1226 books for « photographs »Edit

‎[2 albums de photographies sur l'Algérie et la Tunisie/2 albums of photographs of Algeria and Tunisia].‎

‎Circa 1930. 1930 2 vols Oblongs (275 x 370 mm) ( 280 x 360 mm) de : 86 photographies (180 x 13mm) réparties sur [24] ff., [1]f avec 11 petites photos.; 92 photographies (150 x 955mm), (130 x 170 mm), (255 x 195 mm) sur [24] ff. Dont [2]ff. (petites photographies), [3] ff. Blancs. Vol. 1: Chagrin bordeau, dos à nerfs orné. Vol 2: chagrin vert, dos lisse muet.‎

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‎Magnifique Album en deux volumes circa 1930 sur lAlgérie et la Tunisie, comportant environ 200 photographies de paysages urbains et ruraux, portraits et scènes de vie. Les photographies du premier volumes sont maintenues par une feuille de papier épais partiellement collée sur une page cartonnée, au recto et au verso, permettant de les glisser dans un cadre enjolivé dun filet rouge. Celles du second volume sont maintenues au recto dune feuille de papier épais contrecollée à la suivante et percée de 4 encoches permettant de les glisser dans les coins. Les photographies du premier volume sont titrées à lencre noire tandis que celles du second le sont au crayon à papier ou directement en bas de celles-ci. De tailles variables et ne disposant pas toutes dun titre, elle sont presque toutes prises au format paysage. Lensemble se consacre majoritairement à des villes algériennes et tunisiennes telles quAlger, Biskra, Blidah, Timgad, Carthage et Tunis, ainsi quà leurs environs. Ci-dessous, la liste de toutes les photographies titrées avec le numéro de page (vol. 1) ou du feuillet (vol. 2): Volume 1: 6. «Souks, Tunis, mosquée El Zitouna»; 7. «Tunis, mosquée Sidi Ben Zia»; 13. «Entrée du Bardo»; 14. «Alger, un cimetière arabe»; 18. «Rue dAlger»; 18. «Alger, entrée de la Kasbah»; 19. «Alger, la Kasbah, une rue»; 21. «LEscadre à Alger, «La touche Tréville»; 21. «Port dAlger»; 22. «Alger. Palais du Gouverneur»; 23. «Alger. Place du gouvernement»; 23. «Alger. Place du gouvernement»; 24. «Vue du désert prise du Col de Sfa»; 24. «Caravane dans le désert près Biskra»; 25. «Biskra. Entrée du désert. Piste»; 25. «Une caravane en marche»; 26. «Biskra. Rue des Ouled Maïls»; 27. «Tunis. Rue et mosquée El Zitouna»; 27. «Biskra. Un enterrement arabe»; 31. «Un déraillement près Biskra»; 36. «Blidah. Le ruisseau des singes»; 36. «Viaduc dans les gorges de la Chiffa»; 37. «Près Blidah. Gorges de la Chiffa. Ruisseau des singes»; 37. «Blidah.»; 42. «En route pour le Tell près Biskra»; 44. «Carthage. Fouilles. Musée Byrsa». Volume 2: 1. «Marseille. Funiculaire menant à N. D. de la Garde»; 1. «N. D. de la Garde».; 2. «Valence»; 3. «Valence. Cathédrale»; 3. «Alicante. Promenade sur le port»; 4. «Alicante. Un arroseur municipal»; 4. «Elché. Plantation de palmiers»; 5. «Elché»; 6. «Elché»; 7. «Elché»; 8. «Elché»; 9. «La Lealtard saludando el dia de San Ildefonso (23 Enero 1894). Cartagene. Vue prise de la maison de Monsieur Figuera»; 9. «Cartagene. Le Besos (Cap. Franco) à son départ pour Oran»; 10. «Oran. Vue prise à bord du Besos»; 10. «Oran. Dans le haut de la ville»; 12. «Oran. Cour de la mosquée du Pacha»; 12. «Oran. Le village nègre»; 13. «Clemcem. Chemin