3323 books for « lewis c s »Edit

‎LEWIS BALTZ / SOL LEWITT‎

‎, Walter Koenig Verlag, 2020 PB, 300 x 230 mm, 88 pages, E/ G edition. * FINE/ neuf. ISBN 9783960987635.‎

‎The catalogue and the exhibition of the same name bring works by Lewis Baltz and Sol LeWitt into dialogue, exploring structures of spatial processes with their reduced visual language. Baltz was instrumental in conceptual photography taking its place as an equal among other media in the context of art. His groundbreaking serial works of the late 1960s and '70s describe places which were created as epiphenomena of a post-industrial society. LeWitt helped shape the understanding of contemporary art as a pioneer of conceptual art since the 1960s. His open cube structures of Serial Project (1967) and massive Black Cubes (2000) with their oversized forms point to an absence of function while the objects assert their presence in space.‎

‎Henry Taylor: The only portrait I ever painted of my momma was stolen.‎

‎New York & Milan, Rizzoli Electa, 2018 Cloth with Pastedown, 320 pages, 31.5 x 26 cm, richly illustrated, English text. *Very good condition. ISBN 9780847863105.‎

‎Henry Taylor's first comprehensive monograph, The Only Portrait I Ever Painted of My Momma Was Stolen, features over 200 works from 1992 onward. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, and performers, as well as friends from his ten years as a psychiatric technician. Taylor's topical range also encompasses notable figures and celebratory moments of African American cultural history as well as politically-charged and painful subjects such as police brutality and the prison industrial complex. Suites of Taylor's paintings, sculptures, and installations are reproduced alongside the artist's handwritten notes -- accounts of sittings, sketches, and Henryisms. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror, memory, and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment.‎

‎Gender and Status Competition in Pre-Modern Societies‎

‎, Brepols, 2022 Hardback, 340 pages, Size:156 x 234 mm, Illustrations:9 b/w, 6 col., 1 tables b/w., Language: English. ISBN 9782503596327.‎

‎Summary This innovative volume of cultural history offers a unique exploration of how gender and status competition have intersected across different periods and places. The contributions collected here focus on the role of women and the practice of masculinity in settings as varied as ancient Rome, China, Iran, and Arabia, medieval and early modern England, and early modern Italy, France, and Scandinavia, as well as exploring issues that affected people of all social rank, from raillery and pranks to shaming, male boasting about sexual conquests, court rituals, violence, and the use and display of wealth. Particular attention is paid to the performance of such issues, with chapters examining status and gender through cultural practices, especially specific (re)presentations of women. These include Roman priestesses, early Christian virgin martyrs, flirtation in seventh-century Arabia, and the attempt by an early modern French woman to take her place among the immortals. Together this wide-ranging and fascinating array of studies from renowned scholars offers new insights into how and why different cultures responded to the drive for status, and the complications of gender within that drive. TABLE OF CONTENTS List of Illustrations General Theme and Questions Part I: Practices Introduction Women, Seals, and Power in Prehistoric Iran and Central Asia - MARTA AMERI Exaequatio and aemulatio: Regulation of Elite Female Status Competition in Mid-Republican Rome - LEWIS WEBB Manly Virtues, Emotions, and Scars: Competition among Italian Renaissance Soldiers through Bodily Practices - GIULIA MOROSINI Shame and Boastfulness in Early Modern Italy: Showing off Masculinity and Exposing Sexual Submission in Class and Age Competitions - UMBERTO GRASSI 'I Am as Honest a Man as You': Gender and Conflicts about Status and Honour in Early Modern Sweden - JONAS LILIEQUIST Practices - Reflections and Concluding Remarks Part II: Performances Introduction Jealousy, Gender, and a Moralist's Mission in Early China - YIQUN ZHOU Early Medieval Board Games: Issues of Power and Gender - MARTHA BAYLESS The Social Circulation of Grief: Status Competition, Mourning and Gender in Seventeenth-Century China - MARTIN W. HUANG 'Just a Humble Petitioner of a Saint?': Devotion as a Strategy for Attaining Prestige in Fourteenth-Century Italian Canonization Processes - SARI KATAJALA-PELTOMAA Performances - Reflections and Concluding Remarks Part III: (Re)presentations Introduction Coniunx et sacerdos: Livia as Widow and Priestess of Divus Augustus - LOVISA BR NNSTEDT Double Martyrdom, Double Crown: Virgin Martyrs and Fourth-Century Ascetic Hierarchies - SISSEL UNDHEIM A Competitive Fantasy Figure and his Female Conquests: ?Umar ibn Abi Rabi?a - JULIA BRAY H lisenne de Crenne Challenging Male Mastery: Translating Virgil's Aeneid in the French Sixteenth Century - BRITT-MARIE KARLSSON AND SARA MODIG (Re)presentations - Reflections and Concluding Remarks‎

