Couverture blanche souple et imprimée. Papier jauni. Ex-libris en relief sur la page de titre.
Reference : 61870
Non-donné. L'o&il de la lettre. 1988. 30 pp. In-12. Broché. Très bon état. 1 volume. Traduit de l'anglais par J. DEREGNAUCOURT.
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Kalinpong 1925 Gegen (Gergan) Dorje Tharchin Hardcover 1st Edition
Not in any library worldwide:. IFolio (34,4 x 19,5 cm): 60 installments (4 double) in blue and black stencil (install. 11, vol. III printed in gold) totalising 122 ff. hand-numbered in blue pencil, illustr. (2 textlvs on red paper bound with; overall good condition).. Contemp. half black sheep, title in gold on flat spine (joints cracked, corners blunt).. Only run known being complete of the first 5 years missing at all sets registered worldwide, including 1925-1926, the very first volume.rnIn 1925, "Yul phyogs so so?i gsar ?gyur me lon" (often abbreviated as "me lon" and "melon") or the "The Tibetan Newspaper", also known as "The Mirror of News" or "The Tibet Mirror", was founded at Kalimpong in West Bengal, India. Published after "The Ladakh Journal", it is the second Tibetan language newspaper to have been started, per available records. Its founder was one Gergan Dorje Tharchin, a Tibetan of Christian denomination who was a pastor at Kalimpong, at the time a border town that acted as a centre for the wool trade between Tibet and India. He was born in 1890 in Himachal Pradesh and was educated by Moravian missionaries although he did not use his newspaper as a platform for proselytising Christianity to his readers.rnPublished on a monthly basis, the journal's first record was given in October 1925 under the title "The Mirror of News of All Sides of the World", followed by a second one in February 1926. Only 50 copies were printed and all sent to Tharchin's friends in Lhasa, including one for the 13th Dalai Lama who sent a letter encouraging him to continue with the publication and became an ardent reader.rnIts founder Tharchin was at the same time journalist, chief editor and publisher. He would select the news from newspapers of which he was a subscriber, and translate them into Tibetan. He had assigned to himself opening up Tibet to the outside world. The journal reported on what went on in the world at the Chinese Revolution, at World War II, during the Indian independence movement, and covered events in Tibet, India, and in Kalimpong itself. The more it informed about western material civilisation such as gramophone, photographic camera, clocks, flashlite, horse saddle, fountain pen, printer's press, an automobile etc, all illustrated. One finds also in the text the photographic portraits of the 13th and of the 14th Dalai Lama, a small view on the Potala Palace in Lhasa, the crash of a zeppelin aircraft etc.rnStarted as a Tibetan language chronicle of world events, by the 1950's became a vehicle for the fight for Tibetan freedom from the Chinese invasion and occupation. By the early 1960's, with financial troubles that never seemed to end, Tharchin ceased the publication in 1963 and died in 1976.rnApparently, our set is the only one known to contain the complete first 5 volumes (1925/1926-1930), as neither the "Beinecke Rare Book and Manuscript Libray" at Yale University, nor "The Tharchin Collection" at Columbia University, being Tharchin's personal archives, have complete runs, both starting with the year 1930 (a part from only one record -vol. 2, n. 5- at Columbia).rnRef. Paul G. Hackett, Barbarian Lands: Theos Bernard, Tibet, and the American Religious Life. Ph.D. dissertation, Columbia University, 2008.rnVolume 1 : 1925/1926 : 1 12 complete rnvolume 2 : 1927 : 1 12 completernVolume 3 : 1928 : 1 12 completernVolume 4 : 1929 : 1 12 completernVolume 5 : 1930 : 1 12 completern
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London, Printed by Adam Islip, at the charges of Bonham Norton, 1598. In-folio de [27]-394-[13] feuillets [5; b-c6; 4; A-V6; Aa-Tt6; Vv-Xx8; Yy-Zz6; Aaa-Zzz6; Aaaa6; Bbbb7]. Plein maroquin marron, dos à nerfs orné de fleurons dorés, plats décorés de larges roulettes à froid avec le titre, le lieu et la date dorés sur chacun des plats, ornés au centre d'un large fleuron doré, tranches dorées. Coiffes et mors épidermés. Ex-libris Thomas Thorburn Nesbitt and Marion Wallace Nesbitt (his wife).In-folio of [54]-788-[26] pages [5; b-c6; 4; A-V6; Aa-TT6; Vv-XX8; Yy-Zz6; Aaa-Zzz6; Aaaa6; Bbbb7]. Full brown morocco, ribbed back decorated with gilt floral ornaments, sides decorated with large blind roll-stamps with the title, gilt place and date on each side, decorated in the center with a large gilt floral ornament, gilt edges. Turn in and joints scratched. Bookplate Thomas Thorburn Nesbitt and Marion Wallace Nesbitt (his wife). La reliure est signée Rivière.The binding is signed by Rivère.