conduisant à la mosquée de Sidi-Bon-Meddu»; 16. «Alger. Place du gouvernement. Statue du duc dOrléans. Mosquée de la mairie»; 16. «Place du gouvernement»; 17. «Alger. Port. Escadre de lamiral Gervais»; 18. «Alger. La Kasbah. Rue de la Mer Rouge»; 19. «Allée des bambous au jardin dessai»; 20. «Alger. Jardin dessai. Allée des dattiers»; 20. «Alger. Jardin dessai. Aloës en fleur»; 21. «Alger. Jardin dessai. Fleurs, palmiers chamaerops, rosiers grimpants»; 22. «Gorges de la Chiffa près Blidah. Ruisseau des singes»; 22. «Route des gorges»; 23. «Gorges de la Chiffa»; 24 «Entrée des gorges de la Chiffa»; 25. «Sur la route de Biskra»; 26. «Avant des gorges dEl Kantara»; 26. «Goerges dEl Kantara. Première oasis»; 27. «Dans les gorges dEl Kantara»; 27. «Oasis dEl Kantara»; 28. «Biskra. Place du marché»; 28. «Ouled Maïl»; 29. «Environs de Biskra (arabes nomades)»; 30. «Caravanes près Biskra»; 31. «Le désert (une prise du col de Sfa»; 31. «Au vieux Biskra»; 32. «Au vieux Biskra»; 33. «Vieux Biskra»; 34. «Femme de la tribu des Ouled Naïls»; 34. «Jeune femme arabde et son enfant»; 34. «Femme mauresque»; 34. «Femme des Ouled Naïl»; 34. «Musicien Algérien»; 34. «Chameaux sabreuvant»; 34. «Mchari monté par un Tarqui»; 35. «Sahara algérien. Caravane en marche»; 36. «Biskra. Passage de lOuled El-Outaïa par une caravane»; 36. «Biskra. Femme des Ouled-Naïls»; 37. «Casino de Biskra. Bergère et son troupeau de chèvre»; 37. «Timgad. Ruines du temple de Jupiter»; 38. «Timbad»; 39. «Constantine. Près des murs de la ville»; 41. «Tunis. Porte de France»; 41. «Une rue»; 42. «Ruines de Carthage»; 42. «Tunis»; 43. «Tunis. Barbouchi dans la cour de la maison»; 43. «Palais du Bardo. Les lions de Venise»; 44. «Bardo de Tunis»; 45. «Carthage. Le R. P. Delattre»; 46. «Le Ville dOran, de la compagnie transatlantique». 2 vol. Oblong (275 x 370 mm) ( 280 x 360 mm) of : 86 photographs (180 x 13mm) spread over [24] ff, [1]f with 11 small photographs; 92 photographs (150 x 955mm), (130 x 170 mm), (255 x 195 mm) on [24] ff. Including [2]ff. (small photographs), [3] ff. Blank. Vol. 1 : Bordeaux chagrin, decorated spine. Vol 2 : green chagrin, smooth mute back. Magnificent Album in two volumes circa 1930 on Algeria and Tunisia, comprising about 200 photographs of urban and rural landscapes, portraits and scenes of life. The photographs of the first volume are maintained by a sheet of thick paper partially glued on a cardboard page, front and back, allowing to slide them in a frame embellished with a red net. The photographs of the second volume are held on the front of a sheet of thick paper glued to the next one and pierced with 4 notches allowing to slide them in the corners. The photographs of the first volume are titled in black ink while those of the second volume are titled in pencil or directly at the bottom of them. Of varying sizes and not all with a title, they are almost all taken in landscape format. The set is mainly devoted to Algerian and Tunisian cities such as Algiers, Biskra, Blidah, Timgad, Carthage and Tunis, as well as their surroundings. Below is a list of all the photographs titled with the page number (vol. 1) or sheet number (vol. 2): Volume 1: 6. "Souks, Tunis, El Zitouna mosque"; 7. "Tunis, Sidi