‎Like Breath on Glass : Whistler, Inness, and the Art of Painting Softly‎

‎, Mass. Sterling and Francine Clark Art Institute, 2008 Hardcover, grey cloth with silver imprint, 268 pages, dustjacket, 275 x 250 x 35 mm, book itself is in New condition, illustrated in soft colours / b/w, " easily a Collectors Item", *****The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass."*****. ISBN 9780300134063.‎

‎Released in conjunction with a 2008 exhibition. The title paraphrases American artist James McNeill Whistler, who said, "Paint should not be applied thick. It should be like breath on the the surface of a pane of glass." Catalog is accompanied by these articles: Painting Softly, An Introduction / Marc Simpson -- Whistler, Modernism, and the Creative Afflatus / Marc Simpson -- George Inness, Softness, and the Vapor Barrier / Leo G. Mazow -- True Illusions in Soft Paintings / Cody Hartley -- Materials for Immateriality / Joyce Hill Stoner -- The "Inaction Painters" and Their Moment / Michael J. Lewis -- Reflections on "The Color of Mood" / Wanda M. Corn. Simply stated, an exquisite book, and one that is worthy of any coffee table or personal library. Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic, this catalogue explores this painterly phenomenon. This copy was once owned by interior and garden designer Henriette Suhr and carries her bookplate at front.‎

‎Brick architecture of the colonial period in Maryland and Virginia.‎

‎New York, Dover Publications, 1970 Orig. illustr. soft-cover, 30 pp. + 118 b/w plates, 20.5x27.5 cm, illustr. in b/w., good cond. ISBN 0486224880.‎

‎Brick architecture of the colonial period in Maryland and Virginia.‎

‎Monde de l'Islam.‎

‎Anvers, Fonds Mercator, 1976 Relie en toile d'editeur sous jaquette en coul., 365 pp., 22.5x30.5cm., illustr. en coul. et n/b., jaquette avec 2 petites dechirures, bon etat. ISBN 9061530725.‎

‎wereld van de islam‎

‎Antwerpen, Fonds Mercator/ Mercatorfonds , 1976 Hardcover met linnen band en stofomslag, 365 blz., 22,5 x 30,5 cm, volledig ge llustreerd en in kleur, tekst in het Nederlands ISBN 9061530725.‎

‎Gulbenkian Apocalypse / Museu Funda o Calouste Gulbenkian, Lisbon. / Shelf mark: MS L.A. 139. / Date: England, c. 1265-70. /‎

‎Barcelona, M. Moleiro Editor, 2001 Bound in parchment, housed in a leather slipcase. Size: 29 23 cm. 152 pages, full-colour manuscript on parchment with 153 illuminations. ****NUMBERED COPY NO. 239 OF A LIMITED FACSIMILE EDITION OF 987 COPIES, ISSUED WITH A CERTIFICATE OF AUTHENTICITY.**** Includes a full-colour commentary volume by Em lio Rui Vilar, hardcover with dust jacket, 371 pages, richly illustrated with 299 coloured illustrations. Size: 33.5 22.5 cm.Languages: Spanish and English. ISBN 9788488526793.‎

‎More than 150 breathtakingly beautiful, shining gold miniatures for the Holy Father: one of the most beautiful English Apocalypse manuscripts of the early Gothic period, created for Pope Clement IV. The Gulbenkian Apocalypse originated in London between 1265 and 1270. The Gothic Apocalypse manuscript is adorned with high-quality miniatures in golden frames. It is one of the most beautiful manuscripts in the English Apocalypse tradition and is found today in the Gulbenkian Museum in Portugal, after which the codex is named.‎

‎Apocalypse et la Vie de saint Jean en images / The British Library, Londres / Cote : Add. Ms. 38121 Date : vers 1400 /‎

