Write to the booksellers
COLLECTIF
BALLET n° 6
SFL. 1956. In-Folio. Broché. Etat d'usage, Couv. légèrement passée, Dos frotté, Intérieur frais. 96 pages illustrées de photos noir et blanc dans le texte.. . . . Classification Dewey : 793.3-Danse
Reference : RO40079864
Photographies par Serge Lido, préface par Roland Petit, textes par Irène Lidova. Art et industrie, numéro spécial. Classification Dewey : 793.3-Danse
Bookseller's contact details
Le-livre.fr / Le Village du Livre
ZI de Laubardemont
33910 Sablons
France
05 57 411 411
Payment mode
Sale conditions
Les ouvrages sont expédiés à réception du règlement, les cartes bleues, chèques , virements bancaires et mandats cash sont acceptés. Les frais de port pour la France métropolitaine sont forfaitaire : 6 euros pour le premier livre , 2 euros par livre supplémentaire , à partir de 49.50 euros les frais d'envoi sont de 8€ pour le premier livre et 2€ par livre supplémentaire . Pour le reste du monde, un forfait, selon le nombre d'ouvrages commandés sera appliqué. Tous nos envois sont effectués en courrier ou Colissimo suivi quotidiennement.
5 book(s) with the same title
[Edition M. P. Belaïeff] - GLAZOUNOW, Alexandre ; [ GLAZUNOV, Aleksandr ; GLAZOUNOV ; GLAZOUNOFF ] ; (WINKLER, A. ; PETIPA, Marius )
Reference : 64562
(1899)
Ruses d'Amour. Pastorale Watteau. Ballet en un acte par Marius Petipa. Musique de A. Glazounow Op. 61 [ Réduction pour piano par A. Winkler ] [ Edition originale ]
A Son Excellence Monsieur Jean Wsiemolojsky, 1 vol. in-folio br., Pr. M 5 R1.75, Edition M. P. Belaïeff, Leipzig, 1899, 68 pp.
La page de titre lithographiée en couleurs est très belle. Bon état (très petit frott. sur tranche) pour cet exemplaire de l'édition originale de la réduction pour piano. Publié en 1899, le ballet verra sa première mondiale au Théâtre de l'Ermitage de Saint-Pétersbourg, le 29 janvier 1900. Ivan Vsevolojski venait de prendre la direction du théâtre impérial de l'Ermitage en 1899 lorsqu'il chargea Marius Petipa de créer trois courts ballets pour la saison 1900-1901 ; "Les Ruses de l'Amour" fut le premier ballet de cette trilogie.
Evolution du ballet au XXème siècle. 4 volumes.
Paris Editions de l'Instutut Chorégraphique 0 4 plaquettes in-8 Agrafé Signé par l'auteur
EDITIONS ORIGINALES de ces 4 fascicules publiés en 1956 & 1957. Bulletin 1 : Du Ballet impérial russe au ballet soviétique (1906 - 1956) -- Bulletin 2 : Le Néo-classique. Sa naissance et son application dans le ballet contemporain. -- Bulletin 3 : Le Ballet contemporain -- Bulletin 4 : Le Ballet à travers le monde. Des ballets de diaghilev à nos jours. >>>Les 4 plaquettes sont signées ou dédicacées par Serge Lifar. >L'ensemble Très bon 0
"[BALLETS RUSSES] - DE BRUNOFFF, DIAGHILEV, APOLLINAIRE, COCTEU, BAKST, etc.