Ben Zia mosque"; 13. "Entrance to the Bardo"; 14. "Algiers, an Arab cemetery"; 18. "Algiers, entrance to the Kasbah"; 19. "Algiers, the Kasbah, a street"; 21. "The Wing in Algiers, "The Treville touch"; 21. "Port of Algiers"; 22. Governor's Palace"; 23. "Algiers. Place du gouvernement"; 23. "Alger. Place du gouvernement"; 24. "View of the desert taken from the Col de Sfa"; 24. "Caravan in the desert near Biskra"; 25. "Biskra. Entrance to the desert. Track"; 25. "A caravan on the move"; 26. "Biskra. Street of Ouled Maïls"; 27. "Tunis. Street and mosque El Zitouna"; 27. "Biskra. An Arab funeral"; 31. "A derailment near Biskra"; 36. "Blidah. The stream of monkeys"; 36. "Viaduct in the gorges of the Chiffa"; 37. "Near Blidah. Gorges of the Chiffa. Ruisseau des singes"; 37. "Blidah"; 42. "En route to the Tell near Biskra"; 44. "Carthage. Excavations. Byrsa Museum". Volume 2: 1 "Marseille. Funicular leading to N. D. de la Garde"; 1. D. de la Garde"; 2 "Valencia"; 3 "Valencia. Cathedral"; 3. "Alicante. Walk on the port"; 4. Municipal sprinkler"; 4. "Elche. Plantation of palms"; 5. "Elché"; 6. "Elché"; 7. "Elché"; 8. "Elché"; 9. "La Lealtard saludando el dia de San Ildefonso (23 Enero 1894). Cartagene. View taken from the house of Mr. Figuera"; 9. "Cartagene. The Besos (Cap. Franco) on its departure for Oran"; 10. "Oran. View taken on board the Besos"; 10. "Oran. In the upper part of the city"; 12. "Oran. Courtyard of the mosque of the Pasha"; 12. "Oran. The Negro village"; 13. "Clemcem. Path leading to the mosque of Sidi-Bon-Meddu"; 16. Algiers. Place du gouvernement. Statue of the Duke of Orleans. Mosque of the town hall"; 16. Place of the government"; 17. Algiers. Port. Wing of the admiral Gervais"; 18. "Algiers. The Kasbah. Rue de la Mer Rouge"; 19. "Allée des bambous au jardin d'essai"; 20. Algiers. Garden of test. Alley of the date palms"; 20. Algiers. Jardin d'essai. Aloes in flower"; 21. "Algiers. Jardin d'essai. Flowers, chamaerops palms, climbing roses"; 22. "Gorges of the Chiffa near Blidah. Ruisseau des singes"; 22. "Route des gorges"; 23. "Gorges de la Chiffa"; 24 "Entrée des gorges de la Chiffa"; 25. "Sur la route de Biskra"; 26. Before the gorges of El Kantara"; 26. "Goerges of El Kantara. First oasis"; 27. in the gorges of El Kantara; 27. oasis of El Kantara; 28. Biskra. "Caravans near Biskra"; 31. "The desert (a shot of the Sfa pass)"; 31. "In old Biskra"; 32. "In old Biskra"; 33. "Old Biskra"; 34. "Woman of the Ouled Naïls tribe"; 34. "Young Arab woman and her child"; 34. "Moorish woman"; 34. "Woman of the Ouled Naïl"; 34. "Algerian musician"; 34. "Camels drinking"; 34. "Mchari mounted by a Tarqui"; 35. "Algerian Sahara. Caravan on the move"; 36. Passage of the Ouled El-Outaïa by a caravan"; 36. Woman of the Ouled-Naïls"; 37. "Casino of Biskra. Shepherdess and her herd of goats"; 37. "Timgad. Ruins of the temple of Jupiter"; 38. "Timbad"; 39. "Constantine. Near the city walls"; 41. "Tunis. Gate of France"; 41. "A street"; 42. "Ruins of Carthage"; 42. "Tunis"; 43. "Tunis. Barbouchi in the courtyard of the house"; 43. "Bardo Palace. The lions of Venice"; 44 "Bardo of Tunis"; 45 "Carthage. The R. P. Delattre"; 46. The City of Oran, of the transatlantic company ".‎