‎Barcelona, M. Moleiro Editor, 2019 Bound in luxurious brown-marron leather with gilt lettering, housed in a slipcase with gold motifs. 100 pages, 94 illuminations with gold richly decorated miniatures, either full-page or arranged across the page in multiple pictorial strips. Full-colour facsimile edition. Size: 32 23 cm. ****NUMBERED COPY NO. 418 OF A LIMITED FACSIMILE EDITION OF 987 COPIES, ISSUED WITH A CERTIFICATE OF AUTHENTICITY.*** Includes a full-colour commentary volume, 276 pages, hardcover with dustjacket, text by Richard K. Emmerson. ISBN 9788488526793.‎

‎Origine : sud des Pays-Bas; Illustrated Apocalypse which also features a series of illuminations on the life of Saint John the Evangelist as an introduction and colophon. It was produced around 1400 in the southern Netherlands. Its iconographic cycle is very similar to that of other 13th-century English Apocalypses ? also told in images. The illustrations in the codex are not only abundant, but also appealing in their colour, freshness and dynamism. Moreover, the narrative eloquence is such that it inevitably refers to the iconographic tradition of picture books and their entertaining nature. ‎

‎Pat Andrea: Alice in Wonderland ‎

‎Harderwijk, De Jonge Hond, 2008 Softcover, 140 pagina's, 30 x 23 cm, NL/EN. *Goede staat. ISBN 9789089100757.‎

‎En wat heb je aan een boek, dacht Alice, zonder plaatjes...? Zelfs Alice zou tevreden zijn met de illustraties die Lisbeth Zwerger voor deze nieuwe editie van Alice in Wonderland heeft gemaakt. De kleurrijke en fantasievolle prenten geven de vertaling van Nicolaas Matsier een heel eigen gezicht en zullen zowel grote als kleine lezers aanspreken. Lisbeth Zwerger illustreert al meer dan vijfentwintig jaar met veel succes kinder- en prentenboeken. Haar werk wordt wereldwijd bewonderd en is al met verscheidene prijzen bekroond, waaronder de Hans Christian Andersen Medal.‎

‎AMAT : QUATRE PAISATGES DE FONS 1975 - 1992‎

‎, Barcelona, Generalitat de Catalunya, 1993 Pictorial softcover, SPA.edition, double sided frontispice,305 x 245 x 25 mm., 253pp., profoundly illustrated in colour and b/w., in Good Condition ! ISBN 9788434307407.‎

‎Text in Spanish. Octubre 1993 - Gener 1994 Museu Ruino Tamayo Mexic D.F. Febrer - Abril 1994 Fundacio Joan Miro Barcelona. Abril - Juny 1994 Instituto de America Santa Fe. In good condition.‎

‎CAR AND LOCOMOTIVE CYCLOPEDIA 1974. First edition.‎

‎, Simmons-Boardman USA, 1974, Original cloth binding, 21x28cm‎

‎Includes definitions and illustration of railroad cars and locomoties, their components built for domestic and export service and includes shop practices and electrical fundamentals.‎

‎St Katherine of Alexandria Texts and Contexts in Western Medieval Europe,‎

‎Turnhout, Brepols, 2003 Hardback, XIV+257 p., 15 b/w ill., 160 x 245 mm. ISBN 9782503512907.‎

‎This volume contains an interdisciplinary collection of essays on St Katherine of Alexandria and her followers. St Katherine of Alexandria was one of the most popular saints in Medieval Europe. This book constitutes the first interdisciplinary collection of essays to explore her cult and the range of meanings which St Katherine embodied for her devotees. The essays between them consider a wide range of evidence, from visual representations (wall paintings, manuscript illuminations, stained glass, and seals), to literary texts (lives of the saint, prayers, hymns, devotional manuscripts, and breviaries) as well as documentary evidence (wills, chronicles, ecclesiastical records and antiquarian writings) and the physical remains of churches and chapels dedicated to St Katherine. These sources are interpreted as part of wider manifestations of devotion to the saint in England, France, Italy, Spain, Sweden and Wales. The authors approach the cult from varying disciplinary and methodological perspectives, but all seek to uncover the various religious, social and cultural messages contained within the different versions of St Katherine which these particular texts and contexts offer. The volume as a whole therefore sheds light not only on devotion to St Katherine, but also on a much wider range of issues and ideologies governing the lives of her devotees and the societies in which they lived. Languages : English.‎

