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5 book(s) with the same title
p re du si cle: The Early Modern Reception of Jean Gerson (1363-1429). Theological Authority between Middle Ages and Early Modern Era
, Brepols, 2023 Hardback, 522 pages, Size:156 x 234 mm, Illustrations:1 b/w, 2 tables b/w., Language(s): English.*new ISBN 9782503602257.
Summary This volume provides the first wide-ranging investigation of the post-fifteenth-century reception of Jean Gerson (1363-1429), chancellor of the University of Paris, guiding light of the Council of Constance, and arguably the most influential of late medieval theologians. His impact on early modern movements and thinkers paved the way for many developments still shaping our existence today. Besides his well-known influence in theology and church history, the chancellor left a significant impact in jurisprudence, human rights, art, music, education, literature, and even medicine; there is hardly an area of the humanities that did not pay at least some tribute to his authority, and there was almost no early modern political or religious movement in the West that neglected his name. Nearly all of the most prominent early modern intellectuals perceived him as an authority and father figure; an illustrious cohort of celebrities, including Thomas More, Martin Luther, King James I, Ignatius of Loyola, Girolamo Savonarola, Christopher Columbus, Bartholomew de Las Casas, and many others, relied on his writings and ideas. The geography of his late-fifteenth- and sixteenth-century reception reflects his pre-eminence, reaching from Spain to Scandinavia. TABLE OF CONTENTS Acknowledgements Introduction Chapter 1. The Background: Gerson and the Long 15th Century Part I. Early Reception in the Empire Part II. Early Reception in France Part III. Early Reception in Spain Part IV. Early Reception in Italy Part V. Early Reception in Sweden Conclusion Chapter 2. The Protestant Reception of Gerson Introduction Part I. Gerson's Lutheran Reception Part II. Reception in the Reformed Tradition Conclusion Chapter 3. Catholic Reception of Gerson Introduction Part I. Catholic Reception in the Empire Part II. The Catholic Reception in the Low Countries Part III. The Catholic Reception in France Part IV. The Catholic Reception in Spain Part V. The Early Jesuits Part VI. The Council of Trent Conclusion Chapter 4. The Reception of Gerson in England and Scotland Introduction Part I. Gerson's Theological Influence Part II. The Scottish Connection Part III. The Very Special Case: Gerson and Thomas More Part IV. Gerson's Influence on the Growth of Common Law in England Part V. Synderesis and the Notion of Conscience in English Literary and Philosophical Traditions Conclusion General Conclusion Gersons's Future Bibliography Name Index
Pre-Christian Religions of the North. Research and Reception, Volume II: From c. 1830 to the Present
, Brepols, 2019 Hardback, xxiii + 635 pages, Size:156 x 234 mm, Illustrations:9 b/w, 10 col., 4 tables b/w., 2 Musical Examples, Languages: English, Old Norse. ISBN 9782503568805.
Summary Over more than a thousand years since pre-Christian religions were actively practised, European - and later contemporary - society has developed a fascination with the beliefs of northern Europe before the arrival of Christianity, which have been the subject of a huge range of popular and scholarly theories, interpretations, and uses. Indeed, the pre-Christian religions of the North have exerted a phenomenal influence on modern culture, appearing in everything from the names of days of the week to Hollywood blockbusters. Scholarly treatments have been hardly less varied. Theories - from the Middles Ages until today - have depicted these pre-Christian religious systems as dangerous illusions, the works of Satan, representatives of a lost proto-Indo-European religious culture, a form of 'natural' religion, and even as a system non-indigenous in origin, derived from cultures outside Europe. The Research and Reception strand of the Pre-Christian Religions of the North project establishes a definitive survey of the current and historical uses and interpretations of pre-Christian mythology and religious material, tracing the many ways in which people both within and outside Scandinavia have understood and been influenced by these religions, from the Christian Middle Ages to contemporary media of all kinds. The previous volume (I) traced the reception down to the early nineteenth century, while the present volume (II) takes up the story from c. 1830 down to the present day and the burgeoning of interest across a diversity of new as well as old