‎[Photographs of Italy]. - [MAGNIFICENT COLLECTION OF PHOTOGRAPHS OF ITALY]‎

‎[Circa 1870-1880]. An extensive series of 132 stunning photographs of Italy and Italian artwork, most measuring 25 x 17 cm, some slightly smaller, some slightly larger, all mounted on leaves measuring 30x42 cm. and bound in three exquisite near contemporary (ab. 1900) oblong black half morocco bindings with four raised bands, gilt spines, boards with elaborately gilt corners, gilt border and to the middle of front boards a gilt vignette, gilt title (""Italian"" i.e. either Norwegian or Danish for Italy). and gilt volume-number. Housed in three equally elegant half morocco boxes with with gilt spines, marbled edges, and with middle of boards corresponding to those of the bindings. The boxes are also from ab. 1900. The boxes have a few traces of wear, but all in all, the set is in splendid condition.Many of the photographs have numberings and several of them also mention the motiv.Volume I contains 46 photographs, 8 by (Giacomo or his son Carlo) Brogi, 1 by Pompeo Pozzi, 4 by Maug and 33 unsigned. Most of the pictures are of ancient Roman buildings and renaissance art works. A few of the photos are from Milan.Volume II contains 49 photographs, 2 by Volpato and 2 by Brogi, the remaining 45 are unsigned. The first half depicts ancient Roman statues renaissance painting. The last part consists of photos portraying vast landscapes around the bay of Naples and Mount Vesuvius and cityscapes Volume III consists of 37 unsigned photographs of artworks mainly from Museo di Napoli.‎

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‎An extensive and stunning collection of photographs from Italy, a splendid example of a Victorian Grand Tour photo album from Milan in the north down to Rome and ending in Napoli, photos prepared while the traveler shopped and visited the Italian sites.Photography studios in different Italian cities developed different specialties and were especially oriented towards the three genres of portraiture, views and art reproductions, of which the present collection is a fine example. ""Among the activities of the most renowned firms (Brogi and Pozzi), there was ample space for the reproduction of works of art and monuments most representative of the art historical tradition and natural beauty of Italy. Nature was not only seen as such, but as an integral part of the landscape, and essential element of a whole in which nature and history, culture and nature harmoniously balanced and completed each other"". (Hannavy, Encyclopedia of Nineteenth Century Photography)Most of the photographs by Brogi are presumably from his first Pompeii campaign from 1879-1880 which we exhibited in Milan the year after. ‎

‎"Album with 30 original photographs of Palastine (ladscapes, monuments; persons...) Period 1875 - 1895. In fine condition."‎

‎" Album with 30 original photographs, album size 23 x 30 cm. Consists of 24 board-like leaves with 30 tipped on original photographs ( tipped on recto & verso on the first 6 leaves; the following onlt recto side). Photo size is 216 x 278 mm ( 23l are landscape format ; 7 are in portrait format). The album is in very good condition as are the photographs. The album has a half leather back and shows some wear at the binding. The interior with the photographs is in fine condition. Félix Bonfils started as a photographer in Beirut in 1867, he died in 1885. His son Adrien and his wife Marie-Lydie Cabanis continued his business after his death. The photographs are in fine condition, a few may show some tiny damage at a corner (occured during the mounting process). 27 are signed in the negative by Bonfils. 1 is signed by Hippolyte Arnoux, 2 are unsigned. Photographs with a manuscript caption: numbers 848, 668, 302, 264, 868, 899, 839, 861, 244, 318, 793, 388 (H.Arnoux), 324, 287, 154, 263 IV, 167, 281, 292, 407, 278. The following numbers have a printed caption (often in French and English) : 1042, 303, 840, 321, 1209, 309. Three photographs are unsigned or have an undecipherable number."‎

‎Photographs of Philippines‎

‎Philippines, years 50/60. 1 set of original photographs from Philippines, depicting natural sceneries, buildings, houses and people. Some pictures wear the Gerald Thomson (Masonic Temple) stamp, some others by Hamilton Wright from New York. All photographs in good condition. 12 photographs (26*20 cm) and 6 photographs (18*13 cm)‎