‎Unreasonable behaviour: an autobiography‎

‎, New York : Knopf : 1992., Bound, half cloth with dj., 287pp., 25x17cm., ills. in b/w., good copy. ISBN 9780679406464.‎

‎Three Centuries of American Prints. From the National Gallery of Art.‎

‎, Thames & Hudson , 2016 Hardback, 29x24.5mm, 360p, 206 colour illustrations, English edition . ISBN 9780500239520.‎

‎Nearly 200 American prints, representing more than 100 artists, and dating from the colonial era to the present day, are brought together in this unprecedented volume from the National Gallery of Art to commemorate its collection and recent acquisitions. The artists featured range from Paul Revere through James McNeil Whistler, Mary Cassatt, Winslow Homer, Louise Nevelson, Romare Bearden, Andy Warhol, Robert Rauschenberg, Chuck Close, and Kara Walker. The works date from essentially every period in American history, so major art and historical themes running through the collection are readily visible. Lending context, twelve contributing authors discuss the varied themes in American art. Biographies of the artists and a glossary of printmaking terms are also featured. Since its founding in 1941, the National Gallery of Art has assiduously collected American prints with the help of many generous donors. The Gallery?s American print collection has grown from nearly 1,900 prints in 1950 to more than 22,500 prints today. The collection was recently transformed by the acquisition of an extraordinary group of 5,200 American prints brought together by Reba and Dave Williams. ‎

‎John Frederick Lewis, R.A. 1805-1876‎

‎Lewis, Major General J.M.: John Frederick Lewis, R.A. 1805-1876. Leigh-on-Sea: F. Lewis, 1978. 101pp with 1 tipped-in colour plate plus 75 monochrome illustrations. From a limited edition of 500 copies. Hardback. 29.5x23cms. Critical study, with a a catalogue of the watercolours and oil paintings. Limited edition of 500 copies.‎

‎Critical study, with a a catalogue of the watercolours and oil paintings. Limited edition of 500 copies‎

‎Lewis Carroll's Symbolic Logic. Symbolic Logic by Lewis Carroll. Part I Elementary 1896. Fifth Edition. Part II Advanced never previously published. Together with Letters from Lewis Carroll to emi‎

‎Clarkson N. potter 1977 in8. 1977. Cartonné jaquette. Lewis Carroll's Symbolic Logic. Symbolic Logic by Lewis Carroll. Part I Elementary 1896. Fifth Edition. Part II Advanced never previously published. Together with Letters from Lewis Carroll to eminent nineteenth-century Logicians and to his "logical sister " and eight versions of the Barber-Shop Paradox. Edited with annotations and an introduction by William Warren Bartley III‎

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‎Bon état avec sa jaquette (défraîchie) intérieur propre‎

‎Historical Studies in the Physical Sciences - Annual volume n° 6 - Sixth Annual Volume , (The emergence of Japan's first physicists, 1868-1900 - The reception of the Wave Theory of Light in Britain : A case study illustrating the role of methodology in scientific debate - Origins and consolidation of Field Theory in Nineteenth century Britain : From the mechanical to the electromagnetic view of nature - Hertz's researches on Electromagnetic Waves - God and nature : Priestley's way of rational dissent - Laurent, Gerhardt, and the Philosophy of Chemistry - The Lewis-Langnuit Theory of Valence and the chemical community, 1920-1928 - G.N. Lewis on Detailed Balancing, the Symmetry of Time, and the Nature of Light - Rutherford and Recoil Atoms : The metamorphosis and success of a once Stillborn Theory)‎

‎Princeton University Press , Historical Studies in the Physical Sciences Malicorne sur Sarthe, 72, Pays de la Loire, France 1975 Book condition, Etat : Bon hardcover, editor's binding, under editor's printed dust-jacket clear blue and black grand In-8 1 vol. - 564 pages‎