Reference : 53655
(1909)
Collection des plus beaux numéros de Comoedia illustré et des programmes consacrés au Ballets & Galas Russes depuis le début a Paris 1909-21. - [THE GREATEST REVOLUTION IN THE HISTORY OF THEATRE AND BALLET]
Paris, (1909-21). Folio. Silk over bevelled boards. Front board with a splendid large inset colour illustration (from ""The Firebird"" by Natalia Gontcharova). Binding sunned and with professionally restored spine. Corners a bit bumped. A bit of creasing to extremities of some leaves, as the size varies somewhat. A few loose leaves. Profusely illustrated in colour (some pochoir) and in black/white throughout. A very nice copy of this magnificent book. 4 pp., being title-page and note from the editors +1909: 2 pp. introduction + 1909 Saison Russe - Opera et Ballet: 10 pp., including a cover illustration by Bakst +1910: 3 pp. introduction + cover illustration of Comoedia Illustré no. 18 (June 15, 1910) with portrait of Catherine Gheltzer + Comoedia Illustré special issue - supplement to no. 18: 14 pp., including two cover illustrations by Bakst +1911: 2 pp. introduction + Programme Officiel des Ballets Russes. Théâtre du Châtelet. June 1911: the extra goldembellished transparent paper covers + 34 pp., including cover illustration by Bakst (Nijonsky in La Péri) and another eight illustrations by Bakst (costume designs for Narcisse and Dieu Bleu and stage design for Narcisse) + 10 pp. from the sixth season of the Ballets Russes at Chatelet, with costumes by Jean Cocteau + 10 pp. on ""Petrouchka"" and ""Schérezade"" + ""Le Carnaval"" + 1 leaf of text introducing ""Le Martyre de Saint Sébastien"": 12 pp. from Comoedia Illutré devoted to this, including a cover illustration by Bakst (showing Ida Rubinstein as St. Sebastien) +1912: 2 pp. introduction + Comoedia Illustré 7th season: 16 pp. devoted mainly to ""Dieu Bleu"" and ""Daphnis et Chloé"", including cover illustration by Bakst and a further five illustrations by Bakst (costume designs, decor and scene) + 5 pp. from Comoedia Illustré on ""Le Dieu Bleu"" + 1 p. being the illustrated cover for the June 1912 special issue of Comoedia Illusté, showing Karsavina and Bolm in Thamar (costumes by Bakst) + 8 pp. on ""Thamar"", ""Petrouchka"", and ""Scherezade"", including the 4 pp. spread on ""Scherezade"" that is laid in loose and which contains illustrations of Bakst's nine costumes + two covers mounted back-to-back from the special issue of the seventh season of the Ballets Russes, showing Bakst's illustration of Nijinsky in ""L'Après-Midi d'un Faune"" + 8 pp. on ""L'Apres Midi di Faune"" + 10 pp. from Comoedia Illustré on ""Le Carnaval"", ""Daphnis et Chloé"" + 2 pp. (""title-page"" for Ida Rubinstein in ""Hélène de Sparte"" and Salomé) + special issue on ""Hélène de Sparte"": 16 pp., including cover illustration by Bakst (of Ida Rubinsein as Helen) and a further five costume and scenic designs by Bakst + 6 pp. from Comoedia Illustré on Helen of Sparta + 4 pp. from Comoedia Illustré on Oscar Wilde's ""Salomé"" + 20 pp. including illustrations by Bakst for ""Boris Godounoff"", text on and illustrations for ""Jeux"", ""Sacre du Printemps"", ""Kowanchina"", and ""Daphnis et Chloé"" +1913: 2 pp. introduction + Eigth Season of Ballets Russes: 6 pp., including cover illustration of Schollar, Nijinsky, and Karsavina in ""Jeux"" by Valentine Gross + 1 p. (""title-page"" for Ida Rubinstein in ""La Pisanelle ou la Mort Parfumée"" with costumes by Bakst + Comoedia Illustré No. 18, June 1913: 17 pp., including cover illustration of Ida Rubinstein in ""La Pisanelle, in couture by Worth, decor by Bakst, etc. +1914: 2 pp. introduction + 28 pp. on the Ballets Russes 1914-season, including a full-page illustration of Kousnetzoff in costume by Bakst, , costume designs for ""La Légende de Joseph"" by Bakst, and a two-page costume-spread for ""Rossignol"" by Benois + 2 pp. on ""Le Rossignol"" by Maurice Ravel"" + 4 pp. from Ballets Russes on ""Le Coq d'Or"" + 2 pp. on ""Les Ballets Russes de Serge de Diaghilew"" by Calvocoressi + 1915: 1 p. introduction +1917: 1 p. introduction + the special issue of ""programme des Ballets Russes"", 1917: 26 pp., constituting THE MAY 1917 ""THÉATRE DU CHATELET"" SEPARATE PUBLICATION MAINLY DEVOTED TO JEAN COCTEAU'S GROUNDBREAKING BALLET ""PARADE"", INCLUDING APOLLINAIRE'S FAMOUS FOREWORD (COINING ""SURREALISM"") AND THE TWO FAMOUS COLOUR-ILLUSTRATIONS BY PICASSO +1919-20: 2 pp. introduction + 4 pp. of ""Les Ballets Russes a l'Opéra"", Jan-Feb. 1920 + Cover from the Comoedia Illustré special issue with costume designs for ""Tricorne"" by Picasso + the complete programme for the Ballets Russes 1919-1920: 32 pp., including drawings by Picasso, set and costume designs by Derain, and costume designs by Bakst + 1920: 2 pp. introduction + complete special issue for the ""Ballets Russes à l'Opéra"", May-June 1920: 10 pp., including cover design of costumes for ""L'Austice feminine"" and designs by Sert +1921: 2 pp. introduction + 20 pp. from Commoedia Illustré , including drawings of Strawinsky and Picasso and a 2-page spread of costume and scenic designs for ""Le Bouffon"" by Larionow. This is a stunning 380-page limited edition, compiled by the programme publishers of the Ballets Russes themselves, Maurice and Jacques de Brunoff.
Very rare limited original edition of this splendid production by the Brunoff-brothers, which constitutes a collection of the most important, most influential, and most beatiful parts of the original Ballets Russes-publications, together with explanatory forewords By V. Svetloff, written and printed for this collection. ALL THE PROGRAMMES ARE THE ORIGINAL PRINTINGS, collected and bound here in this special compilation, which presents a selection of extracts from the magazines, together with the souvenir programmes (that were published as supplements), arranged in chronological order. This work vividly documents the famous ballet company that premiered such groundbreking productions as Igor Stravinsky's Firebird, Petrushka, Rite of Spring, Parade, etc.Among the most important of all the publications present, is the magnificent May 1917 ""Théatre du Chatelet"" separate publication (mainly devoted to the ballet ""Parade""), which constitutes one of the most important publications in the history of modern art. It is here, in his presentation-article to ""Parade"" that Apollinaire coins the term ""surrealism"" and thus lays the foundation for the seminal cultural movement that Bréton came to lead. Furthermore, the ballet ""Parade"" represents a historical collaboration between several of the leading artistic minds of the early twentieth century: Erik Satie, Jean Cocteau, Pablo Picasso, Léonide Massine, and Serge Diaghilev, and is especially famous, not only for its contents and its music, but also for its magnificent costumes designed by Picasso, the drawings of which are presented in the present publication for the first time - most famously the front cover for the ""Parade""-programme, which depicts the ""Costume de Chinois du ballet ""Parade""/ aquarelle de Picasso"", an etching with original, stunning pochoir-colouring (hand-painted by Picasso himself!).This one programme epitomizes the importance and infuence of the magnificent ""Comoedia Illustré"", of which all the most important contributions are collected here, in this one stunning volume. This amazing ballet monthly was published in Paris between 1908 and 1921. The special issues are generally speaking the most important ones, as they were often devoted to the annual Paris season of Serge Diaghilev's Balletes Russes and Ida Rubinstein's Galas Russes and document the amazing endeavours of these. These groundbreaking special issues (the May 1917 being merely an example), are geerally lavishly illustrated, usually in full colour, often heightened in gold, with costume and set designs and enriched with portraits of the leading singers and dancers in the ballets. The vast amount of colour illustrations throughout this collection includes contributions to the magnificent history of the Ballets Russes by such distinguished artists as Pablo Picasso and Léon Bakst. As the groundbreaking 1917 ballet ""Parade"" - the first of the modern ballets - originally presented for the first time in the present publication, marks Picasso's entry into the public and bourgeois institutions of ballet and theatre and presents Cubism on the stage for the first time, so Bakst's splendid costume and set designs depicted over numerous issues here for the first time presents the application of art nouveau design concepts to the stage. The present compilation of original publications presents an outright revolution in the history of art, theatre, and ballet on many levels.The introductory leaves to each year are almost all written by Svetloff (= Valerian Ivchenko), who was a famous Russian critic and the first biographer of Anna Pavlova.