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‎Original photographs on Luzon Island, Manila, Jolo, etc.‎

‎NATIONAL GEOGRAPHIC MAGAZINE, VOL. 183, N° 6, JUNE 1993 (Contents: Chesapeake Bay-Hanging in the Balance, By Tom Horton Photographs by Robert W. Madden. The Iceman, By David Roberts Photographs by Kenneth Garrett Paintings by Greg Harlin...)‎

‎National Geographic Society. 1993. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 134 pages. Illustré de nombreux photos en couleur. Quelques planches dépliables.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Contents: Chesapeake Bay-Hanging in the Balance, By Tom Horton Photographs by Robert W. Madden. The Iceman, By David Roberts Photographs by Kenneth Garrett Paintings by Greg Harlin. Silence of the Songbirds, By Les Line Photographs by Scott Goldsmith. Corn, the Golden Grain, By Robert E. Rhoades Photographs by Peter Essick. Bangladesh: When the Water Comes, By Charles E. Cobb, Jr. Photographs by James P. Blair. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Lanterns on the Prairie: The Blackfeet Photographs of Walter McClintock‎

‎University of Oklahoma Press Broché 2009 In-4 (25,8 x 28 cm), broché, 322 pages, texte en anglais, photographies en noir et blanc ; coin supérieur du quatrième plat un peu corné, par ailleurs bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Color Photography 1969 : A selection of fine color photographs compiled by the Editors of Popular Photography‎

‎Ziff-Davis Publishing Company Revue 1969 In-4 (21,7 x 28,3 cm), revue agrafée, 144 pages, photographies en couleurs, édition internationale ; quelques infimes marques d'usage sur la couverture, bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Harry Smith : Magic Moments. Photographs by a San Francisco Youth 1900-1913‎

‎Stephen White Editions Cartonné avec jaquette 1981 In-4 (28,2 x 23,7 cm), cartonné avec jaquette, 128 pages, texte en anglais, photographies en noir et blanc ; jaquette usée (petites déchirures sans manque sur les bords frottés, marques d'usage sur les plats), quelques rousseurs sur le premier feuillet, par ailleurs le reste de l'ouvrage est en bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Maritime New York in Nineteenth-Century Photographs‎

‎Dover Publications, Inc. Dos carré collé 1980 In-4 (21 x 28 cm), dos carré collé, 160 pages, iconographie en noir et blanc, texte en anglais ; très bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Nubia : Sketches, Notes and Photographs‎

‎Scorpion Publishing Ltd Cartonné avec jaquette 1994 In-4 (23 x 30,7 cm), cartonné avec jaquette, 168 pages, texte en anglais, illustrations en couleurs ; pliures, petites déchirures et marques de frottement sur les bords de la jaquette, par ailleurs assez bon état géénral. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎19th Century, Modern and Contemporary Prints and Photographs (friday and saturday, may 5 and 6, 1978)‎

‎Christie, Manson & Woods International Inc. Broché 1978 In-8 (20x25.5 cm), broché, 1er plat illustré, 139 pages, catalogue de vente aux enchères (New York, friday and saturday, may 5 and 6, 1978), ouvrage en anglais, illustrations noir et blanc et couleurs in et hors-texte ; rousseurs au dos et au 4e plat, coiffes un peu frottées, une étiquette sur le 1er plat, intérieur frais, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Album with 34 original photographs. Antwerpen-Antwerp.‎

‎"8. 30 photographs size 22 x 16,3 cm, and 4 with size 15 x 10,5 cm, mounted on board 35,5 x 27,5 cm, contemporary half morocco binding. The photographs are not signed. They can be dated on iconographical grounds between 1872 and 1882. Street and harbour views; 14; statues; 7; church and building interiors; 6; partly foxed, and some photographs shows slight marginal oxydation still a very nice album with interesting and high quality photographs."‎

‎Album with 13 original albumine photographs depicting engravings of the ceiling of the Sistine Chapel in the Vatican, designed by Michelangelo Buonarotti.‎