‎1 plate in frontispiece, Japanese, Kanagaki Robun, few black and white illustrations 1st edition, 1975 Contents, Chapitres : Contents, Editor's Foreword, xiv, Text, 550 pages, Contributors - Kenkichiro Koizumi : The emergence of Japan's first physicists, 1868-1900 - Geoffrey Cantor : The reception of the Wave Theory of Light in Britain : A case study illustrating the role of methodology in scientific debate - Barbara Giusti Doran : Origins and consolidation of Field Theory in Nineteenth century Britain : From the mechanical to the electromagnetic view of nature - Salvo d'Agostino : Hertz's researches on Electromagnetic Waves - J.G. McEvoy and J.E. McGuire : God and nature : Priestley's way of rational dissent - John Hedley Brooke : Laurent, Gerhardt, and the Philosophy of Chemistry - Robert E. Kohler, Jr. : The Lewis-Langnuit Theory of Valence and the chemical community, 1920-1928 - Roger H. Stuewer : G.N. Lewis on Detailed Balancing, the Symmetry of Time, and the Nature of Light - Thaddeus J. Trenn : Rutherford and Recoil Atoms : The metamorphosis and success of a once Stillborn Theory near fine copy, the dust-jacket is complete and near fine, but with minor wear (folding tracks mainly), the top of the right part is lightly torn on 2 cms, inside is fine, no markings‎

‎A Revision of the Fundamental Laws of Matter and Energy.‎

‎London, Taylor & Francis, 1908. Contemp. hcalf. Title-and tomelabels in leather on spine, gilt lettering, spine gilt. Wear to spine ends. A crack along hinges (covers not detached). Spine worn. A stamp to verso of titlepage. In: ""The London, Edinburgh, and Dublin Philosophical Magazine and Journal of Science"", Vol. XVI, Sixth Series. VIII,984 pp., textillustr. and 28 plates. (Entire volume offered). Lewis's paper: pp. 705-717. Internally clean and fine.‎

‎First apperance of Lewis' first paper on relativity in which he derived the mass-energy relationship in a different way from Albert Einstein's derivation.Lewis’ other theoretical interests also flourished at M.I.T. The publication of Einstein’s theory of relativity (1905) and his mass-energy equation renewed Lewis’ interest in his early speculations on radiation. He derived the mass-energy equation from his early idea of the pressure of light without using the principle of relativity (1908). This striking concurrence of his view with Einstein’s convinced Lewis of the value of his youthful ideas and made him one of the very few early supporters of Einstein and relativity in America. Lewis is best known for his discovery of the covalent bond in chemistry. and his naming of the ""photon"" in 1926.The volume contains further importent papers by Rutherford & Royds, Lord Kelvin, Barkla, Soddy, J.J. Thomson, W.H. Bragg.‎

‎Entretiens avec Lewis Trondheim. ‎

‎ L'Association, 2019. Fort et grand in-8 broché, couverture illustrée. ‎

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‎Devenu l'un des auteurs emblématiques de la "nouvelle bande dessinée" , et avec plus de 160 livres à son actif, Lewis Trondheim s'est essayé à tous les genres. Il est aussi membre fondateur de l'Oubapo (Ouvroir de bande dessinée potentielle), cofondateur de l'Association, et dirige la collection "Shampooing" aux éditions Delcourt. Il a contribué à la création du SNAC BD (syndicat des auteurs de bande dessinée) et a inventé le "Fauve" devenu la mascotte du festival d'Angoulême, manifestation qui l'a couronné de son Grand Prix en 2006. Cette carrière d'une richesse remarquable le place au carrefour de toutes les évolutions récentes de la bande dessinée. D'habitude peu enclin aux interviews et aux apparitions médiatiques, Lewis Trondheim s'est cette fois longuement entretenu avec Thierry Groensteen, théoricien et historien de la bande dessinée, et ami de longue date. Le texte qui en résulte éclaire non seulement un parcours artistique aux avant-postes de la création contemporaine, mais également une personnalité intègre, un esprit agile et inquiet, un tempérament joueur. Ce recueil d'entretiens, illustré de nombreux documents rares ou inédits fait le bilan - provisoire - d'une carrière étonnamment féconde. Enrichi du témoignage d'une dizaine de proches de Lewis, cet ouvrage a été publié à l'occasion de l'exposition rétrospective "Lewis Trondheim fait des histoires" présentée au musée de la Bande dessinée d'Angoulême en 2020. En raison de l'hospitalisation de votre libraire, les commandes reçues cette semaine seront traitées dès le 20 juillet. Merci de votre patience et de votre compréhension.‎

