‎Schramm (Helmar), Schwarte (Ludger), Lazardig (Jan), eds.‎
‎Instruments in Art and Science - On the Architectonics of Cultural Boundaries in the 17th Century - Theatrum Scientarium English Edition, volume 2‎

‎Walter de Gruyter , Theatrum Scientarium Malicorne sur Sarthe, 72, Pays de la Loire, France 2008 Book condition, Etat : Très bon hardcover, editor's red printed binding, illustrated by a black and white figure fort et grand In-8 1 vol. - 602 pages‎

Reference : 101521

‎a few black and white text-figures 1st edition, 2008 "Contents, Chapitres : Editor's Preface, Contents, Introduction, xxvii, Text, About the Authors, Image Credits, Bibliography, Index of names, Index of subjects, 575 pages -Introduction : The hand as "" instrumentum instrumentorum "" - Intersections : Some thoughts on instruments and objects in the experimental context of the life sciences - Representation and distortion : On the construction of rationality and irrationality in early modern modes of representation - World orders and corporal worlds : Robert Fludd's tableau of knowing and its representation - Telescope, theater, and the instrumental revelation of new worlds - The pathos of function : Leonardo's technical drawings - "" Il pennello artificioso "" : On the intelligence of the Brushstroke - The enlightenment "" catholization "" of projective technology : Theurgy and the media origins of Art - The machine as spectacle : Function and admiration in seventeenth-century perspectives on machines - The antomy of the brain as instrumentalization of reason - The ""chymistry laboratory"" : On the function of the experiment in seventeenth-century scientific discourse - The order of knowledge, of instruments, and of Leiden University, ca. 1700 - The ideal musaeum Kircherianum and the ignatian - Organology : The study of muscial instruments in the 17th century - In sound similar to the harps : Early descriptions of african musical instruments - Machines, bats, and scholars : Experimental knowledge in the late eighteenth and nineteenth centuries - Scientific coordination as ethos and epistemology - Breaking, grinding, burning : Instrumental aspects in early microscopical pictures - The instrument in the image : Revealing and concealing the condition of the probing tip in scanning tunneling microscopic image design - Formal signs and numerical computation : Between intuitionism and formalism. Critique of computational reason - Art precedes science : Or did the camera obscura invent modern science ? - Instrumentalities of place in science and art - The eye opens, the lamp goes out : Remarks on Bergson and cinematography - The illusion of power : central bank money - The productivity of blanks : On the mathematical zero and the vanishing point in central perspective. Remarks on the convergences between science and art in the early modern period - Instrumental sound and ruling spaces of resonance in the early modern period : On the acoustic setting of princely potestas claims within a ceremonial frame" near fine copy, no markings‎