‎" Paris, Atelier Central de Photographie, s.d. ( ca. 1865), 13 original photographs (200 x 305 mm), mounted on stiff board, with the company's blindstamp in the margin. The photographs depict interpretation engravings of the Sistine Chapel in the Vatican : a general view of the ceiling and 12 detailed views of the paintings in between the windows. In E.A. McCauley's study on Collard ( Industrial Madness, commercial photography in Paris 1848 - 1871 - pp 221) the author mentions a contract made out by Collard for reproductive photography of Italian art based on engravings by Forster. Probably these photographs are derived from this contract. Also bound in in the album : Logia di Rafaele nel Vaticano, 9 large similar photographs, one with a blind stamp in the margin : ''Photographie LAMPUÉ rue Saint Jacques Paris''; and another 10 leaves containing each 4 original photographs ( postcard format) of groteskes ( unsigned. The plateds bound in a red half morocco contemporary binding, boards covered with marbled paper, (paper at back cover partly gone, some signs of use at binding, on the whole still a good binding. Interior fine notwithstanding some sparse faint marginal stains. Interesting early album with reproductive photography of Italian art in the Vatican."‎

‎Composite travel album with 20 original photographs (albumine prints) of Egypt.‎

‎ Egypt/Paris, s.d. (ca. 1895), oblong album 44 x 30 cm, bound in red quarter morocco, marbled endpapers., Contains 20 cardboard-mounted original photographs. Size approx. 235 x 285 mm. Seventeen of the photographs are signed by Bonfils in the negative. They are numbered and with a title caption in the negative. One photo seems to be of much earlier date. The photographs don't show any fading of soiling. The album with the photographs is in near pristine state. Some of the boards show some undulating but everything is in very good condtion. Some of the boards show the small oval blindstamps of the Parisian art-and print dealer Goupil. His name is a warrant for the highest quality. It shows in this finely preserved album. We calculate the album at an approx. price of 100 Euro per picture. Most of the pictures show views of Cairo, one picture shows the grave of Mohammed's daughter in Damas. A complete list of the pictures, with photo number and title captions, in format Excell, can be had upon e-mail request (we don't send pictures, but of the outside of the album). The listed price is for the complete album.‎

‎Seeing Landscapes: The Creative Process Behind Great Photographs‎

‎Collins & Brown Broché 1999 In-4 (22,2 x 25,3 cm), broché, 157 pages, texte en anglais ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎Nassau County Long Island in early photographs 1869-1940‎

‎Dover Publications Inc. Album souple 1981 In-4 (22,5 x 30 cm.), album souple, couverture illustrée, 131 pages, 175 photographies noir et blanc, texte en anglais ; coiffes et coins un peu frottés, légères traces aux plats, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.‎

‎NATIONAL GEOGRAPHIC MAGAZINE, VOL. 184, N° 6, DEC. 1993 (Contents: Himalayan Caravans, Article and photographs by Eric Valli and Diane Summers. Glass: Capturing the Dance of Light, By William S. Ellis Photos by James L. Amos. The Superior Way of Life...)‎

‎National Geographic Society. 1993. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 137 pages. Illustré de nombreuses photos en couleur. 1 planche dépliable.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎Contents: Himalayan Caravans, Article and photographs by Eric Valli and Diane Summers. Glass: Capturing the Dance of Light, By William S. Ellis Photographs by James L. Amos. The Superior Way of Life, By Noel Grove Photographs by Medford Taylor. St. Petersburg, Capital of the Tsars, Article and photographs by Steve Raymer. Passion Vine Butterflies, Article and photographs by DarlyneA. Murawski. Classification Dewey : 420-Langue anglaise. Anglo-saxon‎