Sixième édition collective de Chaucer, mais première due à Thomas Speght, qui fera autorité jusqu'au XVIIIe siècle. Shakespeare, Milton ou Dryden liront Chaucer dans cette édition. En effet, l'édition de Speght marque un tournant dans la réception de Chaucer, et parait ici pour la première fois en anglais une biographie, un lexique avec les mots anciens, obscurs et difficiles - chose remarquable pour l'époque, une table des auteurs cités par Chaucer, et 10 pages d'annotations. Spenght a ajouté deux textes inédits "The Floure and the Leafe" et "Chaucer's dream". Belle typographie en deux colonnes, nombreuses lettrines gravées sur bois, la page de titre est décorée d'une belle composition, et trois pages de titre bellement illustrées pour diviser les trois livres (The Canterbury Tales, The Romaunt of the Rose et The Story of Thebes). Grande armoirie gravée au verso du prologue et un bel en-tête pour le début de The Knight Tales. Le portrait de Chaucer manque ici (comme souvent) ainsi que les feuillets blancs initiaux et finaux; petite tache d'encre au verso du ff. 194. Au ff. 90 on lit la signature de Karrin Willcocke (XVIIe siècle?).Sixth collective edition of Chaucer, but the first by Thomas Speght, which will be authoritative until the 18th century. Shakespeare, Milton or Dryden would have been reading Chaucer in Speght's edition. Indeed, this edition marks a turning point in the reception of Chaucer, and here appears for the first time in English a biography, a lexicon with ancient, obscure and difficult words - something remarkable for the time, a table of authors cited by Chaucer, and 10 pages of annotations. Spenght has added two unpublished texts "The Floure and the Leafe" and "Chaucer's dream". Fine typography in two columns, many initials engraved on wood, the title page is decorated with a beautiful composition, and three beautifully illustrated title pages to divide the three books (The Canterbury Tales, The Romaunt of the Rose and The Story of Thebes). Large coat of arms engraved on the back of the prologue and a beautiful header for the beginning of The Knight Tales. The portrait of Chaucer is missing here (as often) as the initial and final white sheets; little ink stain on the back of the ff. 194. At the ff. 90 we read the signature of Karrin Willcocke (seventeenth century?). The binding is signed Rivère.
Oostkamp 2018 Stichting Kunstboek Hardcover 1st Edition
Hardcover, 29 x 22 cm, 144 pp., English, 1st Edition, Illustrations, book condition: Very Good. Despite some field research our knowledge of the sacred among the Mumuye is still embryonic. In all these acephalic groups of a binary and antinomic nature, the complex va constitutes an extremely varied semantic field in which certain aspects are accentuated depending on the circumstances. Religious power is linked to the strength contained in sacred objects, of which only the elders are the guardians. Moreover, this gerontocracy relies on a system of initiatory stages which one must pass to have access to the status of 'religious leader'. Geographically isolated, the Mumuye were able to resist the attacks of the Muslim invaders, the British colonial authority and the activities of the different Christian missions for a long time. As a result, the Mumuye practised woodcarving until the beginning of our century.In 1970 Philip Fry published his essay on the statuary of the Mumuye of which the analysis of the endogenous network has so far lost nothing of its value. Basing himself on in situ observations, Jan Strybol attempted to analyze the exogenous network of this woodcarving. Thus he was able to document about forty figures and some masks and additionally to identify more than twenty-five Mumuye artists as well as a specific type of sculpture as being confined to the Mumuye Kpugbong group. During and after the Biafran war, hundreds of Mumuye sculptures were collected. Based on information gathered between 1970 and 1993 the author has demonstrated that a certain number of these works are not Mumuye but must be attributed to relic groups scattered in Mumuye territory.
Leuven 2000 Peeters Publishers Soft cover 1st Edition
Soft cover, 24 x 16 cm, 604 pp., English, 1st Edition, book condition: Very Good. The contibutions in this volume constitute a selection of the papers presented at the 11th International Colloquium of the West-European (German-based) society for the history of linguistic ideas, the Studienkreis "Geschichte der Sprachwissenschaft". The central theme of the conference was the history of linguistic and grammatical praxis. While this topic served, for the first time, as the central theme of a conference in the history of linguistics, the various types of linguistic praxis - language teaching and language learning, description and codification of languages, diffusion of linguistic knowledge, language planning and language policies - constitute the first attestation of linguistic preoccupations worldwide. The twenty-seven contributions in this volume cover the history of grammatical and linguistic praxis from Antiquity to the present day. While most of the papers deal with Europe and the United States, some of them analyse linguistic activity in relation to languages in Africa, Asia or Australia.
London 1932 Macmillan & Co Hardcover Very Good
Hardcover, Jacket: Very Good, 22 x 14 cm, English, 12 volumes, Illustrations, book condition: Very Good rnThe Golden Bough: A Study in Magic and Religion is a wide-ranging, comparative study of mythology and religion, written by the Scottish anthropologist Sir James George Frazer.rnThe Golden Bough: A Study in Magic and Religion Third edition : revised and enlarged, 12 volsrnuniform publishers hardcover green cloth with the original dustjackets (very good conditon), gilt lettering on the spine, gilded design front cover, small imperfections on the covers, inside almost mint condition, a very scarce very good copyrnVolume 1 (1932 ) Part I: The Magic Art and the Evolution of Kings (Volume I), 426 pagesrnVolume 2 (1932): Part I: The Magic Art and the Evolution of Kings (Volume II), 417 pagesrnVolume 3 (1936): Part II: Taboo and the Perils of the Soul, 446 pagesrnVolume 4 (1930): Part III: The Dying God, 305 pagesrn Volume 5 (1927): Part IV: Adonis, Attis, Osiris (Volume I), 317 pages rnVolume 6 (1927): Part IV Adonis, Attis, Osiris (Volume II), 321 pages rnVolume 7 (1933): Part V: Spirits of the Corn and of the Wild (volume I), 319 pagesrnVolume 8 (1933): Part V: Spirits of the Corn and of the Wild (Volume II), 371 pages rnVolume 9 (1933): Part VI: The Scapegoat, 453 pagesrnVolume 10 (1930): Part VII: Balder the Beautiful (Volume I), 346 pagesrnVolume 11 (1930): Part VII: Balder the Beautiful (volume II), 389 pagesrnVolume 12 (1935): Bibliography and General Index, 536 pagesrn
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