[Grand théâtre de Bordeaux - William Blake & Co.] - Grand Théâtre de Bordeaux ; LOMBARD, Alain (dir. artistique) ; Mozart ; Verdi ; Strauss ; Bartok
Reference : 46228
(1993)
Grand Théâtre de Bordeaux ( opéras : lot de 10 cahiers d'accompagnement de productions des années 1991 à 1993 ) : 2. Tristan und Isolde (Wagner) ; 3. Otelllo (Verdi) ; 4. Cosi fan tutte (Mozart) ; 5. Don Carlo, de Verdi ; 6. Die Zauberflöte de Mozart ; 7. Ballet-théâtre de Bordeaux (dir. Paolo Bortoluzzi) ; 8. Il Trittico de Puccini ; 9. Il trovatore, de Verdi ; 13. Ariadne auf Naxos, de Richard Straus ; 14. Boris Godounov, de Moussorgski ; 15. Le Mandarin Merveilleux - Le Château de Barbe-bleue (Bartok)
11 vol. in-4 br. oblongs, Grand théâtre de Bordeaux - William Blake & Co., ill. couleurs ou noir et blanc, 1991 à 1993, env. 45 pp. par vol. Liste des cahiers : 2. Tristan und Isolde (Wagner) ; 3. Otello (Verdi) ; 4. Cosi fan tutte (Mozart) ; 5. Don Carlo, de Verdi ; 6. Die Zauberflöte de Mozart ; 7. Ballet-théâtre de Bordeaux (dir. Paolo Bortoluzzi) ; 8. Il Trittico de Puccini ; 9. Il trovatore, de Verdi ; 13. Ariadne auf Naxos, de Richard Straus ; 14. Boris Godounov, de Moussorgski ; 15. Le Mandarin Merveilleux - Le Château de Barbe-bleue (Bartok)
Bon état. Poids de 4 Kg. Prix pour l'ensemble
[Choudens - Heugel -Enoch & Cie] - BELLIVIER, H. ; DESSAUX, Louis ; MARGIS, Albert ; etc.
Reference : 53823
(1914)
Piano récréations [ recueil composite de partitions pour piano, dont Sérénade, caprice de concert pour piano (Bellivier) ; Air de Ballet (H. Bellivier) ; La Primavera (Louis Dessaux) ; Valse bleue pour piano (Afred Margis) ; (de Lakmé) La cabane - Le dieu de la jeunesse ; Ronde des petits Pierrots ; La Paloma (Yradier) ; (du Prophète, de Meyerbeer) Marche du Sacre ; Bonheur fragile, Valse pour Piano (Thibaut Boyer) ; Amoureuse, valse très lente (Rodolphe Berger) ; (de Mignon par A. Thomas) ; etc. ]
1 vol. petit in in-folio demi-toile bordeaux, s.d. (circa 1914), contenant notamment : Sérénade, caprice de concert pour piano par H. Bellivier (7 pp.) ; Air de Ballet, morceau de concert pour piano par H. Bellivier ; (Brun-Mandagout, Nîmes, 7 pp. ; La Primavera, polka-mazurka par Louis Dessaux (Emile Gallet, Paris, 5 pp.) ; Valse bleue pour piano, par Alfred Margis (William Salabert, Paris, 2 ff.) ; Miniatures sur les opéras en Vogues, N° 76 Lakmé La cabane - Le dieu de la jeunesse ; Ronde des petits Pierrots (ed. Thuillier, 5 pp.) ; Tout le monde pianiste n° 9 : La Paloma (Yradier, 2 ff.) ; Récréations journalières pour les jeunes commençants, 19e série ; Les échos mélodiques n° 98 (Meyerbeer, le Prophète - Marche du Sacre) ; Bonheur fragile, Valse pour Piano par Ed. Thibaut Boyer ; Amoureuse, valse très lente par Rodolphe Berger ; Mignon de A. Thomas - Les silhouettes ; Sigurd de E. Reyer, 5 pp.) ; etc.
Etat très satisfaisant (qques lég. rouss. et petits accrocs, bon exemplaire par ailleurs).