‎The Bloomsbury Photographs.‎

‎<p>Maggie Humm rassemble une sélection de ces photographies pour nous offrir un portrait frais du groupe Bloomsbury, les montrant dans une nouvelle intimité domestique. Elle donne vie à la texture de Bloomsbury: leurs loisirs, enfants, vêtements, maisons, domestiques, animaux de compagnie, vacances. Plusieurs photographies sont floues comme prises dans un moment de hâte, et des gros plans non protégés reflètent des relations personnelles complexes. Les photographies de Bloomsbury ne sont pas simplement des documents, mais des témoignages de relations, d’amitiés et de la signification de vies empathiques.</p><p>Maggie Humm est vice-présidente de la Virginia Woolf Society of Great Britain et professeur émérite d’études culturelles à l’université d’East London. Son travail sur Bloomsbury comprend Femmes modernistes et cultures visuelles: Virginia Woolf, Vanessa Bell, Photographie et cinéma, The Edinburgh Companion to Virginia Woolf and the Arts et son roman Talland House.</p><p>Photography framed the world of the Bloomsbury Group. The thousands of photographs surviving in albums kept by Virginia Woolf, Vanessa Bell, Dora Carrington, and Lytton Strachey, among others, today offer us a private insight into their lives.</p><p>Maggie Humm brings together a curated selection of these photographs to offer us a fresh portrait of the Bloomsbury Group, showing them in a new, domestic intimacy. She brings to life the texture of Bloomsbury: their pastimes, children, clothes, houses, servants, pets, holidays. Several photographs are blurred as if taken in a hurried moment of time, and unguarded close-ups reflect complex personal relationships. The Bloomsbury Photographs are not simply documents, but testimonies of relationships, friendships, and the significance of empathetic lives.</p><p>Maggie Humm is vice-chair of the Virginia Woolf Society of Great Britain and emeritus professor of Cultural Studies at the University of East London. Her work on Bloomsbury includes Modernist Women and Visual Cultures: Virginia Woolf, Vanessa Bell, Photography and Cinema, The Edinburgh Companion to Virginia Woolf and the Arts and her novel Talland House.</p> New Haven, 2025 Yale 240 p., nombreuses photographies N/B, reliure toile editeur 22 x 27,5‎

‎Neuf‎

‎Great mastery in photographs Legendary perfection: The Bolshoi in photographs. ‎

‎Great mastery in photographs Legendary perfection: The Bolshoi in photographs. In Russian /Bolshoe masterstvo v fotografiyakh Legendary perfection: The Bolshoi in photographs. Moscow: KPMG: TASS 2014. 160 p. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb2fcaf94d7992a0fb.‎

‎Early Louis Sullivan Building Photographs‎

‎, William K Stout Pub, 2001 Hardcover with dusjacket, + slipcase, in-folio 39x32cm. Illustrated allfords large-format reproductions of 125 b&w images of early buildings designed by Louis Sullivan. ISBN 9780970973115.‎

‎The photographs were made with care by Sullivan's photographers in close collaboration with him, using large view cameras, hand-ground lenses, and special films. For more than 40 years, Crombie (1914-1999) championed the photographs as the primary means for understanding Sullivan's work. In a collaborative effort, he and Plank (U. of Virginia) prepared an exhibit in 1991; and then, although Crombie felt that the photographs speak more than words could ever convey, Plank undertook investigation of the photographers and the provenance of the photographs, as well as preparation of interpretive text. ‎

‎Unique collection of 130 original black-white photographs, made by a corporal of the Belgian Army, from 1915 till 1917 at the frontline in West Flanders (Belgium), depicting various scenes (commando post, emergency bridge, allied airplane, bombed churches, portraits, trenches, provision train, reconnaissance zeppelin, air defense artillery, etc.)‎

‎s.l., 1915-1917 Collection of 130 original photographs contemporary printed on POP (Printing-out-paper), dimensions: 6x9cm., most of the pictures are sharp and in good condition while few of them are overexposed or somewhat vague, there is a short description written in pencil on the backside of most of the pictures which allows to identify some dates and/or names and/or locations, the pictures were taken by a Flemish corporal of the Health division of the Belgian Army, who served in the region of the Yser near Diksmuide and Perwys. This collection offers a unique insight of daily military life at the frontline of Worldwar I in West Flanders (Belgium), B100357‎

‎Manuscript Album with original photographs made on the occasion of the gift of the lace collection owned by John Tricks Spalding to the City of Nottingham in 1923.t‎

