‎"Chefs-D'oeuvre De l' Art - Grands Sculpteurs"‎
‎"Moore"‎

‎"" "ART EDITION DE 1969. BROCHE."‎

Reference : "C70033C03989"


‎‎

€12.00 (€12.00 )
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5 book(s) with the same title

‎Richard Calvocoressi and Martin Harrison‎

Reference : 43419

‎Bacon Moore. Flesh and Bone.‎

‎, Antique Collectors' Club, Size: 280 mm x 220 mm. Pages: 160. Illustrations: 140 colour. Hardback. New. ISBN 9781851497478.‎


‎In their different mediums, Henry Moore (1898-1986) and Francis Bacon (1909-1992) created unforgettable images of the human figure. The distinctive visual languages that each artist developed over more than half a century were marked by a growing simplicity and monumentality of form. Their perspective differed: Moore clung to a belief in humanism, while Bacon espoused a post-humanist, nihilistic view of the world. In expressing their visions of humanity, the two artists had very different approaches: Bacon working from the outside in, disintegrating and dissolving form; Moore from the inside out, pushing anatomical structure to the surface. If Bacon's images suggest flux, chance, and the arbitrariness of existence, Moore's sculptures have been interpreted as universal symbols of strength and endurance.Bacon and Moore first exhibited together in a group exhibition at the Lefevre Gallery in London in which Bacon showed his Three Studies for Figures, at the Base of a Crucifixion (1944), propelling him into the limelight for the first time. Moore showed two sculptures from the1930s and fourteen wartime drawings, some of which anticipate the theme (though not the savage imagery) of Bacon's triptych.Exhibiting together in a commercial gallery was repeated twice in the 1960s, when Moore and Bacon were both represented by Marlborough Fine Art. These joint shows, extensively reviewed in the press, gave critics a chance to compare the artists' radical approaches to the human figure, which were seen as complementary rather than conflicting. Fifty years later, this publication once again brings their work into direct comparison.‎

ERIK TONEN BOOKS - Antwerpen

Phone number : 0032495253566

EUR49.00 (€49.00 )

‎[Henry Moore] - ‎ ‎Garrould, Ann (ed)‎

Reference : 043069

(1994)

ISBN : 085331604X

‎Henry Moore. Complete Drawings 1982-1983: A Catalogue Raisonné. Volume VI: Drawings 1982-83. Vol 6. Henry Moore Complete Drawings 6‎

‎Garrould, Ann (ed): Henry Moore. Complete Drawings 1982-1983: A Catalogue Raisonné. Volume VI: Drawings 1982-83. Vol 6. London: Lund Humphries, The Henry Moore Foundation, 1994. Series: Henry Moore Complete Drawings 6. 192pp with 16 colour and 698 monochrome illustrations. Hardback. 29x24cms. Reproducing approximately 700 drawings produced over this period, when Moore started to recapitulate themes.‎


‎Reproducing approximately 700 drawings produced over this period, when Moore started to recapitulate themes. Text in English‎

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Phone number : +44(0)20 7930 9223

GBP25.00 (€27.68 )

‎MITCHINSON David‎

Reference : AUB-1486

(1989)

CHF35.00 (€35.82 )

‎[Moore] - ‎ ‎Gerald CRAMER - Alistair GRANT - David MITCHINSON‎

Reference : 014188

(1976)

‎Henry Moore. Catalogue of graphic work. L'Oeuvre gravé. Das Graphische werk. 1973 - 1975‎

‎Genève Editions Gérald Cramer 1976 In-4 Cartonnage toilé et étui illustré éditeur Ed. originale ‎


‎Volume II du catalogue raisonné des gravure d'Henry Moore. Préface en français, anglais et allemand. Addenda au tome 1 et plus de 160 estampes décrites et reproduites, exécutées entre 1973 et 1975, lithographies et eaux-fortes. >Bel exemplaire avec son étui. Il est signé par Moore au colophon, mais ne contient pas d'estampe originale. Bon 0‎

Phone number : 01 42 66 38 10

EUR100.00 (€100.00 )

‎MOORE, Thomas. ‎

Reference : 5257

‎Illustrations of The Loves of The Angels a poem by Thomas Moore. Engraved by Charles Heath from drawings by R. Westall. ‎

‎ London, Longman Hurst, Rees, Orme, and Brown,1823. 24,5 x 16,5 cm, iv-134 pp. Relié demi-maroquin bleu nuit, dos à nerfs, caissons ornés, titre doré. Reliure signée Champs-Stroobants Sr. Quelques épidermures et traces de frottements sinon bel exemplaire.Édition illustrée rarissime, la notre comporte un portrait de Moore en frontispice, un titre gravé et 8 gravures dont deux en double état (avec texte et sans texte). Soit 11 gravures y compris le frontispice. Le tout imprimé sur beau papier. ‎


‎Thomas Moore (né à Dublin le 28 mai 1779 - mort à Sloperton Cottage (Bromham, Wiltshire, Angleterre) le 25 février 1852) est un poète irlandais. Il voyage en Europe, notamment à Venise où Byron lui confie son journal. Entre 1820 et 1822, il est accueilli à Sèvres près de Paris par la famille de Martin de Villamil. Il est particulièrement connu pour ses "Irish Melodies" contenant 130 poèmes tels que The Minstrel Boy ou La dernière rose de l'été qui, mis en musique par Moore lui-même et Sir John Andrew Stevenson, sont emblématiques de l'Irlande, très appréciés et très souvent repris. Ils ont fait de Moore un héros populaire pour les nationalistes irlandais Son uvre a beaucoup marqué le compositeur Hector Berlioz qui lui emprunte le terme « mélologue ». Le peintre Gilbert Stuart Newton a réalisé un portrait de lui. En 1849, il tombe dans la démence sénile et meurt à Sloperton [archive] (Bromham, Wiltshire, Angleterre) le 25 février 1852. ‎

Librairie L'Abac - Bruxelles
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Phone number : +3225025322

EUR650.00 (€650.00 )
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