media. TABLE OF CONTENTS List of Illustrations Abbreviations for Volume II The Contributors Introduction to Volume II - MARGARET CLUNIES ROSS Part 1 The Later Grundtvig 1.1 N. F. S. Grundtvig's Use of Norse Mythology (1815-72) and its Aftermath - FLEMMING LUNDGREEN-NIELSEN Part 2 The Influence of Cultural Milieu on the European Reception 2.1 Germany 1650-1860 - CHRISTINA LEE 2.2 Finns, S mi and Swedes - THOMAS A. DUBOIS Part 3 Studies of Norse Myth and Religion in the Nineteenth Century 3.1 The Character of the New, Comparative Scholarship - MARGARET CLUNIES ROSS 3.2 The Nineteenth-Century Emergence of Religionswissenschaft and its Impact on the study of the pre-Christian Religions of the North - BERNHARD MAIER 3.3 The Heavenly Mountains of Asia: Old Norse Religion and Comparative Religion - ANNETTE LASSEN 3.4 The Comparative Study of Celtic and Nordic Religions - BERNHARD MAIER 3.5 Nordic, Germanic, German: Jacob Grimm and the German Appropriation of Old Norse Religion and Myth - SIMON HALINK 3.6 The Rise of Folklore Studies - JOHN LINDOW Part 4 The Influence of Old Norse Myth on Music in the Nineteenth and Twentieth Centuries 4.1 Wagner, the Ring and its influence - EDWARD HAYMES 4.2 Scandinavian Myths in Nineteenth-century Opera and Choral Music - BARBARA EICHNER 4.3 The Music of J n Leifs - FLORIAN HEESCH Part 5 The Reception in Theatre and Performance 5.1 Theatre and Performance (1830-2012) - TERRY GUNNELL AND SVEIN EINARSSON Part 6 The Reception in Literature 6.1.1 Literary Modernism and Old Norse Myth - KATJA SCHULZ 6.1.2 Old Norse myth in James Joyce's Finnegans Wake CHRISTOPHER BLACK 6.2 Old Norse Mythology in Anglophone Fantasy and Science Fiction from 1940 - RANDI ELDEVIK 6.3.1 Norse Medievalism in Children's Literature in English - DAVID CLARK 6.3.2 Norse Mythology in Nordic Children's Literature 1970-2012 - ANNE-KARI SKARDHAMAR Part 7 The Reception in Mass Culture 7.1 Nordic Gods and Popular Culture - J N KARL HELGASON Part 8 The Reception in Modern and Contemporary Art 8.1 Norse Myths in the Visual Arts of the Twentieth and Twenty-First Centuries: A Short Catalogue Raisonn - SARAH TIMME Part 9 The Role of the pre-Christian Religions of the North in Modern National, Political and Religious Movements 9.1 Old Norse Mythology and Heroic Legend in Politics, Ideology and Propaganda - JULIA ZERNACK 9.2 Germanic Neopaganism - STEFANIE VON SCHNURBEIN Part 10 Modern Scholarship and Research as Reception 10.1 On the Concept of 'Germanic' Religion and Myth - JULIA ZERNACK 10.2 Philological Studies of Nordic Religion from rni Magn sson until Today - ANNETTE LASSEN 10.3 The Social Turn: The pre-Christian Religions of the North in the Twentieth and Twenty-First Centuries - MARGARET CLUNIES ROSS 10.4 Pre-Christian Religions of the North: The Reception Now - MARGARET CLUNIES ROSS Index of Authors, Artists and Works Index of Concepts
Discours de réception prononcé par L. PASTEUR lors de sa réception à l'Académie -- Réponse de Monsieur E. RENAN -- EDITION ORIGINALE -- BON EXEMPLAIRE
P., Calmann Lévy, 1882, un volume in 8 relié en demi-chagrin vert, dos orné de filets dorés (reliure de l'époque), (mouillures pâles dans la marge inférieure des premiers feuillets), 54pp.
---- EDITION ORIGINALE ---- BON EXEMPLAIRE ---- "Of PASTEUR's nonscientific writings THE MOST INTERESTING ARE ... DISCOURS DE RECEPTION A L'ACADEMIE FRANCAISE (Paris 188)". (DSB X p. 414) ---- RELIE A LA SUITE : - BIOT (M.). Discours de M. Biot prononcé à sa réception à l'Académie Française le 5 Février 1857. P., Didier, 1857, 32pp. - GUIZOT (M.). Discours de M. Guizot en réponse au discours prononcé par M. Biot pour sa réception à l'Académie Française le 5 Février 1857. P., Didier, 1857, pp. 33/56. - FAVRE (J.). Discours de M. Jules Favre prononcé à sa réception à l'Académie Française le 23 Avril 1868. P., Didier, 1868, 72pp. - DUC D'AUMALE (M. Le). Discours de M. Le Duc D'Aumale prononcé à l'Académie Française le jour de sa réception le 3 Avril 1873. P., Didier, 1873, 84pp. - MEZIERES (M.). Discours de M. Mézière, Directeur de l'Académie Française en réponse au discours prononcé par M. Ernest Renan pour sa réception à l'Académie Française le 3 Avril 1879. P., Didier, 1879, (2), 32pp. - DURUY - PERRAUD. Discours de réception de M. Duruy. Réponse de Mgr Perraud. P., Perrin, 1885, 60pp. - LECONTE DE LISLE - A. DUMAS (Fils). Discours de réception de M. Leconte De Liste. Réponse de M. Alexandre Dumas Fils. P., Perrin, 1887, (2), 72pp. - RENAN (E.). Lettre à un ami d'Allemagne par Ernest Renan. P., Levy, 1879, (2), 12pp**4002/E1
Reference : 54417
Discours de réception de l’Académie Française reliés en 1 volume.