‎18. Nottingham, March 5th 1923, in-folio album, 35 x 28 cm, 42 leaves of stiff grey board, first two leaves contain a manuscript vellum leaf (framed in the board) describing the gift procedure, finely calligraphed, coloured and illustrated in the mediaeval style, the following 39 leaves contain the mounted photographs of the lace pieces, each with a manuscript caption written unto the board, some leaves contain two (smaller) photographs, many photographs contain more than one item, last leaf left blank. Bound in full red morocco, both covers decorated with fine gilt fillets and some floral ornaments, front cover center with the large initials J.T.S., smooth flat spine, all edges gilt, binding signed O. & J. Abbott Nottingham. The album is in near mint condition. Unique and finely made album presented by the city of Nottingham (Mayor Manning) on the fifth of March 1923 to John Tricks Spalding on the occasion of the official acceptance by the City and County of Nottingham of a collection of 156 pieces of lace, donated by the same JTS to the city. The collection had been on display for some time at the Textile Gallery in the Castle Museum. The two manuscript leaves are very finely written, illustrated and coloured in the mediaeval style, containing e.g. an initial with a bird, the coat of arms of the city of Nottingham, a view of the castle, the common red seal of the city, signed by the mayor and the town clerk. The photographs, bright lace on a dark background, depict e.g. ca. 50 pieces of Italian lace (Venice , Milan), ca. 19 pieces of Point d'Alençon , 11 pieces of Mechelen Lace (Flanders) .... J.T.S. was born in Exeter in 1844 and died at Nottingham in 1924. From Exeter his family moved to London, where he married in St. Martin in the Fields in 1868. The Spaldings were glove, lace and hosiery merchants. JTS moved to Nottingham where he became mayor in 1907-1908.‎

‎Japanese photo album. 50 coloured photographs in postcard format. Lacquered covers.‎

‎"11. S.l.s.d. (Kobe-Yokohama ca. 1900 ?), 50 coloured postcard size photographs, some with caption in the negative, mounted on 25 boards ( recto and verso), black lacquered covers with view of Fuyijama and a heron in the forefront at the frontcover. Sold as a collection of photographs because all the boards are loose. Some very faint foxing, most of the photographs slightly faded. Among the titled photographs; Shijogawara Kioto (see Cornell University item Image ID1570034).."‎

‎Fotografier efter Maliningar af Aug. Bang. Till Karl och Helene. (Album with original photographs).‎

‎"14. S.l. s.d. ( Stockholm, ca. 1890), in-folio, oblong, 33,5 x 47 cm, album with original photographs, mounted on stiff boards, large gilt title on front cover, album tied with red silk ribbon. Large fine photography album presented to ''Karl and Helene (?) '' with 18 leaves containing 14 large photographs and 4 smaller photographs (three leaves remained empty). The album opens with a view of the painter, holding his palet, in his studio. On the easel ; a two masted ship under sail , with a smoking funnel - this painting returns on one of the following pages. Most of the paintings depicted are marine paintings or coastal landscapes. One painting depicts two giant Egyptian pharao statues. The last three paintings depict opulent house interiors . Based on his studio picture we estimate the photographs to be taken around 1890, the painter being then 60 years old. Probably unique document."‎

‎Photography album containing 27 large original photographs of Yorkshire landscape made by William Marshall .‎

‎"8. North Yorkshire, photography album by William Marshall , s.d. (ca. 1938-1948), oblong format, 28 x 38 cm, imitation leather album with a metal ring binding, contains 1 portrait of the photographer and 27 photographs ( 19 x 24 cm) mounted on stiff black board. The photographs have written captions in white ink. Finely preserved photo album which can be dated from the sparse motorcars on some pictures ; early Forties of the last century. The black/white photographs depict village views and landscapes in North Yorkshire ; Burnsall , Red Lion at Burnsall , Appletreewick with the New Inn, Gayle and geese at Gayle , Simon's seat , Hubberholme , Hubberholme bridge , The George Inn , Dent church , Fountains Abbey , Jervaulx Abbey , Bainbridge, Gordale Scar , [...]. The album opens with a portrait of the photographer and a note explaining that his widow Marion donated the album to a friend. The photographs have apart from their documentary interest also a definite pictorial charm."‎