‎Ferdinand Ossendowski. De la prsidence á la prison. Introduction de Lewis Stanton Palen. Traduit de l'anglais par Robert Renard‎

‎Plon et Nourrit Broch D'occasion tat correct 01/01/1926 312 pages ‎

‎Catalogue de Vente Christie's : Lewis Carroll and Alice. The Private Collection of Justin G. Schiller.‎

‎ Etats-Unis, New York, Catalogue Christie’s " Lewis Carroll and Alice. The Private Collection of Justin G. Schiller " du 9 décembre 1998. In-4 broché de 84 pages au format 21 x 27 cm. Couverture illustrée d'un croquis de John Tenniel. Magnifique catalogue de vente du 9 décembre 1998 consacré à Lewis Carroll et Alice au Pays des Merveilles. Vente d'une fabuleuse richesse, ayant appartenu à Justin G. Schiller, avec 50 titres décrits avec illustrations, reproductions de croquis, dessins, livres, objets, manucrits et photographies de ou sur Lewis Carroll et John Tenniel. Tirage sur sur couché. Illustration dépliante, au format 31 x 26,5 cm, placée en milieu d'ouvrage, reproduisant la page de titre, et une double page, de l'édition de 1865 de Alice's Adventures in Wonderland. Edition originale en superbe état, proche du neuf. Indispensable et rare catalogue.‎

‎ Vente exclusivement par correspondance. Le libraire ne reçoit, exceptionnellement que sur rendez-vous. Il est préférable de téléphoner avant tout déplacement.Forfait de port pour un livre 10 € sauf si épaisseur supérieure à 3 cm ou valeur supérieure ou égale à 100 €, dans ce cas expédition obligatoire au tarif Colissimo en vigueur. A partir de 2 livres envoi en colissimo obligatoire. Port à la charge de l'acheteur pour le reste du monde.Les Chèques ne sont plus acceptés.Pour destinations extra-planétaire s'adresser à la NASA.Membre du Syndicat Lusitanien Amateurs Morues‎

‎Estampe allégorique médaille - Dédié à S.A.R. Madame, duchesse de Berry ‎

‎ Une superbe estampe allégorique représentant le projet de médaille pour Henri V, datée de 1849, présentée dans un format circulaire et agrémentée d'une figure centrale richement travaillée ainsi que de motifs symboliques décoratifs. La partie médaille est dorée et attire vraiment le regard. Signée et dédicacée à l'encre par John Lewis Brown, avec une dédicace à Son Altesse Royale Madame la duchesse de Berry. Sous l'image de la médaille, on peut lire : « John Lewis Brown inv. », ce qui signifie « invenit », c'est-à-dire « il l'a conçue/composée ». En très bon état. Serait du plus bel effet encadrée. Verso vierge. 395 x 275 mm‎

‎A handsome allegorical print of a medal design for Henri V, dated 1849, presented in a circular format and finished with a richly worked central figure and decorative symbolism. The medal part is finished in gilt, and is quite striking. Signed and inscribed in ink by John Lewis Brown, with a printed dedication to S.A.R. Madame, Duchesse de Berry. Under the medal's image it say: "John Lewis Brown inv." which means invenit, i.e. "he designed/composed it."In very good condition. Would look great framed. Blank verso. 395 x 275mm (15œ x 10Ÿ inches).‎

‎Lewis, E. St. E. The Credit man and his work. - Detroit: 1904.‎

‎In English. Short description. Lewis, E. St. E. The Credit man and his work. - Detroit: Book-Keeper Pub. Co., 1904. - 308 p.: ill. First edition. The book by acclaimed author Elias Lewis, a consulting attorney who has been honored to be inducted into the American Advertising Hall of Fame for his exceptional marketing expertise. The author's business slogan - Ask Lewis about it - has become famous outside the United States. He also founded AIDA's marketing model. 'The Credit Man and His Work' is still relevant today. The reader can get comprehensive information on the history of credit, lending methods in different countries, and also read about the evolution of credit. It is important in the work of the lender and practice - the publication is replete with advice on working with loans within the framework of the law and many examples that will be useful to the modern reader. Please feel free to contact us for a detailed description of the copies available. SKUMS000230‎

‎Partition de la chanson : The power of love ‎

‎ Intersong 1985‎

‎ Très bon état Format Coquille ‎