Paris, 1788-1824, 250x195mm, cartonnage bleue, titre au dos manuscrit. - Discours prononcés dans la séance publique tenue par l’Académie Française, pour la réception de M. l’Archevêque de Paris, le 25 novembre 1824. 30 p. - Discours prononcés dans la séance publique tenue par l’Académie Française, pour la réception de M. l’Evêque d’Hermopolis, le 28 novembre 1822. 17 p. - Institut Royal de France. Discours prononcé dans la séance publique tenue par l’Académie Française, pour la réception de M. Villemain, le 28 juin 1821. 24 p. - Institut Royal de France. Réponse de M. Roger, Directeur de l’Académie Française, à M. Villemain, successeur de M. le Marquis de Fontanes. 18 p. - Institut Royal de France. Discours prononcé dans la séance publique tenue par l’Académie Française, pour la réception de M. Laya, le 30 novembre 1817. 16 p. - Réponse de M. le Duc de Levis, Directeur de l’Académie Française, à M. Laya, successeur de M. le Comte de Choiseul-Gouffier. 7 p. - Institut Royal de France. Discours prononcé dans la séance publique tenue par l’Académie Française, pour la réception de M. Roger, le 30 novembre 1817. 21 p. - Réponse de M. le Duc de Levis, Directeur de l’Académie Française, à M. Roger successeur de M. Suard. 10 p. - Discours prononcés dans la séance publique tenue par la classe de lalangue et de la littérature françoises de l’Institut de France, le mercredi 6 mai 1807 pour la réception de S.E. Mgr. le Cardinal Maury... 1807, 98 p. - Discours prononcés dans la séance publique tenue par la classe de la langue et de la littérature françoises de l’Institut National, le 11 florial de l’an XIII, pour la réception de M. Dureau-Delamalle. 1805, 76 p. - Discours prononcés dans l’Académie Françoise le mercredi XIV mai MDCCLXXXVIII à la réception de M. de Florian. 1788, 30 p.
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Beethoven the European. Transcultural Contexts of Performance, Interpretation and Reception
, Brepols, 2023 Hardback, xix + 410 pages, Size:210 x 270 mm, Illustrations:27 b/w, 71 musical examples, Language: English. ISBN 9782503602905.
Summary Beethoven's music, stemming from its 18th- and 19th-century European context, communicates values of the Enlightenment bearing a seemingly universal, timeless significance. More than a quarter millenium after his birth, a 21st-century perspective offers a timely opportunity ? against a backdrop of the reconfiguration of Europe and tensional power shifts across continents ? to explore ways in which notions of European ideals impacted the works of Beethoven and his contemporaries and which social-political contexts shaped its reception. The essays in this volume offer cutting-edge research shedding new light on varied aspects of Beethoven's music, and the ways it has been adapted and adopted by the musical world up to the present-day. Foremost international experts and younger scholars, gathered together with the editors William Kinderman and Malcolm Miller, share insights about Beethoven reception both within and beyond Europe, covering France, Italy, Britain, Spain, the USA and Japan. Innovative contextual studies consider topics on criticism and interpretation, performance and publication, and a variety of less familiar personalities, institutions and performing organisations. Studies of individual works illuminate Beethoven's well-known masterpieces through novel, sometimes polemical, contextual and analytical frameworks. The volume as a whole celebrates Beethoven's genius as European and global, marking a fascinating turning-point between the particular and the universal. TABLE OF CONTENTS Malcolm Miller - William Kinderman Preface Politics, Aesthetics and Ideology William Kinderman Beethoven's Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann's Doktor Faustus to the Brexiteers of 2019 Michael Christoforidis - Peter Tregear Beethoven, the Congress of Verona, and the Concert of Europe in 1822/1823 David B. Dennis Beethoven's 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture Sanna Iitti Patriotism and Islam in Ludwig van Beethoven's The Ruins of Athens, Op. 113, and King Stephen, Op. 117 Arabella Pare Beethoven as a Transnational Composer: Stra enmusik, Verbunkos and the Trio Op. 11 'Gassenhauer' Susan Cooper Beethoven, His Circle and Horace Reception across Europe and beyond Mar a Encina Cortizo - Ram n Sobrino Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life Chiara Sintoni Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century Fr d ric de La Grandville Who Are You, Mr Bethowen? David Hurwitz Beethoven's French Liturgical Organ Music - No, Really David Rowland Further Light on Clementi's 1807 Contract with Beethoven Mai Koshikakezawa Beethoven's 'Moonlight' Sonata and the Japanese Reception of Western Music Alison Minkus Reception and Reflection of Beethoven's Works at the Philharmonic Society of New York (1842-1892) Performance and Analysis Barry Cooper Performing Beethoven's Vocal Music in the 21st Century Ned Kellenberger Beethoven's Violin Concerto Opus 61: Toward Performance of Alternate Solo Violin Parts Malcolm Miller Beethoven's Registral Structures and Strategies of Transcendence in the Late Piano Sonatas Eftychia Papanikolaou Uwe Scholz's Choreographic Conception of Beethoven's Seventh Symphony Peng Du Krol The Whimsical Character of Beethoven's Salieri Piano Variations, WoO 73 (1799) Abstracts and Biographies Index of Names
