Fr d ric de La Grandville Who Are You, Mr Bethowen? David Hurwitz Beethoven's French Liturgical Organ Music - No, Really David Rowland Further Light on Clementi's 1807 Contract with Beethoven Mai Koshikakezawa Beethoven's 'Moonlight' Sonata and the Japanese Reception of Western Music Alison Minkus Reception and Reflection of Beethoven's Works at the Philharmonic Society of New York (1842-1892) Performance and Analysis Barry Cooper Performing Beethoven's Vocal Music in the 21st Century Ned Kellenberger Beethoven's Violin Concerto Opus 61: Toward Performance of Alternate Solo Violin Parts Malcolm Miller Beethoven's Registral Structures and Strategies of Transcendence in the Late Piano Sonatas Eftychia Papanikolaou Uwe Scholz's Choreographic Conception of Beethoven's Seventh Symphony Peng Du Krol The Whimsical Character of Beethoven's Salieri Piano Variations, WoO 73 (1799) Abstracts and Biographies Index of Names‎

‎Beethoven L. van Beethoven Ludwig Van. Messe von L. van Beethoven. Grand Septuor‎

‎Beethoven L. van Beethoven Ludwig Van. Messe von L. van Beethoven. Grand Septuor de Souis van Beethoven. Fantasie von L. van Beethoven. Sonata Apsionata par L. van Beethoven. Sonate Pathetioue par L. van Beethoven. Grande Sonate par L. van Beethoven. Sonate. Oeuv. 22 par L. van Beethoven. In German (ask us if in doubt)/Beethoven L. van. Betkhoven Lyudvig Van. Messe von L. van Beethoven. Grand Septuor de Souis van Beethoven. Fantasie von L. van Beethoven. Sonata Apassionata par L. van Beethoven. Sonate Pathetioue par L. van Beethoven. Grande Sonate par L. van Beethoven. Sonate. Oeuv. 22. par L. van Beethoven. Masses Sonatas and Other Works by L. van Beethoven. For Piano in Four Hands. A Convolutee of 7 All-Engraved Notebooks. In German. Leipsic. Magazin de Musique et industrie Fabrique de Couleurs de Thamm et Krich. 1800-1820. SKUalb2d330953122d84c7.‎

‎La revue musicale - Tome III n°6 1er avril 1927, 8e année - numéro spécial : Beethoven - Action de grâces à Beethoven - Notre Beethoven - Une nouvelle révélation de la jeunesse de Beethoven - La fin de Beethoven - Un propagateur de Beethoven : Hector Berl‎

‎Au bureau de la revue. 1927. In-8. Broché. Etat d'usage, Couv. convenable, Coiffe en pied abîmée, Papier jauni. 134 pages - quelques illustrations en noir et blanc dans le texte. 1er plat détaché, ex libris à l'encre sur le 1er plat.. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues‎

‎"Sommaire : Action de grâces à Beethoven - Notre Beethoven - Une nouvelle révélation de la jeunesse de Beethoven - La fin de Beethoven - Un propagateur de Beethoven : Hector Berlioz - Le concerto de Violon de Beethoven - Beethoven et Vigano - Les premières exécutions d'oeuvres de Beethoven à Bruxelles - Les cahiers de conversation de Beethoven - Note sur Beethoven et Hoffmann - Le déclin de Beethoven - Le ""Retour à Beethoven"" .. Classification Dewey : 70.49-Presse illustrée, magazines, revues"‎