Horizons de France, 1968. In-4 (23 x 28,5 x 2,5 cm), relié, cartonnage éditeur illustré, jaquette illustrée, gardes illustrées. 205 pages, nombreuses illustrations dans le texte et à pleine page, 16 pages en couleurs hors-texte. // Très bon état.
Reference : 1352
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Librairie Zooka's Books
Christine Gaudin
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# La livraison est gratuite en France métropolitaine. Les frais de port sont à la charge du client pour le reste du monde (nous consulter). # Les ouvrages sont expédiés en Colissimo (Colissimo Recommandé s'ils dépassent 60 euros), Lettre suivie ou livraison en point relais de Mondial Relay. # Les ouvrages sont expédiés dans un délai maximum d’un jour ouvré après la réception du règlement. # Paiement en euros par chèque, Paypal ou carte de crédit via Paypal, ou virement bancaire. Les paiements en espèces sont acceptés uniquement en cas de remise en mains propres. # Les retours sont acceptés dans un délai de 14 jours, après accord préalable. Les frais de retour sont à la charge du client. # La plupart des livres n’étant disponibles qu’en un seul exemplaire, les commandes sont servies dans l’ordre d’arrivée. La réservation ne pourra excéder 7 jours ; en l’absence de paiement au-delà de ce délai, le livre sera remis en vente.
Pouy, Leonard: Paris, Capitale de la Perle / Paris, City of Pearls. Exhibition: Paris, L'Ãcole des Arts Joailliers, 2024. 224 pages, illustrated in colour throughout. Hardback. 28 x 22cms. Accompanies the exhibition at the Ecole des Arts Joailliers, examining how pearls were used by Parisian jewellers and artists in the 1920s. 6 chapters look at pearls and their origins in the East, how the French conquered the pearl market, dealer Leonard Rosenthal, the pearl as a symbol of modernity, pearl mania in Paris, and the decline of the pearl trade in the second part of the 20th century. Text in French & English.
Accompanies the exhibition at the Ecole des Arts Joailliers, examining how pearls were used by Parisian jewellers and artists in the 1920s. 6 chapters look at pearls and their origins in the East, how the French conquered the pearl market, dealer Leonard Rosenthal, the pearl as a symbol of modernity, pearl mania in Paris, and the decline of the pearl trade in the second part of the 20th century. Text in French & English
Nocq, Henri: Le PoinÃon de Paris. RÃpertoire des MaÃtres-OrfÚvres de la Juridiction de Paris depuis le Moyen-Age jusqu'à la Fin du XVIIIe SiÚcle. 5 volumes. Paris: Leonce Laget, 1968. I. A-C. xvi, 326pp. II. D-K. vii, 371pp. III. L-R. vii, 442pp. IV. S-Z. viii, 293pp. V. SupplÃment. 96pp. In all, 250 monochrome illustrations, 876 line-drawings of hallmarks plus 54 monochrome plates. Cloth. 28x21.5cms. Standard work on goldsmiths of Paris from 1292 to the end of the 18th century. Includes 5511 goldsmiths. Text in French. Arntzen P492.
Standard work on goldsmiths of Paris from 1292 to the end of the 18th century. Includes 5511 goldsmiths. Text in French
Jacoby, Joachim: Guillaume Jean Constantin (1755-1816): A Drawings Dealer in Paris. 2019. 188 pages, 75 colour illustrarions. Paperback. 25 x 19cms. Tracing the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816), an expert in estate evaluation, auctioneer and print publisher who also served as paintings curator to Empress JosÃphine. His transactions are reconstructed on the evidence of his dealer's mark applied to drawings - here identified for the first time - and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his contacts in England, Italy, Germany and Russia. His relationship with Johann Friedrich StÀdel, a Frankfurt collector and founder of the eponymous institute, is described in detail. Working in proximity to the contemporary art world, Constantin promoted living artists, among them his close friend Pierre-Paul Prud'hon.
Tracing the career of the influential Paris art dealer Guillaume Jean Constantin (1755-1816), an expert in estate evaluation, auctioneer and print publisher who also served as paintings curator to Empress JosÃphine. His transactions are reconstructed on the evidence of his dealerâs mark applied to drawings â here identified for the first time â and unpublished material drawn from archives in Paris. His dealership in drawings is analysed with a focus on his business network within France and his contacts in England, Italy, Germany and Russia. His relationship with Johann Friedrich StÀdel, a Frankfurt collector and founder of the eponymous institute, is described in detail. Working in proximity to the contemporary art world, Constantin promoted living artists, among them his close friend Pierre-Paul Prudâhon.
Mazzarolli, Antonio: Paris Bordon. Exhibition: Treviso, Palazzo dei Trecento, 1984. 157pp with 28 colour and 7 monochrome plates, 5 colour and 35 monochrome illustrations. Hardback. 25x23cms. Life and work of Paris Bordone, pupil of Titian. With documents and bibliography. Text in Italian.
Life and work of Paris Bordone, pupil of Titian. With documents and bibliography. Text in Italian
Ronfort, Jean NÃrÃe and Jean-Dominique Augarde
Reference : 075159
(2001)
ISBN : 2913436016
Ronfort, Jean NÃrÃe and Jean-Dominique Augarde: A l'ombre de Pauline. La rÃsidence de l'ambassadeur de Grande-Bretagne á Paris. Paris: 2001. 110pp with 63 colour and 24 monochrome illustrations. Cloth. 30x24.5cms. The splendid collection of French Empire furniture and interiors put together by Pauline Bonaparte (nÃe Borghese) which is still housed at the British Embassy in Paris. Text in French.
The splendid collection of French Empire furniture and interiors put together by Pauline Bonaparte (nÃe Borghese) which is still housed at the British Embassy in Paris. Text in French